Wide Open begins with the start of a promising relationship. As D. M. Ditson falls in love, she is forced to confront her past: a fundamentalist Christian upbringing, family secrets, and a series of men who sexually assaulted her when she was between the ages of eighteen and twenty five. One of the assaults was so devastating that it left her showering in her sleep, trying in vain to wash the darkness away. D. M. Ditson’s story is a raw and emotional account of how she became so vulnerable to assault, of the depths to which she fell, and of her excruciating recovery from post-traumatic stress disorder.
Resist! pays close attention to popular culture; it examines the political ramifications of Kanye West’s support of Donald Trump, the significance of Aaron Sorkin’s language to American political discourse, and the casting of female emotion as a political force in House of Cards and The Handmaid’s Tale. In doing so, the collection traverses the formal world of ‘the political’ as it relates to presidential elections and referenda, while emphasising the sociocultural and political significance of popular texts which have played a critical role in exploring, critiquing and shaping culture in the twenty first century. Popular culture is often considered trivial or irrelevant to more pressing political concerns, and celebrities are often reprimanded for their forays into the political sphere. Resist! pays close attention to texts that are too often excluded when we think about politics, and explores the cultural and political fall-out of a reality TV president and a divisive public vote on increasingly connected global audiences. In examining the cultural politics of popular media, this collection is inherently interdisciplinary, and the chapters utilise methods and analysis from a range of social science and humanities disciplines. Resist! is both creative and timely, and offers a crucial examination of a fascinating and frightening political and cultural moment.
The halloween party takes a gave turn when a group of kids are randomly chosen by a black hooded figure to enter a haunted house, They must solve a series of riddles throughout the mansion and attempt to make it out alive Each room is filled with horrific things that bring out the fears of each who entered the mansion. Each person must figure the riddles out for themselves, or they suffer dire consequences. WHO WILL MAKE IT OUT ALIVE?
Springdale, Ohio is a middle-class town nestled in southwestern Ohio, just outside of Cincinnati.It's a quiet, sleepy town which has a secret.In the early 1920's a man named Michael Westerly moved into this old house on Deadman's Bluff, overlooking a graveyard, but there was a reason Mr. Westerly chose this spot. He was into voodoo and trying to make zombies out of the townsfolk, but when the townsfolk got wind of this, they tried to drive him out of town, and ultimately they lynched him, but Mr. Westerly got his revenge, and 100 years later, the town of Springdale, Ohio was the epicenter of a conspiracy that brought Mr. Westerly's threats to fruition. Now the townspeople, including the Smith family, who moved into town in the summer of 2025, to flee for their lives in the ensuing zombie apocalypse. Can the Smiths and the townspeople of Springdale survive the nightmare that they find themselves in, or be swallowed up by "The Curse of Deadman's Bluff"
Looks at the often secretive process of audience testing Hollywood movies and how it can help shape movies, with first-hand accounts from directors such as Ron Howard, Cameron Crowe, Drew Barrymore and Ed Zwick.
Three Dark Crowns meets Pretty Little Liars in this sensational and striking new fantasy from debut author Ellen Goodlett. Three girls. Three deadly secrets. Only one can wear the crown. The king is dying, his heir has just been murdered, and rebellion brews in the east. But the kingdom of Kolonya and the outer Reaches has one last option before it descends into leaderless chaos. Or rather, three unexpected options. Zofi has spent her entire life trekking through the outer Reaches with her band of Travelers. She would do anything to protect the band, her family. But no one can ever find out how far she's already gone. Akeylah was raised in the Eastern Reach, surrounded by whispers of rebellion and abused by her father. Desperate to escape, she makes a decision that threatens the whole kingdom. Ren grew up in Kolonya, serving as a lady's maid and scheming her way out of the servants' chambers. But one such plot could get her hung for treason if anyone ever discovers what she's done. When the king summons the girls, they arrive expecting arrest or even execution. Instead they learn the truth: they are his illegitimate daughters, and one must become his new heir. But someone in Kolonya knows their secrets, and that someone will stop at nothing to keep the sisters from their destiny... to rule. Magic, mystery, and blackmail abound in the first book of this sensational and striking fantasy duology.
Do you know the truth behind the dressing up and trick-or-treating that are important parts of this holiday? If not, you need to read this book with your child. Halloween comes every yearand so does the question: Mommy, Why Dont We Celebrate Halloween? Most likely, your child has either asked you this, or will ask you in the future. This is why you should be ready to explain Halloween to a kid, sharing the dangers of Halloween and discussing Halloween as a pagan holiday. This book will help your child have a Christian perspective on Halloween, making it clear why you dont celebrate the holiday. It reveals, in story form, the truth behind the activities that have become such an accepted part of Halloween traditions. Children who read this book and talk about it with their parents will learn how the "fun" of Halloween harms them. They will also learn what to say to others who do not understand the true meaning of Halloween.
From the beginning, horror has been part of the cinema landscape. Despite some of the earliest genre films with gay directors such as F.W. Murnau (Nosferatu) and James Whale (Frankenstein, The Invisible Man, Bride of Frankenstein), LGBTQIA characters have rarely been portrayed in full view. For decades, filmmakers have included "coded" content in their films with the homosexual experience translated into censor-friendly subtext for consumption by general audiences. Gradually, LGBTQIA characters and themes have moved from the background to the foreground as the horror genre has grown along with its audience's tastes and attitudes. Likewise, more and more LGBTQIA writers and directors have begun to offer their queer-centric takes on scary movies and today, "queer horror" is a thriving film genre. With more than 900 entries, this critical filmography is a comprehensive, critical, yet playful examination of the history of LGBTQIA content in horror films. Eight journalistic contributors dig into every era of scary movies, including the early silents, pre- and post-Hays Code content, grindhouse sleaze, LGBTQIA indies, and megaplex studio releases. From Whale's The Old Dark House (1932) to Don Mancini's Chucky films and everything in between, this collection explores what can be found at the intersection of "LGBTQIA" and "horror" in the film industry.
Twelve-year-old Mattie wrestles with her crush on Gemma as they participate in their school production of Romeo and Juliet in what School Library Journal calls “a fine choice for middle school libraries in need of accessible LGBTQ stories.” Twelve-year-old Mattie is thrilled when she learns the eighth grade play will be Romeo and Juliet. In particular, she can’t wait to share the stage with Gemma Braithwaite, who has been cast as Juliet. Gemma is brilliant, pretty—and British!—and Mattie starts to see her as more than just a friend. But Mattie has also had an on/off crush on her classmate Elijah since, well, forever. Is it possible to have a crush on both boys AND girls? If that wasn’t enough to deal with, things offstage are beginning to resemble their own Shakespearean drama: the cast is fighting, and the boy playing Romeo may not be up to the challenge of the role. And due to a last-minute emergency, Mattie is asked to step up and take over the leading role—opposite Gemma’s Juliet—just as Mattie’s secret crush starts to become not-so-secret in her group of friends. In this funny, sweet, and clever look at the complicated nature of middle school romance, Mattie learns how to become a lead player in her own life.
