Heinrich Mann: Mirror and Antagonist of His Time
Heinrich Mann: Mirror and Antagonist of His Time

Author: Alexander Von Fenner

Publisher: Diplomica Verlag

Published: 2008-08

Total Pages: 105

ISBN-13: 3836665034

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The following scientific work about Heinrich Mann is the translation of my examination "Heinrich Mann: Die Entwicklung im Fr hwerk vom "sozialkritischen" zum "politischen" Roman," published 2007 in Germany and entitled: "Heinrich Mann: Mirror and antagonist of his time." This work describes his early literary his early literary life and shows his attitude towards most of the changes in the society during the turn of the century. At the same time it demonstrates his change to a democrat and the way how he engrosses his thoughts to become a political author. At the beginning of his rise to a literary example for a small group of youngf writers he was a member and observer of the special period called "Fin de si cle." Starting as a journalist he learned from french examples like Balzac, Bourget and Zola and he wasreally impressed by the French spirit and styles of literature in the middle of the 19th century. Certainly he has been influenced by contemporary literature and authors from Germany. But nevertheless he was more focused on the French spirit of this period. Heinrich Mann, born 1871, brother of the established Thoms Mann was not an important writer. In my opion and in comparison to his brother he was the one who was underestimated in his time. Besides his personal development in his work shows why he was just the opposite to Thomas Mann - more brilliant than well-known for the enexperienced reader of German literature. The reason for it may be his attitude to prefer peace more than the other side of the German national mood to overwhelm other nations by hostile tendencies before the First World War. His special authorial abilities can be realised in how he describes the political attitudes in his own ironical and sarcastic style. In this article the literary work of Heinrich Mann caricatures the German Empire which is presented by means of my comparisons of the three novels "Im Schlaraffenland," (1900), "Professor Unrat" (1905) and "Die Kleine Stadt" (1909).

Heinrich Mann: The development of the 'sociocritical' novel to a 'political' novel in the early work
Heinrich Mann: The development of the 'sociocritical' novel to a 'political' novel in the early work

Author: Alexander v. Fenner

Publisher: diplom.de

Published: 2014-04-11

Total Pages: 71

ISBN-13: 3836612917

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Inhaltsangabe:Abstract: In the beginning of the 20th century numerous changes in the social, economic and political level flow together. In the ambivalent spirit of end time and break-up different trends of literature are unfolded. For the young Heinrich Mann these processes continue in his early work as a writer and qualify for interpretation and the hope to overcome the Fin de siécle trend. The selected novels of this work Im Schlaraffenland Ein Roman unter feinen Leuten (1900), Professor Unrat oder Das Ende eines Tyrannen (1904) and Die Kleine Stadt (1909) represent the development of this intention. At first they appear as a satirical criticism of the society and later in the second half of the decade as a draft for a democratic society. In the following the former novels Im Schlaraffenland and Professor Unrat are mentioned without subheading. This work shall point out the very development phase of Heinrich Mann between 1900 and 1909 until the beginning of his political writing. As a result of biographical and literary effects he takes up a special position and shows a change in his early work. His critical and satirical examination of the society associated with a special style of speech open out in a preachy democratic ideal of the society after the turning year 1905. On the one hand these positions make the career of the man of letters difficult in the German nationalistic empire. On the other hand they make him to become a precursor of a vanguard readership. Before the philosophical influence of Friedrich Nietzsche and the literary effect of predominantly French origin on Heinrich Mann will be dwelled on, this work will give a short overview of the literary understanding. After this the three mentioned novels will be discussed in the chapters 2., 3. and 4. and will be correlated. It will become apparent that there is a strong breach of Heinrich Mann in his satires and his democratic utopia. After the year 1905 Heinrich Mann changes his mind back to the time of reconnaissance, Jean Jacques Rousseau s ideal of the society and the trilogy imagination of liberty, equality and brotherliness of the French revolution of 1789. His guiding themes of power and spirit, the dualism of the society and the individual and the problems of the artist are therefore at the figure of change in the first decade of the 20th century. Inhaltsverzeichnis:Table of Contents: HEINRICH MANN: MIRROR AND ANTAGONIST OF HIS TIME1 INTRODUCTION3 1.The Fin [...]

Wilhelm II and the Germans
Wilhelm II and the Germans

Author: Thomas August Kohut

Publisher: Oxford University Press, USA

Published: 1991

Total Pages: 344

ISBN-13: 0195061721

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This striking biography of Kaiser Wilhelm II is the most penetrating study to date of his development and personality, as well as an important contribution to our understanding of the crucial period in history that bears his name, 'Wilhelmine Germany'. A skilful, psychoanalytically informed analysis of the Kaiser's character, the book shows how the powerful leader of Germany's 'Second Reich' became the slave of public opinion - restless, impulsive, and easily swayed by flattery or by those with stronger wills. It reveals a man both anxiously insecure and brashly arrogant, flamboyant and confident in public, yet vacillating and ineffective in his political decisions. Despite his political ineptitude, however, Wilhelm II was one of the most successful and beloved symbolic leaders of modern times. Professor Kohut argues that, in this nationalistic age, the new German nation wanted to see itself as it saw its Kaiser - strong, self-assured, and surrounded by pomp and splendour.

Exiles Traveling
Exiles Traveling

Author:

Publisher: BRILL

Published: 2015-06-29

Total Pages: 391

ISBN-13: 9042028769

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This volume presents for the first time a study of the interface between exile and travel within the context of exile from Nazi Germany. The nineteen essays share the overarching aim to compare the tropes of travel and exile as generators of a critical discourse and as central categories within German exile, in particular literature, music and film. The essays are guided by powerful questions: How does travel compare to exile, and how much overlap is there between these two categories? How do exiles travel, as practitioners of displacement? Or rather, to what extent does the concept of travel apply to the exilic predicament? Do the terms “exile” and “travel” still have validity in our postmodern era of cosmopolitanism, ever increasing mobility, the embrace of otherness, and tourism? How does exile literature in which travel is thematized compare to the tradition(s) of travel writing? And how are the critical moments of leavetaking, re-membering home, and return imagined and narrated? The essays feature numerous German and Austrian authors, musicians, and filmmakers and lend fresh insights into German Exile and the field of Exile Studies at large.

A History of Modern Germany
A History of Modern Germany

Author: Dietrich Orlow

Publisher: Routledge

Published: 2002

Total Pages: 424

ISBN-13:

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For undergraduate junior/senior level courses in German history. Covering the entire period of modern German history from nineteenth century imperial Germany right through 2001 this well-established text engages students with its narrative, problem-focused approach, presenting a balanced, general survey of the country's political division in 1945 and reunification in the present. Detailing foreign policy as well as political, economic, and social developments, it presents a central theme of the problem of asymmetrical modernization in the country's history as it fully explores the complicated path of Germany's troubled past and stable present.

The Oxford Handbook of Music and Medievalism
The Oxford Handbook of Music and Medievalism

Author: Stephen C. Meyer

Publisher: Oxford University Press

Published: 2020-03-02

Total Pages: 844

ISBN-13: 0190658452

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The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.

Death in Venice
Death in Venice

Author: Thomas Mann

Publisher: urzeni yayınevi

Published: 2017-07-04

Total Pages: 104

ISBN-13: 6057941705

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One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.