An urgent, illuminating exploration of the social nature of shame and of how it might be used to promote large-scale political change and social reform. “[Jacquet] exposes the ways shame plays into collective ideas of punishment and reward, and the social mechanisms that dictate the ways we dictate our behavior.” —The Boston Globe Examining how we can retrofit the art of shaming for the age of social media, Jennifer Jacquet shows that we can challenge corporations and even governments to change policies and behaviors that are detrimental to the environment. Urgent and illuminating, Is Shame Necessary? offers an entirely new understanding of how shame, when applied in the right way and at the right time, has the capacity to keep us from failing our planet and, ultimately, from failing ourselves.
JAMES FELTON'S "ASSHOLES" IS OUT NOW With his trademark brand of bulldozer-banter, Twitter legend James Felton guides you through the most morbidly fascinating facts you'll then wish you could forget. Ever wondered why the chainsaw was invented?* How authorities dealt with a beached whale back in ye olde days of 1970?** Or what being a human decanter entails?*** Then you've come to the right place! Within these pages you'll find the maddest, strangest and downright grossest stories from history, nature and science that you don't want to know. (Except secretly you really do you masochistic, beastly person you.) Illustrated, painfully funny and drop-your-jaw ridiculous, this is trivia from the cesspit of time that you won't be able to stop reading once you start. *To aid childbirth. **They exploded it with 100 times too much dynamite and rained blubber down on unsuspecting people and buildings. ***Decency prevents us from answering this one here. You'll have to buy the book to find out.
"A provocative new novel by the nationally bestelling author of THE ATOMIC CITY GIRLS, about nine generations of one family in Eastern Tennessee whose women, in eerie echoes of the notorious Appalachian murder ballads made famous by singers, over more than a century, have been traumatized by acts of violence"--
This sourcebook offers an introduction to Thomas Hardy's crucial novel, offering: a contextual overview, a chronology and reprinted contemporary documents, including a selection of Hardy's poems an overview of the book's early reception and recent critical fortunes, as well as a wide range of reprinted extracts from critical works key passages from the novel, reprinted with editorial comment and cross-referenced within the volume to contextual and critical documents suggestions for further reading and a list of relevant web resources. For students on a wide range of courses, this sourcebook offers the essential stepping-stone from a basic reading knowledge to an advanced understanding of Hardy's best-known novel.
Set against the sumptuousness and intrigues of Queen Elizabeth I's court, this powerful novel reveals the untold love affair between the famous poet John Donne and Ann More, the passionate woman who, against all odds, became his wife. Ann More, fiery and spirited daughter of the Mores of Loseley House in Surrey, came to London destined for a life at the court of Queen Elizabeth and an advantageous marriage. There she encountered John Donne, the darkly attractive young poet who was secretary to her uncle, the Lord Keeper of the Great Seal. He was unlike any man she had ever met—angry, clever, witty, and in her eyes, insufferably arrogant and careless of women. Yet as they were thrown together, Donne opened Ann's eyes to a new world of passion and sensuality. But John Donne—Catholic by background in an age when it was deadly dangerous, tainted by an alluring hint of scandal—was the kind of man her status-conscious father distrusted and despised. The Lady and the Poet tells the story of the forbidden love between one of our most admired poets and a girl who dared to rebel against her family and the conventions of her time. They gave up everything to be together and their love knew no bounds.
On the Western Circuit is a novella by Thomas Hardy. Edith is a rural girl who falls in love with an older man, in this romance where the mistakes of love life are tragically explored and bared naked.
Adventuress and opportunist, Ethelberta reinvents herself to disguise her humble origins, launching a brilliant career as a society poet in London with her family acting incognito as her servants. Turning the male-dominated literary world to her advantage, she happily exploits the attentions of four very different suitors. Will she bestow her hand upon the richest of them, or on the man she loves? Ethelberta Petherwin, alias Berta Chickerel, moves with easy grace between her multiple identities, cleverly managing a tissue of lies to aid her meteoric rise. In The Hand of Ethelberta (1876), Hardy drew on conventions of popular romances, illustrated weeklies, plays, fashion plates and even his wife's diary in this comic story of a woman in control of her destiny.
THOMAS HARDY'S TESS OF THE D'URBERVILLES A detailed and incisive analysis of Thomas Hardy's classic 1891 novel, using the latest research in feminism, gay, lesbian and queer theory, and cultural studies. Illustrated. Bibliogaphy. Notes. www.crmoon.com Margaret Elvy offers a thorough reappraisal of Thomas Hardy's favourite heroine. Elvy incorporates much of recent Hardy criticism, in which Hardy has been reappraised in the light of materialist, psychoanalytic, gender, poststructuralist and feminist criticism. Tess of the d'Urbervilles is a novel of anger, a text which rages against time, God, industrialization, and social institutions such as marriage, Chrisianity, the Church, law and education. What does Tess Durbeyfield do that is 'wrong'? Thomas Hardy explains in the book: ' s]he had been made to break an accepted social law, but no law known to the environment in which she fancied herself such an anomaly.' Tess is forced, or is led, or falls into a complex situation by circumstances, confusions, innocence (or ignorance), bad communication and desire. She is 'made' to break 'an accepted social law': it is the same with Eustacia Vye in The Return of the Native, and Sue Bridehead in Jude the Obscure. Somehow, their very existence means transgressions will occur. Tess Durbeyfield transgresses society, goes against grain. She (unwittingly perhaps) places herself outside of society and the law. She learns that there are different kinds of laws, different sets of laws for different groups of people. She has to learn about social boundaries, and how to keep inside of limits. As it's a dramatic novel, Tess learns the hard way. She is seen to be transgressive. The education system fails her utterly, her mother and family also fail to protect her. Though she is proud of her education, it fails her utterly. A note in the Life, Hardy's autobiography, is usually cited in relation to Tess of the d'Urbervilles: ' w]hen a married woman who has a lover kills her husband, she does not really wish to kill her husband; she wishes to kill the situation.' The tragedy of Tess of the d'Urbervilles has been seen as a socio-economic destruction (Arnold Kettle); the result of commercial forces, in the Marxist model (Raymond Williams); the decline of the rural order (John Alcorn, Roger Ebbatson, Merryn Williams); the waste of human potential (Irving Howe); due to the sexual manipulation of two men (feminist critics such as Penny Boumelha, Kate Millett and Rosalind Sumner); or due to the heroine's own moral inadequacies (Roy Morrell); or as the breaking of social taboos (J. Lecercle), and so on.
