Harmonic Foundation for Jazz & Popular Music
Author: Jimmy Amadie
Publisher: Thornton Publishing
Published: 1981
Total Pages: 172
ISBN-13:
DOWNLOAD EBOOKThe Amadiean Creed - A unique method for creating chord voicings and harmonizing a melody.
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Author: Jimmy Amadie
Publisher: Thornton Publishing
Published: 1981
Total Pages: 172
ISBN-13:
DOWNLOAD EBOOKThe Amadiean Creed - A unique method for creating chord voicings and harmonizing a melody.
Author: Roman Iwaschkin
Publisher: Routledge
Published: 2016-04-14
Total Pages: 675
ISBN-13: 1317223454
DOWNLOAD EBOOKThis is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.
Author: Mark Harrison
Publisher: Hal Leonard Corporation
Published: 2011-09-01
Total Pages: 165
ISBN-13: 1480387894
DOWNLOAD EBOOK(Keyboard Instruction). This comprehensive book with audio is the perfect Intro to Jazz Piano . From comping to soloing, you'll learn the theory, the tools, and the techniques used by the pros. The audio demonstrates most of the music examples in the book. The full band tracks feature the rhythm section on the left channel and the piano on the right channel, so that you can play along with the band. Covers: jazz chords and progressions; jazz swing and bossa nova comping; voicings and patterns; melodic treatment; soloing techniques; how to play from a fake book; and more. Get started today!
Author: Charles Hamm
Publisher: Cambridge University Press
Published: 1995-04-27
Total Pages: 408
ISBN-13: 0521471982
DOWNLOAD EBOOKEssays on the context of popular music and its interrelationships with politics and ideology.
Author: Mark Levine
Publisher: "O'Reilly Media, Inc."
Published: 2011-01-12
Total Pages: 725
ISBN-13: 1457101459
DOWNLOAD EBOOKThe most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.
Author: Don Sebesky
Publisher: Alfred Music Publishing
Published: 1975
Total Pages: 256
ISBN-13: 9780882840321
DOWNLOAD EBOOKAn authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky's complete orchestra. The comb binding creates a lay-flat book that is perfect for study and performance.
Author: Joe Mulholland
Publisher: Hal Leonard Corporation
Published: 2013-08-01
Total Pages: 262
ISBN-13: 1480360856
DOWNLOAD EBOOK(Berklee Guide). Learn jazz harmony, as taught at Berklee College of Music. This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.
Author: Eddie S. Meadows
Publisher: Routledge
Published: 2013-10-23
Total Pages: 773
ISBN-13: 1136776036
DOWNLOAD EBOOKJazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
Author: Morris B. Holbrook
Publisher: Now Publishers Inc
Published: 2008
Total Pages: 279
ISBN-13: 1601981724
DOWNLOAD EBOOKPlaying the Changes on the Jazz Metaphor proposes an expanded view of the jazz metaphor in a broadened perspective that embraces a wide range of possibilities in organizational, management, and marketing-related themes. This monograph presents a new Typology of Jazz Musicians based on different kinds of artistic offerings. This typology will combine three key distinctions or dimensions to construct a twelve-fold classification that - when extended to the sphere of organizational behavior and business strategy as a Typology of Management and Marketing Styles - will shed light on different ways in which the jazz metaphor relates to organizational design, business practice, management skills, and marketing opportunities. In order to describe these typologies, the author examines important aspects of a first-level jazz metaphor as it relates to organizational issues involved in shaping the jazz improvisation into a form of collective collaboration. This is followed by attention to a second-level linguistic metaphor based on viewing jazz as a kind of language at the foundation for a collaborative conversation.
Author: Michael R. Rogers
Publisher: SIU Press
Published: 2004
Total Pages: 276
ISBN-13: 9780809325955
DOWNLOAD EBOOKDrawing on decades of teaching experience and the collective wisdom of dozens of the most creative theorists in the country, Michael R. Rogers's diverse survey of music theory--one of the first to comprehensively survey and evaluate the teaching styles, techniques, and materials used in theory courses--is a unique reference and research tool for teachers, theorists, secondary and postsecondary students, and for private study. This revised edition of Teaching Approaches in Music Theory: An Overview of Pedagogical Philosophies features an extensive updated bibliography encompassing the years since the volume was first published in 1984. In a new preface to this edition, Rogers references advancements in the field over the past two decades, from the appearance of the first scholarly journal devoted entirely to aspects of music theory education to the emergence of electronic advances and devices that will provide a supporting, if not central, role in the teaching of music theory in the foreseeable future. With the updated information, the text continues to provide an excellent starting point for the study of music theory pedagogy. Rogers has organized the book very much like a sonata. Part one, "Background," delineates principal ideas and themes, acquaints readers with the author's views of contemporary musical theory, and includes an orientation to an eclectic range of philosophical thinking on the subject; part two, "Thinking and Listening," develops these ideas in the specific areas of mindtraining and analysis, including a chapter on ear training; and part three, "Achieving Teaching Success," recapitulates main points in alternate contexts and surroundings and discusses how they can be applied to teaching and the evaluation of design and curriculum. Teaching Approaches in Music Theory emphasizes thoughtful examination and critique of the underlying and often tacit assumptions behind textbooks, materials, and technologies. Consistently combining general methods with specific examples and both philosophical and practical reasoning, Rogers compares and contrasts pairs of concepts and teaching approaches, some mutually exclusive and some overlapping. The volume is enhanced by extensive suggested reading lists for each chapter.