Heinrich Heine and the Lied

Heinrich Heine and the Lied

Author: Susan Youens

Publisher: Cambridge University Press

Published: 2007-12-06

Total Pages: 317

ISBN-13: 0521823749

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A study into the poet Heinrich Heine's impact on nineteenth-century song.


Heinrich Heine

Heinrich Heine

Author: George Prochnik

Publisher: Yale University Press

Published: 2020-11-24

Total Pages: 333

ISBN-13: 0300255624

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A thematically rich, provocative, and lyrical study of one of Germany’s most important, world-famous, and imaginative writers Heinrich Heine (1797–1856) was a virtuoso German poet, satirist, and visionary humanist whose dynamic life story and strikingly original writing are ripe for rediscovery. In this vividly imagined exploration of Heine’s life and work, George Prochnik contextualizes Heine’s biography within the different revolutionary political, literary, and philosophical movements of his age. He also explores the insights Heine offers contemporary readers into issues of social justice, exile, and the role of art in nurturing a more equitable society. Heine wrote that in his youth he resembled “a large newspaper of which the upper half contained the present, each day with its news and debates, while in the lower half, in a succession of dreams, the poetic past was recorded fantastically like a series of feuilletons.” This book explores the many dualities of Heine’s nature, bringing to life a fully dimensional character while also casting into sharp relief the reasons his writing and personal story matter urgently today.


Deutschland

Deutschland

Author: Heinrich Heine

Publisher:

Published: 1997

Total Pages: 0

ISBN-13: 9780946162581

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In 1843 Heine returned from exile to journey through the homeland he hadn't seen for years. This verse satire was the result. [A] sparkling new translation--TLS. [A] superb translation--The Cambridge Review. Exceptionally successful in catching


Varieties of Musical Irony

Varieties of Musical Irony

Author: Michael Cherlin

Publisher: Cambridge University Press

Published: 2017-04-27

Total Pages: 285

ISBN-13: 110714129X

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Sophisticated and engaging, this volume explores and compares musical irony in the works of major composers, from Mozart to Mahler.


Reading Heinrich Heine

Reading Heinrich Heine

Author: Anthony Phelan

Publisher: Cambridge University Press

Published: 2007-03-01

Total Pages: 322

ISBN-13: 1139460706

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This book is a comprehensive study of the nineteenth-century German poet Heinrich Heine. Anthony Phelan examines the complete range of Heine's work, from the early poetry and 'Pictures of Travel' to the last poems, including personal polemic and journalism. Phelan provides original and detailed readings of Heine's major poetry and throws fresh light on his virtuoso political performances that have too often been neglected by critics. Through his critical relationship with Romanticism, Heine confronted the problem of modernity in startlingly original ways that still speak to the concerns of post-modern readers. Phelan highlights the importance of Heine for the critical understanding of modern literature, and in particular the responses to Heine's work by Adorno, Kraus and Benjamin. Heine emerges as a figure of immense European significance, whose writings need to be seen as a major contribution to the articulation of modernity.


The Song Cycle

The Song Cycle

Author: Laura Tunbridge

Publisher: Cambridge University Press

Published: 2010

Total Pages: 255

ISBN-13: 0521896444

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Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --


The Cambridge Companion to the Lied

The Cambridge Companion to the Lied

Author: James Parsons

Publisher: Cambridge University Press

Published: 2004-07

Total Pages: 446

ISBN-13: 9780521804714

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Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.