First edition, but not in the printed wrappers. First issue cloth with the hands and knife graphic. Adams states this graphic represents Wild Bill Hickok's hands and the knife he is supposed to have given Cook. Half-title with the cover image from the wrappers.
This book is often called a condensed criminal history of the far west. It presents the memoirs of general D. J. Cook, who was a chief of the Rocky Mountain Detective Association. During his career, Cook was responsible for over 3,000 arrests, many of which are described in this memoir.
General David J. Cook was a legend during his lifetime, known throughout the United States as a tireless, fearless, and very successful lawman. Operating with the Rocky Mountain Detective Association, Cook and his colleagues tracked down and captured scores of bad men when the term "bad men" really meant something. More than once, these lawmen in lawless places defended their lives and the lives citizens by being quicker on the draw or better-armed than their opponents. Here are real Old West stories told in thrilling episodes by David Cook himself. Nearly 120 years since its first publication have not dulled the excitement and danger. Cook was a born detective. When asked one day how he happened to follow this business, he replied: “It is natural. I can’t help it; I like it.” Every memoir of the American West provides us with another view of the westward expansion that changed the country forever. For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.
General David J. Cook was a legend during his lifetime, known throughout the United States as a tireless, fearless, and very successful lawman. Operating with the Rocky Mountain Detective Association, Cook and his colleagues tracked down and captured scores of bad men when the term "bad men" really meant something. More than once, these lawmen in lawless places defended their lives and the lives citizens by being quicker on the draw or better-armed than their opponents. Here are real Old West stories told in thrilling episodes by David Cook himself. Nearly 120 years since its first publication have not dulled the excitement and danger. Cook was a born detective. When asked one day how he happened to follow this business, he replied: "It is natural. I can't help it; I like it."
Western movies are full of images of swaggering outlaws brought to justice by valiant lawmen shooting them down in daring gunfights before riding off into the sunset. In reality it would not have happened that way. Real lawmen did not simply walk away from a gunfight--they had to face the legal system and justify shooting a civilian in the line of duty. Providing a more realistic view of criminal justice in the Old West, this history focuses on how criminals came into conflict with the law and how the law responded. The process is described in detail, from the common crimes of the day--such as train robbery and cattle theft--to the methods of apprehending criminals to their adjudication and punishment by incarceration, flogging or hanging.
What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.
Introduces some of the gunfighting legends of the West, both criminals and law officials, and attempts to explore the realism of accounts of their feats
First Place Winner of the 2015 International Latino Book Award for Best Latino Focused Nonfiction Book Literary history is a history of reading. What happens during the act of reading is the subject of the branch of literary scholarship known as reader-response theory. Does the text guide the reader? Does the reader operate independently of the text? Questions like these shape the approach of the essays in this book, edited by a scholar known for his groundbreaking work in using reader-response theory as a window into Chicana and Chicano literature. Manuel M. Martín-Rodríguez has overseen several research projects aimed at documenting Chicana and Chicano reading practices and experiences. Here he gathers diverse and passionate accounts of reading drawn from that research. For many, books served as refuges from the sorrows of a childhood marked by violence or parental abandonment. Several of the contributors here salute the roles of teachers in introducing poetry and stories into their lives.
Settlers in the frontier West were often easy prey for criminals. Policing efforts were scattered at best and often amounted to vigilante retaliation. To create a semblance of order, freelance enforcers of the law known as man-hunters undertook the search for fugitives. These pursuers have often been portrayed as ruthless bounty hunters, no better than the felons they pursued. Robert K. DeArment’s detailed account of their careers redeems their reputations and reveals the truth behind their fascinating legends. As DeArment shows, man-hunters were far more likely to capture felons alive than their popular image suggests. Although “Wanted: Dead or Alive” reward notices were posted during this period, they were reserved for the most murderous desperadoes. Man-hunters also came from a variety of backgrounds in the East and the West: of the eight men whose stories DeArment tells, one began as an officer for an express company, and another was the head of an organization of local lawmen. Others included a railroad detective, a Texas Ranger, a Pinkerton operative, and a shotgun messenger for a stagecoach line. All were tough survivors, living through gunshot wounds, snakebites, disease, buffalo stampedes, and every other hazard of life in the Wild West. They also crossed paths with famous criminals and sheriffs, from John Wesley Hardin and Sam Bass to Wyatt Earp, Butch Cassidy, and the Sundance Kid. Telling the true stories of famous men who risked their lives to bring western outlaws to justice, Man-Hunters of the Old West dispels long-held myths of their cold-blooded vigilantism and brings fresh nuance to the lives and legends that made the West wild.
Authoritative guide to everything in print about lawmen and the lawless—from Billy the Kid to the painted ladies of frontier cow towns. Nearly 2,500 entries, taken from newspapers, court records, and more.