"Those who have read The Guernsey Literary and Potato Peel Pie Society, a novel comprised of only letters between the characters, will see how much that best-seller owes 84, Charing Cross Road." -- Medium.com A heartwarming love story about people who love books for readers who love books This funny, poignant, classic love story unfolds through a series of letters between Helene Hanff, a freelance writer living in New York City, and a used-book dealer in London at 84, Charing Cross Road. Through the years, though never meeting and separated both geographically and culturally, they share a charming, sentimental friendship based on their common love for books. Discover the relationship that has touched the hearts of thousands of readers around the world, and was the basis for a film starring Anthony Hopkins and Anne Bancroft.
This memoir tells the remarkable story of how Helene Hanff came to write 84, Charing Cross Road, and how its success changed her. Hanff recalls her serendipitous discovery of a volume of lectures by a Cambridge don, Sir Arthur Quiller-Couch. She devoured Q’s book, and, wanting to read all the books he recommended, began to order them from a small store in London at 84, Charing Cross Road. Thus began a correspondence that became an enormously popular book, play, television production, and movie, and that finally led to the trip to England -- and a visit to Q’s study -- that she recounts in this exuberant memoir. Hanff pays her debt to her mentor and shares her joyous adventures with her many fans. "Reading Helene Hanff’s book is like making a new friend -- a charming, wise, and funny one." -- Betty Rollin "A potpourri . . . easy and assured . . . A delightful companion for the odd hour." -- San Francisco Chronicle "Hanff’s charm is such that when she exults . . . we exult right along with her." -- Kirkus Reviews
“A charmer. Will beguile an hour of your time and put you in touch with mankind.” —New York Times Newly reissued with an introduction by Plum Sykes, this cult favorite is a delightful diary—think Nancy Mitford–meets–Nora Ephron—chronicling author Helene Hanff’s “bucket list” trip to London (at the age of fifty-five!) after the unexpected success of her memoir 84 Charing Cross Road. When she’s invited to London for the English publication of her wildly successful book, 84 Charing Cross Road—in which she shares two decades of correspondence with Frank Doel, a British bookseller who became a dear friend—New York writer Helene Hanff is thrilled to realize a lifelong dream. The trip will be bittersweet, because she can’t help wishing Frank was still alive, but she’s determined to capture every moment of the journey. Helene’s time in London exceeds her wildest expectations. She visits landmarks like Buckingham Palace and Windsor Castle; explores Shakespeare’s favorite pub, Dickens’s house, and the Oxford University courtyard where John Donne used to walk; and makes a host of new friends from all walks of life, who take her to the theater, introduce her to institutions like Harrod’s, and share with her their favorite corners of countryside. A love letter to England and its literary heritage, written by a Manhattanite who isn’t afraid to speak her mind (or tell a British barman how to make a real American martini), The Duchess of Bloomsbury Street is an endearing account of two wildly different worlds colliding; it’s an outsider’s witty, vibrant portrait of idiosyncratic British culture at its best, as well as a profound commentary about the written word’s power to sustain us, transport us, and unite us.
In her spirited, witty and vastly entertaining memoir, Helene Hanff recalls her ingenuous attempts to crash Broadway in the early forties as one of “the other 999.” Naive, nearsighted, frequently penniless but hopelessly stagestruck, she found her life governed by Flanagan’s Law: “No matter what happens to you, it’s unexpected.” Therefore, as a prize-winning Theatre Guild protégée with a brilliant future, Helene naturally found that all the producers who were going to produce her plays didn’t, and all the agents who were going to sell her plays couldn’t. Together with her best friend Maxine, an aspiring actress consigned to playing the comedy-ingénue in plays that regularly folded after five performances, she cultivated the “delicate, illegal art of getting everything for nothing”—from free seats to every Broadway show and neighborhood movie and borrowed outfits from Saks to voice lessons for Maxine and Greek lessons for Helene. To keep body and soul together until Broadway fame arrived, they devised an economic survival system that embraced such unlikely jobs as taking street-corner. Reviews — “Miss Hanff, having a good memory and a lively sense of humor, has composed a theater sketch that is realistic as well as hilarious....One of the most amusing recent theater books about the Broadway theater.”—Brooks Atkinson “A delightful book by an irrepressible author....What really lifts the book to a high level of entertainment is the sparkling humor. To describe the incidents wouldn’t do justice to the book’s charm which comes from the style of writing and Miss Hanff’s boundless optimism.”—Library Journal “A gay and entertaining book which also has substance.”—Boston Herald “Hilarious and highly successful. If you need cheering up, this is it. Here’s hoping Miss Hanff finds more failures to write books about.”—Columbus Dispatch
In 1942, with a black-market chicken tucked under his arm by his mother, Leo Marks left his father's famous bookshop, 84 Charing Cross Road, and went off to fight the war. He was twenty-two. Soon recognized as a cryptographer of genius, he became head of communications at the Special Operations Executive (SOE), where he revolutionized the codemaking techniques of the Allies and trained some of the most famous agents dropped into occupied Europe. As a top codemaker, Marks had a unique perspective on one of the most fascinating and, until now, little-known aspects of the Second World War. This stunning memoir, often funny, always gripping and acutely sensitive to the human cost of each operation, provides a unique inside picture of the extraordinary SOE organization at work and reveals for the first time many unknown truths about the conduct of the war. SOE was created in July 1940 with a mandate from Winston Churchill to "set Europe ablaze." Its main function was to infiltrate agents into enemy-occupied territory to perform acts of sabotage and form secret armies in preparation for D-Day. Marks's ingenious codemaking innovation was to devise and implement a system of random numeric codes printed on silk. Camouflaged as handkerchiefs, underwear, or coat linings, these codes could be destroyed message by message, and therefore could not possibly be remembered by the agents, even under torture. Between Silk and Cyanide chronicles Marks's obsessive quest to improve the security of agents' codes and how this crusade led to his involvement in some of the war's most dramatic and secret operations. Among the astonishing revelations is his account of the code war between SOE and the Germans in Holland. He also reveals for the first time how SOE fooled the Germans into thinking that a secret army was operating in the Fatherland itself, and how and why he broke the code that General de Gaulle insisted be available only to the Free French. By the end of this incredible tale, truly one of the last great World War II memoirs, it is clear why General Eisenhower credited the SOE, particularly its communications department, with shortening the war by three months. From the difficulties of safeguarding the messages that led to the destruction of the atomic weapons plant at Rjukan in Norway to the surveillance of Hitler's long-range missile base at Peenemünde to the true extent of Nazi infiltration of Allied agents, Between Silk and Cyanide sheds light on one of the least-known but most dramatic aspects of the war. Writing with the narrative flair and vivid characterization of his famous screenplays, Marks gives free rein to his keen sense of the absurd and wry wit without ever losing touch with the very human side of the story. His close relationship with "the White Rabbit" and Violette Szabo -- two of the greatest British agents of the war -- and his accounts of the many others he dealt with result in a thrilling and poignant memoir that celebrates individual courage and endeavor, without losing sight of the human cost and horror of war.
“With a cast of characters reminiscent of the French film Amélie, Féret-Fleury creates a world that is delightful and enchanting...Light and sweet as a bonbon, this little confection of a book is delicious.” —Kirkus Reviews For fans of Amélie and The Little Paris Bookshop, a modern fairytale about a French woman whose life is turned upside down when she meets a reclusive bookseller and his young daughter. Juliette leads a perfectly ordinary life in Paris, working a slow office job, dating a string of not-quite-right men, and fighting off melancholy. The only bright spots in her day are her métro rides across the city and the stories she dreams up about the strangers reading books across from her: the old lady, the math student, the amateur ornithologist, the woman in love, the girl who always tears up at page 247. One morning, avoiding the office for as long as she can, Juliette finds herself on a new block, in front of a rusty gate wedged open with a book. Unable to resist, Juliette walks through, into the bizarre and enchanting lives of Soliman and his young daughter, Zaide. Before she realizes entirely what is happening, Juliette agrees to become a passeur, Soliman’s name for the booksellers he hires to take stacks of used books out of his store and into the world, using their imagination and intuition to match books with readers. Suddenly, Juliette’s daydreaming becomes her reality, and when Soliman asks her to move in to their store to take care of Zaide while he goes away, she has to decide if she is ready to throw herself headfirst into this new life. Big-hearted, funny, and gloriously zany, The Girl Who Reads on the Métro is a delayed coming-of-age story about a young woman who dares to change her life, and a celebration of the power of books to unite us all.
