On October 18, 2011 Joel and his family's life changed forever when his older brother and best friend Mathieu was hit and killed by the driver of a 28 ton crane truck. Mathieu, an artist, was riding his bike home from his art studio in Brooklyn, NY. The tragedy made headlines on CNN, the New York Times, the Wall Street Journal, Maclean's Magazine, the CBC, and many other news agencies in Canada and the US. Through his eyes Joel gives first-hand knowledge of what it's been like to go up against one of the world's largest police forces, the NYPD. It took Joel and his family six years to discover the truth about how his brother was killed. In his own straight forward and heartfelt way, Joel speaks of the grief, sadness, anger and frustration he felt during his family's long fight for justice. Joel was inspired to write this story to raise awareness about traffic safety and to show others who are victims of injustice that they have a voice and that they can make a difference. He hopes his story will inspire others who are struggling against injustice.
Right Hand Riley Trident is lithe and fast, her tongue every bit as sharp as her sword. Her and her partner, the massive brute William Teller, are new-age knights sworn to defend the kingdom of New Perth. But dark days are on the horizon Rumors swirl of a dark mage to the North. A man who's harvesting magic from people, using it to strengthen himself. He's amassing an army, and his sights are set on New Perth. With the fate of the kingdom at stake, Riley and William embark on a journey putting them on a collision course with this mage... and with their own mortality. Will their fighting prowess prove enough to vanquish the dark mage and his legion of followers, or are they doomed to a fate amongst the harvested?
International justice has become a crucial part of the ongoing political debates about the future of shattered societies like Bosnia, Kosovo, Rwanda, Cambodia, and Chile. Why do our governments sometimes display such striking idealism in the face of war crimes and atrocities abroad, and at other times cynically abandon the pursuit of international justice altogether? Why today does justice seem so slow to come for war crimes victims in the Balkans? In this book, Gary Bass offers an unprecedented look at the politics behind international war crimes tribunals, combining analysis with investigative reporting and a broad historical perspective. The Nuremberg trials powerfully demonstrated how effective war crimes tribunals can be. But there have been many other important tribunals that have not been as successful, and which have been largely left out of today's debates about international justice. This timely book brings them in, using primary documents to examine the aftermath of the Napoleonic Wars, World War I, the Armenian genocide, World War II, and the recent wars in the former Yugoslavia. Bass explains that bringing war criminals to justice can be a military ordeal, a source of endless legal frustration, as well as a diplomatic nightmare. The book takes readers behind the scenes to see vividly how leaders like David Lloyd George, Winston Churchill, Franklin Roosevelt, and Bill Clinton have wrestled with these agonizing moral dilemmas. The book asks how law and international politics interact, and how power can be made to serve the cause of justice. Bass brings new archival research to bear on such events as the prosecution of the Armenian genocide, presenting surprising episodes that add to the historical record. His sections on the former Yugoslavia tell--with important new discoveries--the secret story of the politicking behind the prosecution of war crimes in Bosnia, drawing on interviews with senior White House officials, key diplomats, and chief prosecutors at the war crimes tribunal for the former Yugoslavia. Bass concludes that despite the obstacles, legalistic justice for war criminals is nonetheless worth pursuing. His arguments will interest anyone concerned about human rights and the pursuit of idealism in international politics.
A Brief History of Justice traces the development of the idea of justice from the ancient world until the present day, with special attention to the emergence of the modern idea of social justice. An accessible introduction to the history of ideas about justice Shows how complex ideas are anchored in ordinary intuitions about justice Traces the emergence of the idea of social justice Identifies connections as well as differences between distributive and corrective justice Offers accessible, concise introductions to the thought of several leading figures and schools of thought in the history of philosophy
Presents an analysis of what justice is, the transcendental theory of justice and its drawbacks, and a persuasive argument for a comparative perspective on justice that can guide us in the choice between alternatives.
After the white Bronco, after the bloody glove, after the media frenzy and the verdict that set O.J. Simpson free, Daniel Petrocelli came to pick up the pieces. Outraged by the disastrous miscarriage of justice, the family of murder victim Ronald Goldman sought justice in civil court—their last chance to go after Simpson. To represent them, they hired Petrocelli, a respected attorney who had never before tried a criminal case. In order to win the case, Petrocelli would have to prove that O.J. Simpson was a killer. The physical evidence connecting Simpson to the murders was rock solid, but in the criminal trial, evidence was not enough. To bring the families justice, Petrocelli would have to do something that the District Attorney had not been able to do: confront O.J. Simpson face-to-face. Called “the best book on the subject” by the San Francisco Chronicle, Triumph of Justice is the definitive account of the Simpson murders and their aftermath. In the long, twisted history of the trial of the century, Daniel Petrocelli has the final word.
The emblem book was invented by the humanist lawyer Andrea Alciato in 1531. The preponderance of juridical and normative themes, of images of rule and infraction, of obedience and error in the emblem books is critical to their purpose and interest. This book outlines the history of the emblem tradition as a juridical genre, along with the concept of, and training in, obiter depicta, in things seen along the way to judgment. It argues that these books depict norms and abuses in classically derived forms that become the visual standards of governance. Despite the plethora of vivid figures and virtual symbols that define and transmit law, contemporary lawyers are not trained in the critical apprehension of the visible. This book is the first to reconstruct the history of the emblem tradition, evidencing the extent to which a gallery of images of law already exists and structuring how the public realm is displayed, made present and viewed.
When One of the Triple Threat Is Murdered, All Eyes Turn to Justice. Cassidy, Allison, and Nicole fight for justice everyday—Cassidy as a crime reporter, Nicole as an FBI agent, and Allison as a federal prosecutor. Together they’re a Triple Threat to be reckoned with. A force that, together, has solved the toughest mysteries. Until a ruthless killer finds a way to isolate and murder one of the three. When the authorities keep the survivors at arm’s length in the investigation, the women’s desire for justice goes into overdrive. They find an unexpected ally in a quirky private investigator named Ophelia whose unorthodox methods seem to offer a possible breakthrough in the case. Yet just as the police appear to have the killer in custody and justice within sight, the murderer strikes again. Not knowing whom to trust, the team must engage in a deadly game of cat-and-mouse where nothing can be taken at face value . . . and nothing will ever be the same. A riveting Triple Threat mystery that will leave readers shocked and satisfied. “[S]hocking, fast-paced . . . For those seeking gal pal tales reminiscent of Tess Gerritsen’s Jane Rizzoli and Maura Isles, the Triple Threat adventures are a sure bet.” —Publishers Weekly
