This series offers a range of heretofore unavailable writings in English translation on the subjects of art, architecture, and aesthetics. Camus's description of the French hotel argues that architecture should please the senses and the mind.
The three Nichols sisters, Rose, Marian and Margaret, came of age during a critical time in American craft history: the Arts and Crafts movement, active from 1880ー1910. Following the Industrial Revolution and widespread abandonment of cottage industries, champions of the Arts and Crafts movement, William Morris and John Ruskin, were calling for a return to handcrafts for the sake of beauty, quality and social progress. The values maintained and taught by members of the Arts and Crafts movement impacted the educations, careers and politics of the Nichols sisters.The Nichols sisters were instructed in handcrafts from a young age. Letters, memoirs and objects in the museum's collection tell the story of their work, including sewing, pottery and carpentry. The three Nichols sisters were not simply object makers. They also utilized their skills to educate and advocate for people from diverse socioeconomic backgrounds.This exhibition aims to harness the same spirit of making and community engagement in order to re-activate the spaces the Nichols family occupied. Four local artists were selected by a jury to create site specific works for the rooms of the Nichols House Museum. The artists utilized traditional techniques and materials that would have been familiar to the Nichols sisters. The framework of the exhibition contextualizes the voices of the four art makers within the history of the Nichols family in order to expand our interpretation to include contemporary thought.
With Genealogy as Found in Early Dutch Church Records, State and Government Documents, Together with Sketches of Colonial Times, Old Log Cabin Days, Indian Wars, Pioneer Hardships, Social Customs, Dress and Mode of Living of the Early Forefathers
First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.