Discover the spookiest stories behind this centuries-old college in Maine . . . photos included! Bowdoin College boasts two centuries in higher education, and that rich history is laden with curious tales and ghostly happenings. Eerie legends about Henry Wadsworth Longfellow, Nathaniel Hawthorne, Joshua Chamberlain, and other distinguished graduates are still whispered in the halls of their alma mater. A dungeon complete with skulls and skeletons hidden beneath Appleton Hall plays to society’s darkest fears about secret college societies. The many untimely deaths at Hubbard Hall lend credence to its haunted reputation. Misfortunes of Coleman Hall residents might have a connection with the building’s site atop the remnants of the long-closed Medical School of Maine. Now, author David Francis reveals Bowdoin’s spooky and maybe even ghostly history . . .
"Bowdoin College boasts two centuries in higher education, and that rich history is laden with curious tales and ghostly happenings. Eerie legends about Henry Wadsworth Longfellow, Nathaniel Hawthorne, Joshua Chamberlain and other distinguished graduates are still whispered in the halls of their alma mater"--Page 4 of cover.
Do places where violent deaths occur somehow absorb the horror, only to conjure up images that haunt the living for generations to come? Many people believe that this can indeed happen; above all, in the context of that manmade phenomenon that reaps so great a toll in so short a time: War. Haunted U.S. Battlefields takes us on a spine-tingling tour of America’s most legendary spectral scenes of human struggle—from the Revolutionary War to the Civil War, from the Indian Wars to World War II and beyond. As America’s bloodiest conflict, the Civil War has yielded the greatest number of ghostly sightings. Hence, most of the twenty-five battlefield legends this book relates are from this era—whether the myriad strange spectral happenings associated with Gettysburg, or this war’s lesser known but equally tragic events. Summing up the eerie essence of wartime scenes across America—many of which today host popular ghost tours—Haunted U.S. Battlefields is a must for students of the paranormal, Civil War buffs, and all others interested in a spine-chilling realm of military history that the history books don’t dare tell.
An investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. The Bauhaus (1919–1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In Haunted Bauhaus, art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories. The Bauhaus is most often associated with a handful of famous artists, architects, and designers—notably Paul Klee, Walter Gropius, László Moholy-Nagy, and Marcel Breuer. Otto enlarges this narrow focus by reclaiming the historically marginalized lives and accomplishments of many of the more than 1,200 Bauhaus teachers and students (the so-called Bauhäusler), arguing that they are central to our understanding of this movement. Otto reveals Bauhaus members' spiritual experimentation, expressed in double-exposed “spirit photographs” and enacted in breathing exercises and nude gymnastics; their explorations of the dark sides of masculinity and emerging female identities; the “queer hauntology” of certain Bauhaus works; and the role of radical politics on both the left and the right—during the school's Communist period, when some of the Bauhäusler put their skills to work for the revolution, and, later, into the service of the Nazis. With Haunted Bauhaus, Otto not only expands our knowledge of a foundational movement of modern art, architecture, and design, she also provides the first sustained investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. This is a fresh, wild ride through the Bauhaus you thought you knew.
In the tradition of their Haunting of the Presidents, national bestselling authors Joel Martin and William J. Birnes write The Haunting of America: From The Salem Witch Trials to Harry Houdini, the only book to tell the story of how paranormal events influenced and sometimes even drove political events. In a narrative retelling of American history that begins with the Salem Witch Trials of the seventeenth century, Martin and Birnes unearth the roots of America's fascination with the ghosts, goblins, and demons that possess our imaginations and nightmares. The authors examine the political history of the United States through the lens of the paranormal and investigate the spiritual events that inspired public policy: channelers and meduims who have advised presidents, UFOs that frightened the nation's military into launching nuclear bomber squadrons toward the Soviet Union, out-of-body experiencers deployed to gather sensitive intelligence on other countries, and even spirits summoned to communicate with living politicians. The Haunting of America is a thrilling exploration of the often unexpected influences of the paranormal on science, medicine, law, government, the military, psychology, theology, death and dying, spirituality, and pop culture.
Experience America's secret history in the untold phenomena of 1600 Pennsylvania Avenue... The scandals of the White House have always commanded attention, but little has been acknowledged of the documented paranormal events that have shaken its stately porticos for more than a century. They are in fact, part of declassified, substantiated records dating back from George Washington through the Clinton administration. Now, complete with actual transcripts of channeling sessions and séances, the history of the paranormal presidency is revealed for the first time in a fascinating exploration of the country’s most famous portal to the unknown. • What were the chilling revelations of the séances conducted by Mary Todd Lincoln, Martha Washington, and Eleanor Roosevelt? • What secrets did John F. Kennedy reveal—after his death? • Why was Hillary Clinton compelled to channel the spirits of past First Ladies? • Which presidents admitted in private to have had UFO encounters? • What’s the source of the strange light emanating from the Rose Room? • Who—or what—is playing the haunted strains of phantom music in the private halls of the White House? Featuring a comprehensive see-for-yourself tour guide to the Presidential Haunted Places.
Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.
