Goltzius & the Third Dimension

Goltzius & the Third Dimension

Author: Stephen H. Goddard

Publisher: Sterling and Francine Clark Art Museum

Published: 2001

Total Pages: 92

ISBN-13:

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Published in conjunction with an exhibit of works by engraver Hendrick Goltzius (1558-1617) and sculptor Willem Danielsz van Tetrode, probably born in Delft around 1525, that showed at various museums in the US between October 2001 and May 2002. There is no index. Distributed in the US by Yale University Press. Annotation c. Book News, Inc., Portland, OR (booknews.com)


Passion and Virtuosity

Passion and Virtuosity

Author: William Breazeale

Publisher:

Published: 2013

Total Pages: 47

ISBN-13: 9780976085461

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Known as the master Dutch engraver of his time, as important for engraving as Rembrandt was for etching, Hendrick Goltzius was a pivotal printmaker of the late 16th century. His engaging subjects and highly versatile technique earned him praise and commissions throughout Europe. Drawing on collections throughout the state, including University of San Diego, LACMA, and the Achenbach Foundation for Graphic Arts as well as the Crocker, this exhibition brings together nearly 60 works for the first in-depth California exhibition on Goltzius in twenty years. At the core of this collaborative exhibition are Goltzius's Life of the Virgin and Passion of Christ series which show his chameleon-like virtuosity. Divided into five sections, the exhibition focuses as much on technique as on the subjects in the series and explores the influence and interpretation of earlier printmakers in Goltzius's work. Demonstrating the visual dialogue between Goltzius and precursors such as Albrecht Dürer, Passion and Virtuosity provides a deeper understanding of the history of engraving and visual culture in the late 16th century. The artist's own passion for his subjects and technique make the objects in the exhibition the most ambitious works of his career. This catalogue includes an illustrated checklist and essays by co-organizing curators William Breazeale, Crocker Art Museum, and Victoria Sancho Lobis, University of San Diego. Exhibition: The Crocker Art Museum, Sacramento, 20 October 2013-26 January 2014/ Robert and Karen Hoehn Family Galleries, University of San Diego, 21 February-25 May 2014.


Prints & People

Prints & People

Author: Alpheus Hyatt Mayor

Publisher: Metropolitan Museum of Art

Published: 1971

Total Pages: 497

ISBN-13: 0870991086

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Discusses the significance and history of printmaking and evaluates 700 prints.


Shaping the Netherlandish Canon

Shaping the Netherlandish Canon

Author: Walter S. Melion

Publisher: University of Chicago Press

Published: 1991

Total Pages: 481

ISBN-13: 0226519597

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A treatise on Dutch art on par with Vasari's critical history of Italian art, Karel van Mander's Schilder-Boeck (or Book on Picturing) has long been recognized for its critical and historical influence--and yet, until now, no comprehensive account of the book's conception, aims, and impact has been available. In this in-depth analysis of the content and context of Van Mander's work, Walter S. Melion reveals the Schilder-Boeck's central importance to an understanding of northern Renaissance and Baroque art. By interpreting the terminology employed in the Schilder-Boeck, Melion establishes the text's relationship to past and contemporary art theory. Van Mander is seen here developing his critical categories and then applying them to Ancient, Italian, and Netherlandish artists in order to mark changes within a culture and to characterize excellence for each region. Thus Melion demonstrates how Van Mander revised both the structure and critical language of Vasari's Lives to refute the Italian's claims for the superiority of the Tuscan style, and to clarify northern artistic traditions and the concerns of Netherlandish artists. A much needed corrective to the view that Dutch art of the period was lacking in theory, Melion's work offers a compelling account of a sixteenth- and seventeenth-century theoretical and critical perspective and shows how this perspective suggests a rereading of northern art.


Master Drawings from the Smith College Museum of Art

Master Drawings from the Smith College Museum of Art

Author: Smith College. Museum of Art

Publisher: Hudson Hills

Published: 2000

Total Pages: 344

ISBN-13: 9781555951832

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This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.


From Criminal to Courtier

From Criminal to Courtier

Author: David Kunzle

Publisher: BRILL

Published: 2021-10-11

Total Pages: 717

ISBN-13: 9004475680

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The art of the Netherlands (Dutch and Flemish) is unique in Early Modern Europe in its concern for military cruelty against civilians, principally the peasantry. Decimated by time and changes in taste, this popular iconography proves varied and extensive, stretching from Bruegel to and past Rubens. 'Massacres of the Innocents' continue to be a favourite subject through the Eighty Years War, in contrast to ruling-class glorifications of war. Dutch patriotic siege prints lay claim to 'scientific' precision in landscapes free of military terror, while the idea of military conquest is presented as generous rather than cruel in the ever-popular figure of Scipio Africanus. Most of the pictorial material is unfamiliar, some of it even to specialists and never before published; new light is shed on the more familiar phenomena of the civic guard groups and Ter Borch courtier-officers, 'good soldiers' overcoming a bad image.


The Riddle of Jael

The Riddle of Jael

Author: P. Scott Brown

Publisher: BRILL

Published: 2018-02-27

Total Pages: 372

ISBN-13: 9004364668

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Winner of the 2019 SECAC Award for Excellence in Scholarly Research and Publication In The Riddle of Jael, Peter Scott Brown offers the first history of the Biblical heroine Jael in medieval and Renaissance art. Jael, who betrayed and killed the tyrant Sisera in the Book of Judges by hammering a tent peg through his brain as he slept under her care, was a blessed murderess and an especially fertile moral paradox in the art of the early modern period. Jael’s representations offer insights into key religious, intellectual, and social developments in late medieval and early modern society. They reflect the influence on art of exegesis, the Reformation and Counter-Reformation, humanism and moral philosophy, misogyny and the battle of the sexes, the emergence of syphilis, and the Renaissance ideal of the artist.


Hendrick Goltzius (1558-1617)

Hendrick Goltzius (1558-1617)

Author: Norbert Michels

Publisher:

Published: 2017-11

Total Pages: 368

ISBN-13: 9783731905813

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Hendrick Goltzius? 1558 in dem niederrheinischen Ort Bracht bei Venlo geboren? ging 1577 mit seinem im Xantener Exil lebenden lehrer, dem niederländischen Philosophen, Schriftsteller und Kupferstecher Dirck Volckertsz. Coornhert (1522?1590) nach Haarlem. Dort machte sich Goltzius alsbald selbstständig und gründete 1582 einen eigenen Verlag, der schnell mit Spitzenprodukten der Druckgraphik hervortrat und sich länderübergreifend einen Namen machte. Basis hierfür war Goltzius? technische Brillanz und Virtuosität in der Handhabung des Kupferstichs, aber auch des Farbholzschnittes. In seinen sog.?Meisterstichen? stellte er sein technisches Vermögen unter Beweis, indem er Meisterwerke der Renaissance in der Handschrift Dürers, van Leydens, Tizians, Bassanos oder Barroccis täuschend echt nachahmte. Bei diesen Blättern, wie auch bei seinen eindrucksvollen eigenen Bilderfindungen, ging es jedoch nicht nur um bloße Reproduktion oder um Nachahmertum eines Eklektizisten, sondern um kreative Invention. Fast sämtliche Graphiken weisen neulateinische Epigramme von Humanisten auf, die mit moralischen Botschaften die Bilder kommentieren.00Exhibition: Anhaltische Gemäldegalerie, Dessau, Germany (10.11.2017-07.01.2018).