This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A reissue of the controversial novel about middle-class Jewish life in Old San Francisco. Originally published in 1900 and set in fin-de-siècle California, Heirs of Yesterdayby Emma Wolf (1865–1932) uses a love story to explore topics such as familial loyalty, the conflict between American individualism and ethno-religious heritage, and anti-Semitism in the United States. The introduction, co-authored by Barbara Cantalupo and Lori Harrison-Kahan, includes biographical background on Wolf based on new research and explores key literary, historical, and religious contexts for Heirs of Yesterday.It incorporates background on the rise of Reform Judaism and the late nineteenth-century Jewish community in San Francisco, while also considering Wolf’s relationship to the broader literary movement of realism and to other writers of her time. As Cantalupo and Harrison-Kahan demonstrate, the publication history and reception of Heirs of Yesterdayilluminate competing notions of Jewish American identity at the turn of the twentieth century. Compared to the familiar ghetto tales penned by Yiddish-speaking, Eastern European immigrant writers, Heirs of Yesterdayoffers a very different narrative about turn-of-the-twentieth-century Jewish life in the United States. The novel’s central characters, physician Philip May and pianist Jean Willard, are not striving immigrants in the process of learning English and becoming American. Instead, they are native-born citizens who live in the middle-class community of San Francisco’s Pacific Heights, where they interact socially and professionally with their gentile peers. Tailored for students, scholars, and readers of women’s studies, Jewish studies, and American literature and history, this new edition of Heirs of Yesterday highlights the art, historical value, and controversial nature of Wolf’s work.
An “original and moving” (The New York Times Book Review), “must-read” (People) portrait of an unforgettable, patrician Manhattan family and the tangled nature of inheritance and legacy, from the author of Like Mother, Like Mother “An absorbing page-turner, full of sex and secrets . . . I loved getting to know the entire Falkes clan.”—New York Times bestselling author Emma Straub AN NPR BEST BOOK OF THE YEAR When English-born lawyer Rupert Falkes dies, his wife and five adult sons are bereft—even more so when six months later, their grieving is interrupted by an unknown woman suing Rupert’s estate, claiming that he was also the father to her two sons. The Falkes brothers are pitched into turmoil, at once missing their father and feeling betrayed by him. In disconcerting contrast, their mother, Eleanor, is cool and calm, showing preternatural composure. Eleanor and Rupert had made an admirable life together, and they were proud of their handsome, talented sons: Harry, a brash law professor; Will, a savvy Hollywood agent; Sam, an astute doctor and scientific researcher; Jack, a jazz trumpet prodigy; Tom, a public-spirited federal prosecutor. The brothers see their identity and success as inextricably tied to family loyalty—a loyalty they always believed their father shared. Struggling to reclaim their identity, the brothers find Eleanor’s sympathy toward the woman and her sons confounding, and they begin to question whether they knew either of their parents at all.
The scholarship devoted to American literary realism has long wrestled with problems of definition: is realism a genre, with a particular form, content, and technique? Is it a style, with a distinctive artistic arrangement of words, characters, and description? Or is it a period, usually placed as occurring after the Civil War and concluding somewhere around the onset of World War I? This volume aims to widen the scope of study beyond mere definition, however, by expanding the boundaries of the subject through essays that reconsider and enlarge upon such questions. The Oxford Handbook of American Literary Realism aims to take stock of the scholarly work in the area and map out paths for future directions of study. The Handbook offers 35 vibrant and original essays of new interpretations of the artistic and political challenges of representing life. It is the first book to treat the subject topically and thematically, in wide scope, with essays that draw upon recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work. Contributors here tease out the workings of a particular concept through a variety of authors and their cultural contexts. A set of essays explores realism's genesis and its connection to previous and subsequent movements. Others examine the inclusiveness of representation, the circulation of texts, and the aesthetic representation of science, time, space, and the subjects of medicine, the New Woman, and the middle class. Still others trace the connection to other arts--poetry, drama, illustration, photography, painting, and film--and to pedagogic issues in the teaching of realism. As a whole, this volume forges exciting new paths in the study of realism and writers' unending labor to represent life accurately.
The Legends of King Arthur--what if Mallory got it wrong? What if the ancient script used by Troyes contained translation errors? What if the monks in the middle ages forgot to transpose the nouns and adjectives in the ancient Latin texts and what should have read 'rotunda on the plateau' instead came out as the nonsensical 'round table.' The Heirs of Fate unscrambles the puzzle and turns the Arthurian legends into a logical and more credible novel. With unforgettable characters and action-packed drama, Ms. Younkins has woven a novel that will be hard to put down. Set in the 5th and 6th Centuries C.E., the novel starts with Merlin's rise to fame, travels through Arthur's stellar achievements, and ends with the collapse of the Romano-Briton Empire.
Provides critical overviews of the main writers and key themes of Anglophone Jewish fictionThis collection of essays represents a new departure for, and a potentially (re)defining moment in, literary Jewish Studies. It is the first volume to bring together essays covering a wide range of American, British, South African, Canadian and Australian Jewish fiction. Moreover, it complicates all these terms, emphasising the porousness between different national traditions and moving beyond traditional definitions of Jewishness. For the sake of structural clarity, the volume is divided into three parts American Jewish Fiction British Jewish Fiction and International and Transnational Anglophone Jewish Fiction but many of the essays cross over these boundaries and speak to each other implicitly, as well as, on occasion, explicitly. Extending and redefining the canon of modern Jewish fiction, the volume juxtaposes major authors with more marginal figures, revising and recuperating individual reputations, rediscovering forgotten and discovering new work, and in the process remapping the whole terrain. This volume opens windows onto vistas that previously had been obscured and opens doors for the next generation of studies that could not proceed without a wide-ranging, visionary empiricism grounding their work. The Edinburgh Companion is a paradigm-changing event, and nothing in Jewish literary studies that follows can fail to pay close attention to it. Key Features:Highlights the rich diversity of the field and identifies its key themes, including immigration, the Diaspora, the Holocaust, Judaism, assimilation, antisemitism and ZionismAnalyses the main trends in Anglophone Jewish fiction and situates them in historical contextDiscusses the place of Anglophone Jewish fiction in relation to critical debates concerning transatlanticism and transnationalism; ethnicity and identity politics; postcolonial studies, feminist studies and Jewish Studies. With a preface by Mark Shechner, the volume contains 28 essays by contributors including Vicki Aarons (Trinity University, Texas), Debra Shostak (Wooster College, Ohio), Ira Nadel (University of British Columbia), Efraim Sicher (Ben-Gurion University, Phyllis Lassner (Northwestern University), Sue Vice (University of Sheffield), Lori Harrison-Kahan (Boston College), Ruth Gilbert (University of Winchester), Beate Neumeier (University of Cologne) andSandra Singer (University of Guelph).David Brauner is Professor of Contemporary Literature at The University of Reading.Axel Sta er is Reader in Comparative Literature at the University of Kent, Canterbury.
