Kau membuatku tak bisa hidup tanpamu, dan sekarang kau bertanya ada apa denganku? “Ayo kita menikah!” Itulah yang diucapkan So-Ju beberapa jam setelah pertemuan pertamanya dengan Sang-Sik. Tentu saja, penolakanlah yang dia dapatkan. Setelahnya, wanita itu menghilang dan Sang-Sik kelimpungan. Bagi Sang-Sik, So ju seperti hantu, muncul dan lenyap sesukanya. Membuat Sang-Sik mencandu. Kini, dia merindu, tetapi So-Ju sepertinya tidak begitu. [Mizan, Noura Books, Novel, Fiksi, Romance, Remaja, Indonesia]
In the age of the Anthropocene, girls are tired and jaded. And yet, we are the last reminders of glittering purity. Not dumb sexual purity, but light and love, laughing in beds, sneaking out like the most important thing in the entire world is on the other side of your parent's driveway. We feel deeply, we express when we feel like it, we cry Heart Shaped Tears. Comics, illustrations, aliens, elves, boys who don't text back, words, and cartoons from the sci-fi sad girl Abby Jame.
Sarah and Jen are two different women in two different times. Each faces her own unique journey through abuse. Each of them got there without quite knowing how it happened and ill prepared to face it. And each woman in her own way confronts and triumphs over the abuse in a powerful witness to her children and her world. Heart Shaped Tears is every woman's story in that it encompasses the deep blood red of both love and pain, tears of both sorrow and joy and the journey through heartbreak and hope. It is a story of survival and suffering and deliverance and the triumph of hope and truth. It is a journey through one's own soul into the very heart of God.
A Zainichi Korean teen comes of age in Japan in this groundbreaking debut novel about prejudice and diaspora. Seventeen-year-old Ginny Park is about to get expelled from high school—again. Stephanie, the picture book author who took Ginny into her Oregon home after she was kicked out of school in Hawaii, isn’t upset; she only wants to know why. But Ginny has always been in-between. She can't bring herself to open up to anyone about her past, or about what prompted her to flee her native Japan. Then, Ginny finds a mysterious scrawl among Stephanie's scraps of paper and storybook drawings that changes everything: The sky is about to fall. Where do you go? Ginny sets off on the road in search of an answer, with only her journal as a confidante. In witty and brutally honest vignettes, and interspersed with old letters from her expatriated family in North Korea, Ginny recounts her adolescence growing up Zainichi, an ethnic Korean born in Japan, and the incident that forced her to leave years prior. Inspired by her own childhood, author Chesil creates a portrait of a girl who has been fighting alone against barriers of prejudice, nationality, and injustice all her life—all while searching for a place to belong.
Similarly, Jew-hatred was not as mysterious or incomprehensible as often presented; its strength in some countries and weakness in others may be related to the fluctuating and sometimes quite different perceptions in those countries of the meaning of the rise of the Jews in the late nineteenth and early twentieth centuries.
The death of high school basketball star Rob Washington in an automobile accident affects the lives of his close friend Andy, who was driving the car, and many others in the school.
Enka, a sentimental ballad genre, epitomizes for many the nihonjin no kokoro (heart/soul of Japanese). To older members of the Japanese public, who constitute enka’s primary audience, this music—of parted lovers, long unseen rural hometowns, and self-sacrificing mothers—evokes a direct connection to the traditional roots of “Japaneseness.” Overlooked in this emotional invocation of the past, however, are the powerful commercial forces that, since the 1970s, have shaped the consumption of enka and its version of national identity. Informed by theories of nostalgia, collective memory, cultural nationalism, and gender, this book draws on the author’s extensive fieldwork in probing the practice of identity-making and the processes at work when Japan becomes “Japan.”
NOW A NEW YORK TIMES, PUBLISHER'S WEEKLY, INDIEBOUND, LOS ANGELES TIMES, WASHINGTON POST, CHRONICLE HERALD, SALISBURY POST, GUELPH MERCURY TRIBUNE, AND BOSTON GLOBE BESTSELLER | NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: The Washington Post • Bustle • Men's Journal • The Chicago Reader • StarTribune • Blavity• The Guardian • NBC New York's Bill's Books • Kirkus • Essence “One of the most frank and searing discussions on race ... a deeply serious, urgent book, which should take its place in the tradition of Baldwin's The Fire Next Time and King's Why We Can't Wait." —The New York Times Book Review Toni Morrison hails Tears We Cannot Stop as "Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish." Stephen King says: "Here’s a sermon that’s as fierce as it is lucid...If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know—what this white man needed to know, at least. This is a major achievement. I read it and said amen." Short, emotional, literary, powerful—Tears We Cannot Stop is the book that all Americans who care about the current and long-burning crisis in race relations will want to read. As the country grapples with racist division at a level not seen since the 1960s, one man's voice soars above the rest with conviction and compassion. In his 2016 New York Times op-ed piece "Death in Black and White," Michael Eric Dyson moved a nation. Now he continues to speak out in Tears We Cannot Stop—a provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted. "The time is at hand for reckoning with the past, recognizing the truth of the present, and moving together to redeem the nation for our future. If we don't act now, if you don't address race immediately, there very well may be no future."
