Harrington Gay Men's Fiction Quarterly is devoted to the latest names and innovations in gay men's fiction and serves as a forum for discovering new talents. Readers get exclusive "sneak peeks" of the latest works in progress from such prominent writers as Andrew Holleran, Scott Heim, and Bernard Cooper, and new critical examinations of "lost" gay novels.
Following the best-selling original collection of short fiction by and about Southern gay men, REBEL YELL 2 continues the excitement with noted authors such as Felice Picano, Robin Lippincott, Kelly McQuain and more to create another vivid and compelling short fiction anthology exploring the diverse lives of Southern gay men.
Built on all new information recently unearthed, this stylishly written and illustrated "timeline archive" of art, sex, obscenity, gender, culture wars, homophobia, pop culture, and the gay mafia, will get 21st-century readers and researchers up to speed fast on the serious fun of who did what to whom when and why.
Colonialism and Homosexuality is a thorough investigation of the connections of homosexuality and imperialism from the late 1800s - the era of 'new imperialism' - until the era of decolonization. Robert Aldrich reconstructs the context of a number of liaisons, including those of famous men such as Cecil Rhodes, E.M. Forster or André Gide, and the historical situations which produced both the Europeans and their non-Western lovers. Colonial lands, which in the late nineteenth and early twentieth century included most of Africa, South and Southeast Asia and the islands of the Pacific and Indian Oceans and the Caribbean, provided a haven for many Europeans whose sexual inclinations did not fit neatly into the constraints of European society. Each of the case-studies is a micro-history of a particular colonial situation, a sexual encounter, and its wider implications for cultural and political life. Students both of colonial history, and of gender and queer studies, will find this an informative read.
Neill Cullane is a closeted 21-year-old who lives,in two worlds, light-years and short drive in his,VW beetle apart. at home he's a dutiful son,devoted to his brother, whose battle with cancer,has pulled his family reluctantly together. But in,the shadows of the San Francisco underworld, Neill,finds release with his secret lover Vince Malone,a beautiful junky/philosopher, whose burning,desire for truth lights the path Neill always knew,he'd travel. Through him, Neill learns honesty,love and the courage to confront his family in the,face of tragedy and loss.
There is no shortage of iconic masculine imagery of the soldier in American film and literature—one only has to think of George C. Scott as Patton in front of a giant American flag, Sylvester Stallone as Rambo, or Burt Lancaster rolling around in the surf in From Here to Eternity. In Male Armor, Jon Robert Adams examines the ways in which novels, plays, and films about America’s late-twentieth-century wars reflect altering perceptions of masculinity in the culture at large. He highlights the gap between the cultural conception of masculinity and the individual experience of it, and exposes the myth of war as an experience that verifies manhood. Drawing on a wide range of work, from the war novels of Ernest Hemingway, Norman Mailer, James Jones, and Joseph Heller to David Rabe’s play Streamers and Anthony Swofford’s Jarhead, Adams examines the evolving image of the soldier from World War I to Operation Desert Storm. In discussing these changing perceptions of masculinity, he reveals how works about war in the late twentieth century attempt to eradicate inconsistencies among American civilian conceptions of war, the military’s expectations of the soldier, and the soldier’s experience of combat. Adams argues that these inconsistencies are largely responsible not only for continuing support of the war enterprise but also for the soldiers’ difficulty in reintegration to civilian society upon their return. He intends Male Armor to provide a corrective to the public’s continued investment in the war enterprise as a guarantor both of masculinity and, by extension, of the nation.
Eros Revisited rethinks the desire for the other through philosophical, poetical, and psychological inquiry. Dr. Isaac B. Rosler draws from the works of Plato, Butler, and Derrida to explore the unreadability of Eros's enigma and the desire to address its mystery through assertive and noncontradictory discourse, resulting in the modern objectification of Eros into defined sexual orientations. With the rise of the concept of the Freudian ego, Eros is heterosexualized and the indeterminate love for the other falls into oblivion. In an attempt to revisit Eros as a metaphysical enigma, Dr. Rosler demonstrates the necessity of turning toward the mythical grounds of the desiring-ego and the roots of philosophical dialectic thinking. This book turns toward the withdrawing enigma of Eros toward the most radical aspect of friendship and love. Eros Revisited offers an examination of the oblivious metaphysical remains of Eros and will appeal to those interested in cultural studies and literary theory.
