When several employees get ill from tainted potato salad and one actually dies, the university issues condolences and goes on with business as usual. But another death cannot be ignored, and university retiree James Crawford is thrust into the role of private eye. Murder, he finds, begets murder. Can he expose the killer before someone else is killed?
When the alien Mimics invade, Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. Keiji dies on the battlefield, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally--the female soldier known as the Full Metal Bitch. Is she the key to Keiji's escape or his final death? Now a major motion picture starring Tom Cruise! -- VIZ Media
Children choose their heroes more carefully than we think. From Pokemon to the rapper Eminem, pop-culture icons are not simply commercial pied pipers who practice mass hypnosis on our youth. Indeed, argues the author of this lively and persuasive paean to the power of popular culture, even violent and trashy entertainment gives children something they need, something that can help both boys and girls develop in a healthy way. Drawing on a wealth of true stories, many gleaned from the fascinating workshops he conducts, and basing his claims on extensive research, including interviews with psychologists and educators, Gerard Jones explains why validating our children's fantasies teaches them to trust their own emotions, helps them build stronger selves, leaves them less at the mercy of the pop-culture industry, and strengthens parent-child bonds. Jones has written for the Spider-Man, Superman, and X-Men comic books and created the Haunted Man series for the Web. He has also explored the cultural meanings of comic books and sitcoms in two well-received books. In Killing Monsters he presents a fresh look at children's fantasies, the entertainment industry, and violence in the modern imagination. This reassuring book, as entertaining as it is provocative, offers all of us-parents, teachers, policymakers, media critics-new ways to understand the challenges and rewards of explosive material. News From Killing Monsters: Packing a toy gun can be good for your son-or daughter. Contrary to public opinion, research shows that make-believe violence actually helps kids cope with fears. Explosive entertainment should be a family affair. Scary TV shows can have a bad effect when children have no chance to discuss them openly with adults. It's crucial to trust kids' desires. What excites them is usually a sign of what they need emotionally. Violent fantasy is one of the best ways for kids to deal with the violence they see in real life.
TIME’S #1 NONFICTION BOOK OF THE YEAR • A NEW YORK TIMES BOOK REVIEW TOP 10 BEST BOOK OF THE YEAR “Patricia Evangelista’s searing account is not only the definitive chronicle of a reign of terror in the Philippines, but a warning to the rest of the world about the true dangers of despotism—its nightmarish consequences and its terrible human cost.”—Patrick Radden Keefe, New York Times bestselling author of Empire of Pain “Tragic, elegant, vital . . . Evangelista risked her life to tell this story.”—Tara Westover, #1 New York Times bestselling author of Educated “A journalistic masterpiece”—David Remnick, The New Yorker For six years, journalist Patricia Evangelista documented killings carried out by police and vigilantes in the name of then president Rodrigo Duterte’s war on drugs—a crusade that led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of terror created when an elected president decides that some lives are worth less than others. The book takes its title from the words of a vigilante, which demonstrated the psychological accommodation many across the country had made: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.” A profound act of witness and a tour de force of literary journalism, Some People Need Killing is a brilliant dissection of the grammar of violence and an investigation into the human impulses to dominate and resist. WINNER OF THE NEW YORK PUBLIC LIBRARY’S HELEN BERNSTEIN BOOK AWARD • FINALIST FOR THE CHAUTAUQUA PRIZE • LONGLISTED FOR THE WOMEN’S PRIZE AND THE MOORE PRIZE FOR HUMAN RIGHTS WRITING • A BEST BOOK OF THE YEAR: The New York Times, The New Yorker, The Economist, Chicago Public Library, CrimeReads, The Mary Sue
"A powerful, revealing story of hope, love, justice, and the power of reading by a man who spent thirty years on death row for a crime he didn't commit"--
Get the Summary of Patricia Evangelista's Some People Need Killing in 20 minutes. Please note: This is a summary & not the original book. "Some People Need Killing" by Patricia Evangelista is a poignant exploration of the human cost of President Rodrigo Duterte's war on drugs in the Philippines. The book follows the story of Lady Love, an eleven-year-old girl from Manila's slums, whose parents are killed by masked gunmen enforcing Duterte's anti-drug campaign. Evangelista, a Filipino journalist, documents the violence and devastation wrought by the campaign, from political assassinations to the deaths of innocent children...
In 1984, John Thompson was convicted and sentenced to death for the murder of a white man in New Orleans, Louisiana. He was sent to Angola prison and confined to his cell twenty-three hours a day. However, Thompson adamantly proclaimed his innocence and just needed lawyers who believed that his trial had been mishandled and who would step up to the plate against the powerful DA's office. But who would fight for Thompson's innocence when he didn't have an alibi for the night of the murder and there were two key witnesses to confirm his guilt? Killing Time is about the eighteen-year quest for John Thompson's freedom from a wrongful murder conviction. After Philadelphia lawyers Michael Banks and Gordon Cooney take on his case, they struggle to find areas of misconduct in his previous trials while grappling with their questions about Thompson's innocence. John Hollway and Ronald M. Gauthier have interviewed Thompson and the lawyers regarding the case and paint a realistic and compelling portrait of life on death row and the corruption in the Louisiana police and DA's office. When it is found that evidence was mishandled in a previous trial that led to his death sentence in the murder case, Thompson is finally on his road to freedom—a journey that continues to this day. Complete with an updated afterword describing Thompson's 2011 civil suit against Harry Connick Sr. and the New Orleans DA's office and the Supreme Court's shocking verdict.
Extreme Killing offers a comprehensive overview of multiple homicide, including both serial and mass murder. Filled with classic and contemporary case studies, this fully updated Fourth Edition reflects a growing concern for specific types of multiple homicides—indiscriminate public massacres, terrorist attacks, hate crimes, and school shootings—as well as largely debated issues such as gun control and mental illness. Renowned experts and authors in the field, James Alan Fox, Jack Levin, and Emma Fridel bring their years of research and experience to create distinctions between serial and mass murders, address characteristics of both killers and their victims, and recognize the special concerns around multiple murder victims and their survivors. Students will examine the latest theories of criminal behavior and apply them to mass and serial murderers from around the world, such as the mass shooting at a country music festival in Las Vegas, the Grim Sleeper in Los Angeles, the Pulse nightclub massacre in Orlando, the shooting of nine African Americans by a white supremacist in a Charleston church, and more.
Detective Inspector Melissa Lloyd of the Leeds Police wanted nothing more than to prove her worth by solving a high-profile murder which took place on British soil; however, she never thought she'd be heading to a foreign country with a priest in tow to face off with a hyper-suspicious mafia boss who uses acid as a means of silencing people who get in his way. Now, with no back up from the Aussie police, Melissa - and Father Fildew - find themselves on the run with nowhere to hide.