"A rhapsodic follow-up to Tongo Eisen-Martin's Heaven is All Goodbyes, this collection further explores themes of love and loss, family and faith, refracted through the lens of Black experience. These poems honor intellectual tradition and ancestral knowledge while blazing an entirely new path, recording and replaying the poet's sensory travels through America, from its packed metropolises to desolate anytowns. Packed with politically astute and clear-eyed takes on race and class, filled with wisdom and great humanity, these poems perform mind-bending leaps and wander down back alleys to arrive at their moment of ultimate truth"--
Poetry. African American Studies. Eisen-Martin's syntax lands somewhere between Sphinx and Thelonious...through poem he makes spare, efficient, wild-eyed jazz...rubs mud and accountability into the pores of the zeros and ones in the glass and steel city. Throughout SOMEONE'S DEAD ALREADY, I return to the wonder of the writer's economy of language, how deftly the words infuse their amulet casings with blood temperature at the edge of boiling. This work is as hungry as revolution, a necessary, deadly still in these shifting times...--Marc Bamuthi Joseph
In Ten Poems to Say Goodbye, the newest addition to the celebrated Ten Poems series, Roger Housden continues to highlight the magic of poetry, this time as it relates to personal loss. But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy. A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy. They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.
Ngo Dinh Diem, the first president of the Republic of Vietnam, possessed the Confucian "Mandate of Heaven", a moral and political authority that was widely recognized by all Vietnamese. This devout Roman Catholic leader never lost this mandate in the eyes of his people; rather, he was taken down by a military coup sponsored by the U.S. government, which resulted in his brutal murder. The commonly held view runs contrary to the above assertion by military historian Geoffrey Shaw. According to many American historians, President Diem was a corrupt leader whose tyrannical actions lost him the loyalty of his people and the possibility of a military victory over the North Vietnamese. The Kennedy Administration, they argue, had to withdraw its support of Diem. Based on his research of original sources, including declassified documents of the U.S. government, Shaw chronicles the Kennedy administration's betrayal of this ally, which proved to be not only a moral failure but also a political disaster that led America into a protracted and costly war. Along the way, Shaw reveals a President Diem very different from the despot portrayed by the press during its coverage of Vietnam. From eyewitness accounts of military, intelligence, and diplomatic sources, Shaw draws the portrait of a man with rare integrity, a patriot who strove to free his country from Western colonialism while protecting it from Communism. "A candid account of the killing of Ngo Dinh Diem, the reasons for it, who was responsible, why it happened, and the disastrous results. Particularly agonizing for Americans who read this clearly stated and tightly argued book is the fact that the final Vietnam defeat was not really on battle grounds, but on political and moral grounds. The Vietnam War need not have been lost. Overwhelming evidence supports it." - From the Foreword by James V. Schall, S.J., Professor Emeritus, Georgetown University "Did I find a veritable Conradian 'Heart of Darkness'? Yes, I did, but it was not in the quarter to which all popular American sources were pointing their accusatory fingers; in other words, not in Saigon but, paradoxically, within the Department of State back in Washington, D.C., and within President Kennedy's closest White House advisory circle. The actions of these men led to Diem's murder. And with his death, nine and a half years of careful work and partnership between the United States and South Vietnam was undone." - Geoffrey Shaw, from the Preface
The light is always on Because Jesus is waiting for you. The very best part of Heaven Is that He’s going to be there too. Heaven is a real place. It’s where Jesus lives and waits for those he loves to come to him. It’s a place of joy and love and hope—a place where all of God’s children, young and old, will stay and be happy forever. Engaging questions and scripture references in the back of this book will help parents reinforce the message that Heaven is a place of love that we can all look forward to seeing one day. There’s even a special keepsake invitation for children to RSVP to Jesus!
So often, our view of the good life is the busy, exhausted, driven, and unhappy life. But what if there was a different way to live--now, not when we get to heaven, but now? A short list of “blessings” called the Beatitudes is Jesus’ declaration of what “the good life” is, and an invitation to immerse ourselves in it. If we understand the Beatitudes, we realize they are less about what we do and more about what God is doing--what God values, how he operates, and what’s he’s up to in our (actually his) world. Authors Seidman and Graves offer a practical guide to changing our course to realize the good life now.
A young girl and her lovable dog, Lulu, are the best of friends and do everything together. As Lulu ages and starts to slow down the girl shows her compassion by making Lulu comfortable in her bed and helping to feed her. When Lulu dies the caring, young girl must comes to terms with her loss and find a way to say goodbye. This lyrical and touching story will tug at the heartstrings of all readers--young and old.
“[Art Buchwald] has given his friends, their families, and his audiences so many laughs and so much joy through the years that that alone would be an enduring legacy. But Art has never been just about the quick laugh. His humor is a road map to essential truths and insights that might otherwise have eluded us.”—Tom Brokaw When doctors told Art Buchwald that his kidneys were kaput, the renowned humorist declined dialysis and checked into a Washington, D.C., hospice to live out his final days. Months later, “The Man Who Wouldn’t Die” was still there, feeling good, holding court in a nonstop “salon” for his family and dozens of famous friends, and confronting things you usually don’t talk about before you die; he even jokes about them. Here Buchwald shares not only his remarkable experience—as dozens of old pals from Ethel Kennedy to John Glenn to the Queen of Swaziland join the party—but also his whole wonderful life: his first love, an early brush with death in a foxhole on Eniwetok Atoll, his fourteen champagne years in Paris, fame as a columnist syndicated in hundreds of newspapers, and his incarnation as hospice superstar. Buchwald also shares his sorrows: coping with an absent mother, childhood in a foster home, and separation from his wife, Ann. He plans his funeral (with a priest, a rabbi, and Billy Graham, to cover all the bases) and strategizes how to land a big obituary in The New York Times (“Make sure no head of state or Nobel Prize winner dies on the same day”). He describes how he and a few of his famous friends finagled cut-rate burial plots on Martha’s Vineyard and how he acquired a Picasso drawing without really trying. What we have here is a national treasure, the complete Buchwald, uncertain of where the next days or weeks may take him but unfazed by the inevitable, living life to the fullest, with frankness, dignity, and humor.
A "powerful" (NYT) timely novel about the radicalization of a Muslim teen in California--about where identity truly lies and how we find it. Laguna Beach, California, 2011. Alireza Courdee, a 16-year-old straight-A student and chemistry whiz, takes his first hit of pot. In as long as it takes to inhale and exhale, he is transformed from the high-achieving son of Iranian immigrants into a happy-go-lucky stoner. He loses his virginity, takes up surfing, and sneaks away to all-night raves. For the first time, Reza--now Rez--feels like an American teen. Life is smooth; even lying to his strict parents comes easily. But then he changes again, falling out with the bad-boy surfers and in with a group of kids more awake to the world around them, who share his background, and whose ideas fill him with a very different sense of purpose. Within a year, Reza and his girlfriend are making their way to Syria to be part of a Muslim nation rising from the ashes of the civil war. Timely, nuanced, and emotionally forceful, A Good Country is a gorgeous meditation on modern life, religious radicalization, and a young man caught among vastly different worlds. What we are left with at the dramatic end is not an assessment of good or evil, East versus West, but a lingering question that applies to all modern souls: Do we decide how to live, or is our life decided for us?