Harpsichord and Lute Music in 17th-Century France

Harpsichord and Lute Music in 17th-Century France

Author: D. Ledbetter

Publisher: Springer

Published: 2019-06-12

Total Pages: 211

ISBN-13: 134964014X

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The works of the 17th-century French harpsichord composers, the clavecinistes, are among the principal treasures of the harpsichord repertoire. It is a commmonplace of music histories that their style was strongly influenced by contemporary lutenists, yet the assessment of this influence has until now been limited to pointing out a few superficial resemblances. This book is the first comprehensive account of the relationship between the two styles. The nature and extent of the influence can now be seen as much more far-reaching than has been supposed. The clavecinistes adopted many details of lute style, and an understanding of these is essential for the proper performance of their works. More importantly, the lute style opened up the possibility of an entirely new expressive dimension in the playing of the harpsichord; in exploring this the clavecinistes evolved a style which dominated European keyboard music in the 17th-century, and provided a basis for the subsequent development of idiomatic keyboard style.


The Cambridge Companion to the Harpsichord

The Cambridge Companion to the Harpsichord

Author: Mark Kroll

Publisher: Cambridge University Press

Published: 2019-01-03

Total Pages: 407

ISBN-13: 1107156076

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Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.


The Cambridge Companion to French Music

The Cambridge Companion to French Music

Author: Simon Trezise

Publisher: Cambridge University Press

Published: 2015-02-19

Total Pages: 441

ISBN-13: 0521877946

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This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.


Historical Dictionary of Baroque Music

Historical Dictionary of Baroque Music

Author: Joseph P. Swain

Publisher: Rowman & Littlefield

Published: 2023-05-08

Total Pages: 465

ISBN-13: 1538151626

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Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.


François Couperin and 'The Perfection of Music'

François Couperin and 'The Perfection of Music'

Author: David Tunley

Publisher: Routledge

Published: 2016-04-15

Total Pages: 181

ISBN-13: 1317133242

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François Couperin's contribution to the literature of baroque keyboard music has long been recognized. François Couperin and 'The Perfection of Music' updates and expands upon David Tunley's valuable 1982 BBC Music Guide to the composer, and examines the whole of Couperin’s output including the organ masses, motets and chamber music, in addition to the well-known works for harpsichord. Taking as its focal point Couperin's concept of the perfection of music through the union of the French and Italian styles, this book takes a more analytical approach to Couperin's work. Early chapters outline the main contrasting features of the two schools in the seventeenth- and early eighteenth-centuries, and it becomes clear that Couperin's expressive power owed much to his fusion of the polarities of the French classical tradition with that of the Italian baroque. The book features a number of appendices, including the prefaces to Couperin's work both in the original French and in English translation, and a glossary of dances of the French baroque.


Eighteenth-Century Keyboard Music

Eighteenth-Century Keyboard Music

Author: Robert Marshall

Publisher: Routledge

Published: 2004-03-01

Total Pages: 460

ISBN-13: 1135887764

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First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.


Structure and Meaning in Tonal Music

Structure and Meaning in Tonal Music

Author: Carl Schachter

Publisher: Pendragon Press

Published: 2006

Total Pages: 300

ISBN-13: 9781576471128

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Introduction -- Expression. The two curious moments in Chopin's E-flat major prelude / Charles Burkhart ; Circular motion in Chopin's late B-major nocturne (op. 62, no. 1) / William Rothstein ; Of species counterpoint, gondola songs, and sordid boons / Poundie Burstein -- Theory. The spirit and technique of Schenker pedagogy / David Gagné and Allen Cadwallader ; Prolongational and hierarchical structures in 18th-century theory / Joel Lester ; Thoughts on Schenker's treatment of diminution and repetition in part III of Free composition, and its implications for analysis / Wayne Petty ; Looking at the Urlinie / Hedi Siegel -- Style. Rhythmic displacement in the music of Bill Evans / Steven Larson ; Levels of voice leading in the music of Louis Couperin / Drora Pershing ; The analysis of east Asian music / David Loeb ; Baroque styles and the analysis of baroque music / Channan Willner -- Words and music. Schumann's Das ist ein Flöten und Geigen : conflicts between local and global perspectives / Lauri Suurpaa ; Reinterpreting the past : Brahms's link to Bach in the setting of Mit Fried und Freud ich fahr dahin, from the motet op. 74, no. 1 / Robert Cuckson ; Hinauf strebt's : song study with Carl Schachter / Timothy Jackson ; Intimate immensity in Schubert's The shepherd on the rock / Frank Samarotto -- Form. Tonal conflicts in Haydn's development sections : the role of C major in symphonies nos. 93 and 102 / Mark Anson-Cartwright ; Aspects of structure in Bach's F-minor fugue, WTC II / William Renwick ; The andante from Mozart's symphony no. 40, K. 5


Early Keyboard Instruments

Early Keyboard Instruments

Author: Edwin M. Ripin

Publisher: W. W. Norton & Company

Published: 1989

Total Pages: 340

ISBN-13: 9780393305159

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The New Grove Musical Instruments Series, a companion to the much-acclaimed New Grove Composer Biography Series, presents in book form many of the lengthy and informative articles published in The New Grove Dictionary of Musical Instruments. Each book is a comprehensive guide to all facets of an instrument: its history, construction, repertory, playing techniques, and makers, written by leading authorities.


ZGMTH - Zeitschrift der Gesellschaft für Musiktheorie, 9. Jahrgang 2012

ZGMTH - Zeitschrift der Gesellschaft für Musiktheorie, 9. Jahrgang 2012

Author: Folker Froebe

Publisher: Georg Olms Verlag

Published: 2014-10-20

Total Pages: 322

ISBN-13: 3487151774

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Varia 1 I. OTT: Das kompositorische Verfahren in Jean Moutons Quadrupelkanon • J. HAMER: Louis Couperins Préludes non mesurés • F. FROEBE: Zur Rekomposition eines ›französischen‹ Modellkomplexes in Bachs Pièce d’Orgue BWV 572 • L. KRÄMER: Form und Soziolekt in Schuberts Tänzen • B. SPRICK: Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 • R. LANG: Zur pädagogischen Qualität musiktheoretischer Lehrdialoge • L. KUNKEL: Akkordstrukturen in George Gershwins Porgy and Bess • F. FROEBE / B. PETERSEN / J.P. SPRICK: XI. Jahreskongress der Gesellschaft für Musiktheorie (GMTH) • K. BREYER: Clemens Kühn / John Leigh (Hgg.), Systeme der Musiktheorie Varia 2 H. MOSSBURGER: ›Res‹ oder ›Verba‹? • M. GRABOW: Zur Bedeutung von Analyse für Reinhard Febels Bearbeitung von BWV 639 • G. LUCHTERHANDT: Arnold Schönbergs Tonalitätsdenken • C. RAZ: From Trinidad to Cyberspace: Reconsidering Ernst Toch’s Geographical Fugue • H. SOOK OH: Die ästhetische Bedeutung des musikalischen Zitats in der koreanischen Musik des 20. und 21. Jahrhunderts • S. PROBST: Hugo Riemann zwischen Theorie und Praxis • M. NINGEL: Das Farbenspiel in Debussys La mer est plus belle • W. BITZAN: Eine analytische Annäherung an Claude Debussys Verlaine-Lied Clair de lune • A. MORAITIS: Nordic Conference on aural Disciplines in higher Music Education • M. SCHWENKREIS: Giorgio Sanguinetti, The Art of Partimento • J. MENKE: Nachruf auf Eckehard Kiem