Hamlet and the Scottish Succession
Author: Lilian Winstanley
Publisher:
Published: 1921
Total Pages: 206
ISBN-13:
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This England, That Shakespeare
Author: Margaret Tudeau-Clayton
Publisher: Routledge
Published: 2016-02-17
Total Pages: 320
ISBN-13: 1317010566
DOWNLOAD EBOOKIs Shakespeare English, British, neither or both? Addressing from various angles the relation of the figure of the national poet/dramatist to constructions of England and Englishness this collection of essays probes the complex issues raised by this question, first through explorations of his plays, principally though not exclusively the histories (Part One), then through discussion of a range of subsequent appropriations and reorientations of Shakespeare and 'his' England (Part Two). If Shakespeare has been taken to stand for Britain as well as England, as if the two were interchangeable, this double identity has come under increasing strain with the break-up - or shake-up - of Britain through devolution and the end of Empire. Essays in Part One examine how the fissure between English and British identities is probed in Shakespeare's own work, which straddles a vital juncture when an England newly independent from Rome was negotiating its place as part of an emerging British state and empire. Essays in Part Two then explore the vexed relations of 'Shakespeare' to constructions of authorial identity as well as national, class, gender and ethnic identities. At this crucial historical moment, between the restless interrogations of the tercentenary celebrations of the Union of Scotland and England in 2007 and the quatercentenary celebrations of the death of the bard in 2016, amid an increasing clamour for a separate English parliament, when the end of Britain is being foretold and when flags and feelings are running high, this collection has a topicality that makes it of interest not only to students and scholars of Shakespeare studies and Renaissance literature, but to readers inside and outside the academy interested in the drama of national identities in a time of transition.
Shakespeare and Scotland
Author: Willy Maley
Publisher: Manchester University Press
Published: 2018-07-30
Total Pages: 222
ISBN-13: 1526135108
DOWNLOAD EBOOKShakespeare and Scotland is a timely collection of new essays in which leading scholars on both sides of the Atlantic address a neglected national context for an exemplary body of dramatic work too often viewed within a narrow English milieu or against a broad British backdrop. These essays explore, from a variety of critical perspectives, the playwright's place in Scotland and the place of Scotland in his work. From critical reception to dramatic and cinematic adaptation, the contributors engage with the complexity of Shakespeare's Scotland and Scotland's Shakespeare. The influence of Scotland on Shakespeare's writing, and later on his reception, is set alongside the dramatic effects that Shakespeare's work had on the development of Scottish literature, from the Globe to globalisation, and from Captain Jamy and King James to radical productions at the Citizens' Theatre in Glasgow.
Hamlet's Moment
Author: András Kiséry
Publisher: Oxford University Press
Published: 2016
Total Pages: 339
ISBN-13: 0198746202
DOWNLOAD EBOOKAlthough we take for granted that drama was crucial to the political culture of Renaissance England, we rarely consider one of its most basic functions, namely, that it helped large audiences to understand what politics was. This book suggests that in this moment before newspapers, drama as a form of popular entertainment familiarized its audience with the profession of politics, with kinds of knowledge that were necessary for survival and advancement in politicalcareers. Shakespeare's Hamlet is particularly interested in these issues: in the coming and going of ambassadors, and in the question of the succession and of the conflict with Norway. Plays writtenby Ben Jonson, John Marston, George Chapman, and others in the following years shared a similar focus, inviting the public to imagine what it meant to have a political career. In doing so, they turned politics into a topic of sociable conversation, which people could use to impress others.
The Scottish Historical Review
Author: James Maclehose
Publisher:
Published: 1921
Total Pages: 370
ISBN-13:
DOWNLOAD EBOOKA new series of the Scottish antiquary established 1886.
The Scottish Historical Review
Author:
Publisher:
Published: 1921
Total Pages: 354
ISBN-13:
DOWNLOAD EBOOKA new series of the Scottish antiquary established 1886.
History
Author:
Publisher:
Published: 1923
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKChronological coverage with articles on social, political, cultural, economic and ecclesiastical history. Book Review Section provides up-to-date critical analyses of up to 600 titles in each volume.
Celtic Shakespeare
Author: Rory Loughnane
Publisher: Routledge
Published: 2016-04-08
Total Pages: 367
ISBN-13: 1317169069
DOWNLOAD EBOOKDrawing together some of the leading academics in the field of Shakespeare studies, this volume examines the commonalities and differences in addressing a notionally 'Celtic' Shakespeare. Celtic contexts have been established for many of Shakespeare's plays, and there has been interest too in the ways in which Irish, Scottish and Welsh critics, editors and translators have reimagined Shakespeare, claiming, connecting with and correcting him. This collection fills a major gap in literary criticism by bringing together the best scholarship on the individual nations of Ireland, Scotland and Wales in a way that emphasizes cultural crossovers and crucibles of conflict. The volume is divided into three chronologically ordered sections: Tudor Reflections, Stuart Revisions and Celtic Afterlives. This division of essays directs attention to Shakespeare's transformed treatment of national identity in plays written respectively in the reigns of Elizabeth and James, but also takes account of later regional receptions and the cultural impact of the playwright's dramatic works. The first two sections contain fresh readings of a number of the individual plays, and pay particular attention to the ways in which Shakespeare attends to contemporary understandings of national identity in the light of recent history. Juxtaposing this material with subsequent critical receptions of Shakespeare's works, from Milton to Shaw, this volume addresses a significant critical lacuna in Shakespearean criticism. Rather than reading these plays from a solitary national perspective, the essays in this volume cohere in a wide-ranging treatment of Shakespeare's direct and oblique references to the archipelago, and the problematic issue of national identity.
Imagining Shakespeare's Original Audience, 1660-2000
Author: Bettina Boecker
Publisher: Springer
Published: 2016-04-29
Total Pages: 190
ISBN-13: 1137379960
DOWNLOAD EBOOKComparatively little is known about Shakespeare's first audiences. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself.
Shakespeare and Religion: Global Tapestry, Dramatic Perspectives
Author: Margie Burns
Publisher: Vernon Press
Published: 2025-01-07
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKTwelve research articles deal with aspects of religion in the plays of William Shakespeare, from early in the dramatist’s career to the end. Ordered by chronology, two chapters focus on history plays; three chapters focus on comedies and three on tragedies; one deals with "Troilus and Cressida," and three chapters deal with the late romances. The anthology does not cover all of Shakespeare’s plays and collaborations or the lyric poems. The collection is ecumenical and transnational. While the contributors all recognize that Shakespeare wrote in a Renaissance Christian universe, Christianity is not the only world religion dealt with. Approaches involve history and philosophy as well as theology, and individual perspectives vary. One thing the collection makes clear is that religion, in some sense, operates in every Shakespearean work, and its large spectrum ranges through plot and character from shallow to deep, self-interested to elevated, bloody to harmonious. Religion and religious differences were also part of the fabric and history of the playwright’s world, manifesting in the plays in situation, language, and iconography. From various perspectives, a common denominator is that the authors approach aspects of religion as one element in an informed analysis of the works.
