Grace believed she went from losing it all to having it all. In a desperate attempt to put her life back together, Grace, divorced and jobless, leaves Tucson to return to Chicago-a place she never planned to call home again. She also never planned to fall for Benjamin Hayward. Drawn into the fairytale existence of his power and wealth, Grace is unable to see what her family and friends see, and ignores the warning signs of Dr. Benjamin Hayward's dark side. Benjamin's secrets-the death of his mentally ill wife and the disappearance of his daughter-push Grace into an abyss deeper than the one that brought her home in the first place, and she risks losing even more. Pieces of Grace is a complicated story of relationships confused by undercurrents of mental illness. Readers find themselves hoping family and friends can carry Grace through her most difficult moments.
What is the purpose of studying history? How do we reflect on contemporary life from a historical perspective, and can such reflection help us better understand ourselves, the world around us, and the God we worship and serve? Written by an accomplished historian, award-winning author, public evangelical spokesman, and respected teacher, this introductory textbook shows why Christians should study history, how faith is brought to bear on our understanding of the past, and how studying the past can help us more effectively love God and others. John Fea shows that deep historical thinking can relieve us of our narcissism; cultivate humility, hospitality, and love; and transform our lives more fully into the image of Jesus Christ. The first edition of this book has been used widely in Christian colleges across the country. The second edition provides an updated introduction to the study of history and the historian's vocation. The book has also been revised throughout and incorporates Fea's reflections on this topic from throughout the past 10 years.
"The queen of beach reads" (New York Magazine) and #1 New York Times bestselling author delivers an immensely satisfying page-turner in this tale about a summer of scandal at a storied Nantucket hotel. Fresh off a bad breakup with a longtime boyfriend, Nantucket sweetheart Lizbet Keaton is desperately seeking a second act. When she's named the new general manager of the Hotel Nantucket, a once Gilded Age gem turned abandoned eyesore, she hopes that her local expertise and charismatic staff can win the favor of their new London billionaire owner, Xavier Darling, as well as that of Shelly Carpenter, the wildly popular Instagram tastemaker who can help put them back on the map. And while the Hotel Nantucket appears to be a blissful paradise, complete with a celebrity chef-run restaurant and an idyllic wellness center, there's a lot of drama behind closed doors. The staff (and guests) have complicated pasts, and the hotel can't seem to overcome the bad reputation it earned in 1922 when a tragic fire killed nineteen-year-old chambermaid Grace Hadley. With Grace gleefully haunting the halls, a staff harboring all kinds of secrets, and Lizbet's own romantic uncertainty, is the Hotel Nantucket destined for success or doom? Filled with the emotional depth and multiple points of view that characterize Hilderbrand's novels (The Blue Bistro, Golden Girl) as well as an added dash of Roaring Twenties history, The Hotel Nantucket offers something for everyone in this compelling summer drama.
The poet and founder of the music collective Flowers for the Living pays tribute to all Black women by focusing on visionaries and leaders who are making history right now, including Ava DuVernay, Janelle Monae, Kamala Harris, Misty Copeland, Nikole Hannah-Jones, Robin Roberts, Roxane Gay, and Simone Biles—with this compilation of celebratory odes featuring full-color illustrations by Melissa Koby. Black women are exceptional. To honor how Black women use their minds, talent, passion, and power to transform society, Harold Green began writing love letters in verse which he shared on his Instagram account. Balm for our troubled times, his tributes to visionaries and leaders quickly went viral and became a social media sensation. Now, in this remarkable collection, Green brings together many of these popular odes with never-before-seen works. A timely celebration of contemporary Black figures who are making history and shaping our culture today, Black Roses is divided into five sections—advocates, curators, innovators, luminaries, trailblazers—reflecting the diversity of Black women’s achievements and the depth of their reach. These inspiring changemakers are leaving their mark on the world by creating new beauty in their respective art forms, heading movements, fighting for equality and to change the status quo, and championing new definitions of what’s possible in every meaningful way. Green lifts them up to create meaningful connections between these figures and our own lives and experiences. Black Roses spotlights and urges readers to learn more about Allyson Felix, Angelica Ross, Ava DuVernay, Bisa Butler, Bozoma Saint John, Charisma Sweat-Green, Dr. Eve Ewing, Dr. Janice Jackson, Dr. Johnnetta Cole, Eunique Jones-Gibson, Issa Rae, Janelle Monae, Jennifer Hudson, Jessica Matthews, Kamala Harris, Keisha Bottoms, Kimberly Bryant, Kimberly Drew, Lisa Green, Lizzo, Mandilyn Graham, Mellody Hobson, Michelle Alexander, Misty Copeland, Naomi Beckwith, Nikole Hannah-Jones, Phylicia Rashad, Rapsody, Raquel Willis, Robin Roberts, Roxane Gay, Shellye Archambeau, Simone Biles, Stacey Abrams, Tabitha Brown, Tamika Mallory, Tarana Burke, Tasha Bell, Tomi Adeyemi, and Tracee Ellis Ross.
American Millennials--the generation born in the 1980s and 1990s--have been leaving organized religion in unprecedented numbers. For a long time, the Church of Jesus Christ of Latter-day Saints was an exception: nearly three-quarters of people who grew up Mormon stayed that way into adulthood. In The Next Mormons, Jana Riess demonstrates that things are starting to change. Drawing on a large-scale national study of four generations of current and former Mormons as well as dozens of in-depth personal interviews, Riess explores the religious beliefs and behaviors of young adult Mormons, finding that while their levels of belief remain strong, their institutional loyalties are less certain than their parents' and grandparents'. For a growing number of Millennials, the tensions between the Church's conservative ideals and their generation's commitment to individualism and pluralism prove too high, causing them to leave the faith-often experiencing deep personal anguish in the process. Those who remain within the fold are attempting to carefully balance the Church's strong emphasis on the traditional family with their generation's more inclusive definition that celebrates same-sex couples and women's equality. Mormon families are changing too. More Mormons are remaining single, parents are having fewer children, and more women are working outside the home than a generation ago. The Next Mormons offers a portrait of a generation navigating between traditional religion and a rapidly changing culture.
Accessible, challenging, funny, and one of the best reads on how to love others in any situation. Love and hospitality can change the way you see the world and others. That's exactly what modern-day theologian, Richard Beck, experienced when he first led a Bible study at a local maximum security prison. Beck believed the promise of Matthew 25 that states when we visit the prisoner, we encounter Jesus. Sure enough, God met Beck in prison. With his signature combination of biblical reflection, theological reasoning, and psychological insight, Beck shows how God always meets us when we entertain the marginalized, the oppressed, and the refugee. Stories from Beck's own life illustrate this truth -- God comes to him in the poor, the crippled, the smelly. Psychological experiments show how we are predisposed to appreciate those who are similar to us and avoid those who are unlike us. The call of the gospel, however, is to override those impulses with compassion, to "widen the circle of our affection." In the end, Beck turns to the Little Way of St. Thérèse of Lisieux for guidance in doing even the smallest acts with kindness, and he lays out a path that any of us can follow.
A winsome calf provides the backdrop—literally—for this charming story. With each turn of the page, the young animal is imaginatively transformed to reflect some activity of the four seasons: snow melting, seedlings springing up, harvest, all the way to the snow melting again and revealing that—the calf has grown. The story line follows the cycle of the seasons from one spring to the next, and its spare, fluid text—wedded to the vigorous graphics—vividly conveys the underlying themes of renewal and growth. The colors are joyful and fresh, and the artist's playful approach to perspective makes this a lovely picture book.
This spirited picture book celebrates Native American traditions as it teaches young children to count from one to ten. The whimsical illustrations of Ten Little Rabbits, reminiscent of Beatrix Potter, glow with brilliant color and are filled with fascinating detail. Each number introduces a facet of traditional Native American culture, such as Pueblo corn dances or Navajo weaving, and the simple, rhyming text is enhanced by a brief afterword on Native American customs. Ideal for story time or bedtime, this is a book sure to leave children counting rabbits instead of sheep. Winner of the International Reading Association Children’s Book Award Praise for Ten Little Rabbits “Writer Virginia Grossman and artist Sylvia Long, a Dakota Indian, have created this book with honestly and careful attention to authenticity and beauty, and the result is a high-quality combination of rhyme, culture, and artistic expression that will please children.” —Booklist “A valuable replacement for the old, stereotypical ten little Indians rhyme. . . . A delightful visual treat.” —TheFive Owls “A quiet, respectful survey of some Native American customs organized through the structure of a counting rhyme, populated by rabbits dressed in traditional garb. . . . Notes at the back identify each tribe represented (Plains, Pueblo, Great Lakes, Northwestern, and Southwestern peoples), and provide information about the pictures. The rabbits have an earnest charm reminiscent of Marjorie Flack’s industrious family.” —School Library Journal
