Helen van Dongen: Robert Flahertys "Louisiana Story"
Author: Eva Orbanz
Publisher:
Published: 1998
Total Pages: 149
ISBN-13: 9783896692306
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Filming Robert Flaherty's Louisiana Story
Author: Helen Durant
Publisher: The Museum of Modern Art
Published: 1998
Total Pages: 152
ISBN-13: 9780870700811
DOWNLOAD EBOOKThis book details the production of Robert Flaherty's most beautiful and most ambitious film, Louisiana Story. At its core are the production diaries of Helen van Dongen, associate producer and editor for the project and a pioneer among women filmmakers. Her informative notes, which have never before been published, illuminate the problems and challenges of shooting and cutting the film on location in the bayou country of Louisiana. The essays describe the creative partnership that van Dongen developed with Flaherty. They also provide insight into New York's documentary film scene during the 1930s and '40s. The illustrations include film stills, working documents, and archival photographs; there are also biographies and filmographies.
Robert J. Flaherty
Author: Paul Rotha
Publisher: University of Pennsylvania Press
Published: 2015-09-30
Total Pages: 404
ISBN-13: 1512818518
DOWNLOAD EBOOKProducer of Nanook of the North, Moana, Man of Aran, and other pioneering documentaries between 1920 and 1940, Robert J. Flaherty was America's first independent film artist. Popular conceptions of Flaherty have led many either to worship his work and regard him in mythical terms or to debunk him as a fraud and castigate him for lack of a social consciousness. Rarely has the attempt been made to understand him in the context of his times. This captivating study presents Flaherty through the eyes of someone who knew him personally—the brilliant British filmmaker and scholar Paul Rotha. A colleague and close friend of Flaherty, Rotha gives us s a powerfully written biography that is a balanced and intimate look at the life and work of an American genius. Editor Jay Ruby has restored the Rotha biography, including a wealth of anecdotes, letters, and memoirs that begin to bring Robert Flaherty the man into focus. An especially valuable dimension of this work is the appraisal of Flaherty the filmmaker from the viewpoint of a major figure of the British industry. He summarizes in detail the critical response to Flaherty of his contemporaries, about which only sketchy information has previously been available. Flaherty regarded himself as an explorer as well as a filmmaker. The exciting story of this biography takes us from the Arctic, where Flaherty spent years filming Nanook, to the South Pacific, England, the Aran Islands, and finally the United States. his courage and overarching vision resulted in an unprecedented recording of the human struggle and in documentary films that reached a wider audience than ever before.
Encyclopedia of the Documentary Film 3-Volume Set
Author: Ian Aitken
Publisher: Routledge
Published: 2013-10-18
Total Pages: 1663
ISBN-13: 1135206201
DOWNLOAD EBOOKThe Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.
A Philosophical History of Documentary, 1895–1959
Author: Dan Geva
Publisher: Springer Nature
Published: 2021-09-15
Total Pages: 393
ISBN-13: 3030794660
DOWNLOAD EBOOKThis book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of “documentary” between the years 1895 and 1959. The book dedicates one chapter to each of the thirty definitions, scrutinizing their idiosyncratic language games from close range while focusing on their historical roots and concealed philosophical sources of inspiration. Dan Geva's principal argument is twofold: first, that each definition is an original ethical premise of documentary; and second, that only the structured assemblage of the entire set of definitions successfully depicts the true ethical nature of documentary insofar as we agree to consider its philosophical history as a reflective object of thought in a perpetual state of being-self-defined: an ethics sui generis.
Engaging Film
Author: Tim Cresswell
Publisher: Rowman & Littlefield Publishers
Published: 2002-03-20
Total Pages: 348
ISBN-13: 0742578356
DOWNLOAD EBOOKEngaging Film is a creative, interdisciplinary volume that explores the engagements among film, space, and identity and features a section on the use of films in the classroom as a critical pedagogical tool. Focusing on anti-essentialist themes in films and film production, this book examines how social and spatial identities are produced (or dissolved) in films and how mobility is used to create different experiences of time and space. From popular movies such as 'Pulp Fiction,' 'Bulworth,' 'Terminator 2,' and 'The Crying Game' to home movies and avant-garde films, the analyses and teaching methods in this collection will engage students and researchers in film and media studies, cultural geography, social theory, and cultural studies.
When The Shooting Stops ... The Cutting Begins
Author: Ralph Rosenblum
Publisher: Da Capo Press
Published: 2009-04-20
Total Pages: 322
ISBN-13: 0786747382
DOWNLOAD EBOOKThe story of one of the most important and least-understood jobs in moviemaking-film editing-is here told by one of the wizards, Ralph Rosenblum, whose credentials include six Woody Allen films, as well as The Pawnbroker, The Producers, and Goodbye, Columbus. Rosenblum and journalist Robert Karen have written both a history of the profession and a personal account, a highly entertaining, instructive, and revelatory book that will make any reader a more aware movie-viewer.
Intersecting Film, Music, and Queerness
Author: Jack Curtis Dubowsky
Publisher: Springer
Published: 2016-04-08
Total Pages: 266
ISBN-13: 1137454210
DOWNLOAD EBOOKIntersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.
Screening Reality
Author: Jon Wilkman
Publisher: Bloomsbury Publishing USA
Published: 2020-02-18
Total Pages: 521
ISBN-13: 1635571057
DOWNLOAD EBOOK“A towering achievement, and a volume I know I'll be consulting on a regular basis.”-Leonard Maltin "Authoritative, accessible, and elegantly written, Screening Reality is the history of American documentary film we have been waiting for." --Kenneth Turan, Los Angeles Times film critic From Edison to IMAX, Ken Burns to virtual environments, the first comprehensive history of American documentary film and the remarkable men and women who changed the way we view the world. Amidst claims of a new “post-truth” era, documentary filmmaking has experienced a golden age. Today, more documentaries are made and widely viewed than ever before, illuminating our increasingly fraught relationship with what's true in politics and culture. For most of our history, Americans have depended on motion pictures to bring the realities of the world into view. And yet the richly complex, ever-evolving relationship between nonfiction movies and American history is virtually unexplored. Screening Reality is a widescreen view of how American “truth” has been discovered, defined, projected, televised, and streamed during more than one hundred years of dramatic change, through World Wars I and II, the dawn of mass media, the social and political turmoil of the sixties and seventies, and the communications revolution that led to a twenty-first century of empowered yet divided Americans. In the telling, professional filmmaker Jon Wilkman draws on his own experience, as well as the stories of inventors, adventurers, journalists, entrepreneurs, artists, and activists who framed and filtered the world to inform, persuade, awe, and entertain. Interweaving American and motion picture history, and an inquiry into the nature of truth on screen, Screening Reality is essential and fascinating reading for anyone looking to expand an understanding of the American experience and today's truth-challenged times.
Carbon Nation
Author: Bob Johnson
Publisher: University Press of Kansas
Published: 2017-07-15
Total Pages: 263
ISBN-13: 0700625208
DOWNLOAD EBOOKFossil fuels don’t simply impact our ability to commute to and from work. They condition our sensory lives, our erotic experiences, and our aesthetics; they structure what we assume to be normal and healthy; and they prop up a distinctly modern bargain with nature that allows populations and economies to grow wildly beyond the older and more clearly understood limits of the organic economy. Carbon Nation ranges across film and literary studies, ecology, politics, journalism, and art history to chart the course by which prehistoric carbon calories entered into the American economy and body. It reveals how fossil fuels remade our ways of being, knowing, and sensing in the world while examining how different classes, races, sexes, and conditions learned to embrace and navigate the material manifestations and cultural potential of these new prehistoric carbons. The ecological roots of modern America are introduced in the first half of the book where the author shows how fossil fuels revolutionized the nation’s material wealth and carrying capacity. The book then demonstrates how this eager embrace of fossil fuels went hand in hand with both a deliberate and an unconscious suppression of that dependency across social, spatial, symbolic, and psychic domains. In the works of Eugene O’Neill, Upton Sinclair, Sherwood Anderson, and Stephen Crane, the author reveals how Americans’ material dependencies on prehistoric carbon were systematically buried within modernist narratives of progress, consumption, and unbridled growth; while in films like Charlie Chaplin’s Modern Times and George Stevens’s Giant he uncovers cinematic expressions of our own deep-seated anxieties about living in a dizzying new world wrought by fossil fuels. Any discussion of fossil fuels must go beyond energy policy and technology. In Carbon Nation, Bob Johnson reminds us that what we take to be natural in the modern world is, in fact, historical, and that our history and culture arise from this relatively recent embrace of the coal mine, the stoke hole, and the oil derrick.
