Henrietta Rae (Mrs. Ernest Normand)

Henrietta Rae (Mrs. Ernest Normand)

Author: Arthur Fish

Publisher: Andesite Press

Published: 2015-08-12

Total Pages: 212

ISBN-13: 9781296798697

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Evelyn Pickering De Morgan and the Allegorical Body

Evelyn Pickering De Morgan and the Allegorical Body

Author: Elise Lawton Smith

Publisher: Fairleigh Dickinson Univ Press

Published: 2002

Total Pages: 268

ISBN-13: 9780838638835

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"This study of her work confirms that the idea of progress toward the afterlife is a recurrent motif, arising from a personal involvement in the movement of Spiritualism and paralleling the automatic writing passages in The Result of an Experiment (1909), anonymously published by Evelyn and her husband William De Morgan.".


Mythology and Misogyny

Mythology and Misogyny

Author: Joseph A. Kestner

Publisher:

Published: 1989

Total Pages: 446

ISBN-13:

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19th century British classical subject or mythological paintings have traditionally been viewed as little more than decorative canvases. In this work, the author claims these paintings are something more - an integral part of a broad-based value system that reinforced patriarchal dominance by inculcating misogynistic and gynophobic attitudes among the broad public.