In July, 1967, the First Battalion of the Argyll and Sutherland Highlanders under Mitchell's command with great skill gained control of the Arab city of Crater in Aden, which had fallen into the hands of armed police mutineers and terrorists, and so inspired a renewal of faith in British arms and courage. Within a few moths the Government had decided to disband the Regiment, and Mitchell had retired from the Army. This account of his Army life, which began in the Home Guard when he was fifteen, reveals him as a man of strong principles and ambitions, courage and intellectual accomplishment.
NATIONAL BESTSELLER • The Pulitzer Prize-winning journalist and bestselling author lends his remarkable narrative skills to the story of the most famous POW this country has known. In I Am a Soldier, Too, Bragg lets Jessica Lynch tell the story of her capture in the Iraq War in her own words--not the sensationalized ones of the media's initial reports. Here we see how a humble rural upbringing leads to a stint in the military, one of the most exciting job options for a young person in Palestine, West Virginia. We see the real story behind the ambush in the Iraqi Desert that led to Lynch's capture. And we gain new perspective on her rescue from an Iraqi hospital where she had been receiving care. Here Lynch’s true heroism and above all, modesty, is allowed to emerge, as we're shown how she managed her physical recovery from her debilitating wounds and contended with the misinformation--both deliberate and unintended--surrounding her highly publicized rescue. In the end, what we see is a uniquely American story of courage and true heroism.
A beautifully illustrated version of the classic fairy tale about a tin soldier’s adventure and his love for a ballerina, retold with a twist. With her signature warmth and lyricism, Newbery winner Cynthia Rylant has crafted a new version of the classic Hans Christian Andersen fairy tale about a tin soldier who falls in love with a ballerina. As in the original story, the tin soldier’s love for the beautiful ballerina is thwarted by a goblin. The tin soldier is separated from the other toys and washed down a sewer, where he encounters a rat and gets swallowed by a fish, but somehow, against all odds, he manages to end up back home only to be cast into the nursery fire. Rylant adds her own twist to the end of the tale, however, for in this version, the tin soldier and the ballerina are melded to each other, rather than melted, in the heat of the fire, so they’ll never be parted again. Rylant’s expert storytelling paired with Corace’s stunning illustrations create a beautiful, unforgettable tale of everlasting love. Praise for The Steadfast Tin Soldier “Gracefully written. . . . The book’s large format gives plenty of scope for Corace’s distinctive illustrations, precise ink drawings brightened with watercolor, gouache, and acrylic paints. Sometimes brilliantly colorful and sometimes more subdued, the scenes can be crowded with dozens of toys or other visual elements, but they show up well from a distance. The subtle depictions of the goblin and his shadow are particularly fine. A softened vision of the literary fairy tale.” —Booklist “Text and illustrations weave seamlessly to create an involving, fast-paced update of a much-loved tale. Rylant's retelling is abridged, yet sprightly, and Corace’s watercolor, gouache, acrylic, and pen-and-ink illustrations add nuance and whimsy to Andersen's original.” —School Library Journal
To America, he was a hero. To his troops, he was a soldier. Now hear his story. Each new era in American history has given rise to a military leader who defines the nation’s proudest traditions—of leadership and honor, of vision and commitment and courage in the face of any challenge. From Washington and U.S. Grant to Dwight D. Eisenhower and Norman Schwarzkopf, these men have captured the nation’s imagination, and entered the small pantheon of
General John A. Wickham, commander of the famous 101st Airborne Division in the 1970s and subsequently Army Chief of Staff, once visited Antietam battlefield. Gazing at Bloody Lane where, in 1862, several Union assaults were brutally repulsed before they finally broke through, he marveled, "You couldn't get American soldiers today to make an attack like that." Why did those men risk certain death, over and over again, through countless bloody battles and four long, awful years ? Why did the conventional wisdom -- that soldiers become increasingly cynical and disillusioned as war progresses -- not hold true in the Civil War? It is to this question--why did they fight--that James McPherson, America's preeminent Civil War historian, now turns his attention. He shows that, contrary to what many scholars believe, the soldiers of the Civil War remained powerfully convinced of the ideals for which they fought throughout the conflict. Motivated by duty and honor, and often by religious faith, these men wrote frequently of their firm belief in the cause for which they fought: the principles of liberty, freedom, justice, and patriotism. Soldiers on both sides harkened back to the Founding Fathers, and the ideals of the American Revolution. They fought to defend their country, either the Union--"the best Government ever made"--or the Confederate states, where their very homes and families were under siege. And they fought to defend their honor and manhood. "I should not lik to go home with the name of a couhard," one Massachusetts private wrote, and another private from Ohio said, "My wife would sooner hear of my death than my disgrace." Even after three years of bloody battles, more than half of the Union soldiers reenlisted voluntarily. "While duty calls me here and my country demands my services I should be willing to make the sacrifice," one man wrote to his protesting parents. And another soldier said simply, "I still love my country." McPherson draws on more than 25,000 letters and nearly 250 private diaries from men on both sides. Civil War soldiers were among the most literate soldiers in history, and most of them wrote home frequently, as it was the only way for them to keep in touch with homes that many of them had left for the first time in their lives. Significantly, their letters were also uncensored by military authorities, and are uniquely frank in their criticism and detailed in their reports of marches and battles, relations between officers and men, political debates, and morale. For Cause and Comrades lets these soldiers tell their own stories in their own words to create an account that is both deeply moving and far truer than most books on war. Battle Cry of Freedom, McPherson's Pulitzer Prize-winning account of the Civil War, was a national bestseller that Hugh Brogan, in The New York Times, called "history writing of the highest order." For Cause and Comrades deserves similar accolades, as McPherson's masterful prose and the soldiers' own words combine to create both an important book on an often-overlooked aspect of our bloody Civil War, and a powerfully moving account of the men who fought it.
On 12 May 2009 Margaret Evison's son Lieutenant Mark Evison of 1st Battalion Welsh Guards, died of wounds sustained whilst leading a patrol in Helmand Province. Hailed a hero, Mark's death was a national sacrifice, his grave to be one of many in the identical, ordered rows in a military cemetery. But to his mother Margaret it was the most intimate of griefs. In Death of a Soldier, she attempts to reconcile her own unanswerable sense of loss with the idea that her son died for a good cause.
When fifteen-year-old Elizabeth finds an antique doll in a garage sale, she thinks it would be a good gift for her dad who's about to ship out for Afghanistan. She doesn't realize that the doll might be a missing (and very valuable) historical artifact. With the help of Evan, the cute guy who works at the local used bookstore, Elizabeth discovers that the doll is THE soldier doll: the inspiration for a famous World War I poem. Elizabeth becomes the newest link in an epic history of more than a century of war, her story ingeniously interwoven with a cast of characters who we follow from World War I to Nazi Germany in the 1930s, a Czech concentration camp during World War II, Vietnam in 1970, and the aftermath of September 11th.
