Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Excerpt from Harper's New Monthly Magazine, Vol. 1: June to November, 1850 The design of the Publishers, in issuing this work, is to place within the reach of the great mass of the American people the unbounded treasures of the Periodical Literature of the present day. Periodicals enlist and absorb much of the literary talent, the creative genius, the scholarly accomplishment of the present age. The best writers, in all departments and in every nation, devote themselves mainly to the Reviews, magazines, or Newspapers of the day. And it IS through their pages that the most powerful historical Essays, the most elaborate critical Dis quisitions, the most eloquent delineations of Manners and of Nature, the highest Poetry and the most brilliant Wit, have, within the last ten years, found their way to the public eye and the public heart. This devotion to Periodical writing is rapidly increasing. The leading authors of Great Brit ain and of France, as well as of the United States, are regular and constant contributors to the Periodicals of their several countries. The leading statesmen of France have been for years the leading writers in her journals. Lamar rine has just become the editor of a newspaper. Dickens has just established a weekly journal of his own, through which he is giving to the world some of the most exquisite and delightful creations that ever came from his magic pen. Alison writes constantly for Blackwood. Lev ER is enlisted in the Dublin University Magazine. Bulwer and croly publish their greatest and most brilliant novels first in the pages of the Monthly Magazines of England and of Scotland. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Leads the reader on an operatic tour of pre-Civil War America in this cultural study of what was an almost ubiquitous art form. It covers orchestral and choral musicians as well as stars, impresarios, business methods, repertories, advertising techniques, itineraries, sizes of companies, and methods of travel." -- Publisher's description
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
An engaging study of authorship, ethics, and book publishing in 18th- and 19th-century America, The Grand Chorus of Complaint considers the uneasy relationship between art and commerce with readings of correspondence, newspaper articles, and works by Thomas Paine, Herman Melville, and Fanny Fern.
