The Seven Deadly Sins. They're the stock in trade of Steve Goodenow, the Hawaii private investigator who has spent more than fifty years exposing the seamy side of paradise. In this riveting memoir, Goodenow recounts criminal capers both legendary and little known, from political shenanigans to cheating spouses, from insurance fraud to a Super Bowl scam. A sneak peek through the magnifying glass, Hawaiian Eye tails this real-life Thomas Magnum and his colorful supporting cast-a rogues gallery of con artists, crooked pols, crime bosses and the other furtive figures who lurk in the shadows of Island society.
This landmark dictionary proves that English words can be traced back to the universal, original language, Biblical Hebrew. Genesis II supports a 'Mother Tongue' thesis, and the Bible also claims that Adam named the animals. This may seem difficult to accept, but then why do the translations of the following animals' names: Skunk, Gopher, Giraffe and Horse actually have corresponding meanings in Biblical Hebrew, such as: Stinker, Digger, Neck and Plower? The book features overwhelming data suggesting that the roots of all human words are universal, and that words have related synonyms and antonyms that must have been intelligently designed (perhaps by the designer of life himself!) The current hypothesis that language evolved from grunting ape-men may seem like the flat earth theory after reading this book. The 22,000 English-Hebrew links provide surprising evidence, and open new worlds of understanding, once we consider that all of these similar words could not be coincidences.
The fascinating story behind California’s mid-twentieth century obsession with all things Polynesian and Hawaiian. After World War II, suburbs proliferated around California cities as returning soldiers traded in their uniforms for business suits. After-hours leisure activities took on an island-themed sensuality that bloomed from a new fascination with Polynesia and Hawaii. Movies and television shows filmed in Malibu and Burbank urged viewers to escape everyday life with the likes of Elvis, Gidget, and Hawaiian Eye. Restaurants like Don the Beachcomber and Trader Vic’s sprang up to answer the demand for wild cocktails and even wilder décor. A strange hodgepodge of idols, lush greenery and colorful drinks, Tiki beckoned men and women to lose themselves in exotic music and surf tunes. Take a trip back in time to the scene of Polynesian pop and three decades of palm trees, Mai Tais, and torches with this informal guide to the rise, fall, and resurgence of Tiki culture.
This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.
In the watershed year of 1962, events and people came together to reshape baseball like never before. The season saw five no-hitters, a rare National League playoff between the Giants and the Dodgers, and a thrilling seven-game World Series where the Yankees, led by Mickey Mantle, won their twentieth title, beating the San Francisco Giants, led by Willie Mays, in their first appearance since leaving New York. Baseball was expanding with the Houston Colt .45s and the New York Mets, who tried to fill the National League void in New York but finished with 120 losses and the worst winning percentage since 1900. Despite their record, the ’62 Mets revived National League baseball in a city thirsty for an alternative to the Yankees. As the team struggled through a disastrous first year, manager Casey Stengel famously asked, “Can’t anybody here play this game?” Earlier that year in Los Angeles, Dodgers owner Walter O’Malley launched Dodger Stadium, a state-of-the-art ballpark in Chavez Ravine and a new icon for the city. For the Dodgers, Sandy Koufax pitched his first of four career no-hitters, Maury Wills set a record for stolen bases in a season, and Don Drysdale won twenty-five games. Beyond baseball, 1962 was also a momentous year in American history: Mary Early became the first Black graduate of the University of Georgia, First Lady Jackie Kennedy revealed the secrets of the White House in a television special, John Glenn became the first astronaut to orbit Earth, and JFK stared down Russia during the Cuban Missile Crisis. Weaving the 1962 baseball season within the social fabric of this era, David Krell delivers a fascinating book as epochal as its subject.
Crime dramas have been a staple of the television landscape since the advent of the medium. Along with comedies and soap operas, the police procedural made an easy transition from radio to TV, and starting with Dragnet in 1952, quickly became one of the most popular genres. Crime television has proven to be a fascinating reflection of changes and developments in the culture at large. In the '50s and early '60s, the square-jawed, just-the-facts detectives of The Untouchables and The FBI put police work in the best light possible. As the '60s gave way to the '70s, however, the depictions gained more subtle shading, and The Streets of San Francisco, The Rockford Files, and Baretta offered conflicted heroes in more complex worlds. This trend has of course continued in more recent decades, with Steven Bochco's dramas seeking a new realism through frank depictions of language and sexuality on television. In chronicling these developments and illustrating how the genre has reflected our ideas of crime and crime solving through the decades, author Douglas Snauffer provides essential reading for any fan. This work provides a comprehensive history of detective and police shows on television, with, among other elements, production histories of seminal programs, and interviews with some of the most important writers and producers of crime television. Besides the shows listed above, this volume will also discuss such programs as: Peter Gunn, The Mod Squad, Hawaii Five-O, Columbo, Starsky and Hutch, Charlie's Angels, Magnum P.I., Miami Vice, T.J. Hooker, Remington Steele, Cagney and Lacey, Murder, She Wrote, The Commish, Homicide: Life on the Street, Monk, and many more.
Often regarded as the first golden era of television, the 1950s was a decade when many classic programs—from I Love Lucy and Gunsmoke to The Honeymooners and Perry Mason, among others—made their debuts. Even after these shows departed the airwaves, they lived on in syndication, entertaining several generations of viewers. Devoted and casual fans alike can probably remember basic facts about these shows—like the names of Lucy and Ricky’s neighbors or the town where Marshall Matt Dillon kept the law. But more elusive facts, like the location of the most successful defense attorney in Los Angeles (Suite 904 of the Brent Building), might be harder to recall. In Television Series of the 1950s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about 100 programs from the decade. Did you know, for example, that the middle initial of Dobie Gillis’ friend Maynard G. Krebs, stood for Walter? Or that Ralph Kramden’s electric bill came to only 39 cents a month? Or that on I Love Lucy, Ricky originally performed at Manhattan’s Tropicana Club? These are but a few of the hundreds of fun and intriguing trivia facts contained within this volume. Shows from all four networks (ABC, CBS, NBC, and DuMont)—as well as select syndicated programs—are represented here. This is not a book of opinions or essays about specific television programs, but a treasure trove of the facts associated with each of these programs. Readers will discover a wealth of fascinating information that, for the most part, cannot be found anywhere else. In some cases, the factual data detailed herein is the only such documentation that exists currently on bygone shows of the era. Television Series of the 1950s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.
Honolulu has always had its "Waikiki Widow," a rich and beautiful woman who presides over the city's night life. This time it's the newly arrived Lady Blanche Carleton, whose elderly British diplomat husband died shortly after the communists took over in China. But what is the source of Lady Blanche's money? Rumor has it that her husband left all his money to his sister back in Sussex. Is tea broker Henry Hunter paying her bills in exchange for her favors? Is it only the widow's great beauty that draws so many different men into her web? And what is her connection to "Dragon Well," a highly sought after tea that is being smuggled out of China? If Lily Wu and her Watson, novelist Janice Cameron, can find the answers to those questions, some of which go back to the royal palace of the last emperor, then they can solve the murder of Yao, a refugee Chinese servant, and restore the fortune of Madame Li, a family friend of the Wus, who withstood horrible torture before escaping to Hawaii from China. Aiding Lily and Janice are their Island Irregulars, the seven adopted teenage daughters of a former imperial palace unuch.
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
