This book provides a unique and comprehensive survey of changes and trends in the construction industry focusing on the post-war years and emphasizing their contemporary and future relevance.
A hipster pastime, a high-fashion showpiece, a social activity, a simple hat to keep you warm, or a trendy bag to show off to friend ;knitting is an incredibly versatile craft, conjuring up memories of grandmothers gathering 'round the fire even as it has undergone a major revival in the world of high fashion.
In this expansive yet concise survey, Christopher Fennell discusses archaeological research from sites across the United States that once manufactured, harvested, or processed commodities. Through studies of craft enterprise and the Industrial Revolution, this book uncovers key insights into American history from the seventeenth through the nineteenth centuries. Exploring evidence from textile mills, glassworks, cutlery manufacturers, and tanneries, Fennell describes the complicated transition from skilled manual work to mechanized production methods, and he offers examples of how artisanal skill remained important in many factory contexts. Fennell also traces the distribution and transportation of goods along canals and railroads. He delves into sites of extraction, such as lumber mills, copper mines, and coal fields, and reviews diverse methods for smelting and shaping iron. The book features an in-depth case study of Edgefield, South Carolina, a town that pioneered the production of alkaline-glazed stoneware pottery. Fennell outlines shifts within the field of industrial archaeology over the past century that have culminated in the recognition that these locations of remarkable energy, tumult, and creativity represent the lives and ingenuity of many people. In addition, he points to ways the field can help inform sustainable strategies for industrial enterprises in the present day.
Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft
The essays in this volume focus on two themes: the centrality of the production of and trade in cloth in the emergence of market activity; and the nature of the industrialization process. The core of the book is formed by four detailed ethnographic studies of the development and current organization of cloth production for the market, in different parts of the world: tailoring in Kano City, northern Nigeria (Pokrant); dyeing and weaving in Daboya, northern Ghana (Goody); 'fashion'- shirt production in Bombay, India (Swallow); and the manufacture of 'handmade' Harris tweed in the Hebrides (Ennew). Each study examines access to raw materials and to the market, relations of production, the investment of capital and the reproduction of the system. Individually, they raise such questions as the role of fashion, the effects of national economic policies and legislation, and factors related to the modification of traditional technologies.
“Have nothing in your house that you do not know to be useful, or believe to be beautiful.” This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary ideas in Victorian England. In the middle of the “soulless” Industrial Era, when objects were standardised, the Arts & Crafts movement proposed a return to the aesthetic at the core of production. The work of artisans and meticulous design thus became the heart of this new ideology, which influenced styles throughout the world, translating the essential ideas of Arts & Crafts into design, architecture and painting.