'Hairspray', the hit musical, is based on John Waters' affectionately subversive homage to his Baltimore youth and the biggest hit musical on Broadway. This is a complete book of lyrics from the Broadway musical.
When Tracy Turnblad, a big girl with big hair and personality, wins a spot on the local television dance program, she is transformed from social outcast to teen celebrity overnight.
In Hairspray, it's 1962--the fifties are out and change is in the air. Baltimore's Tracy Turnblad, a big girl with big hair and an even bigger heart, has only one passion: to dance. She wins a spot on the local TV dance program, The Corny Collins Show, and overnight is transformed from an awkward overweight outsider into an irrespressible teen celebrity. But can a trendsetter in dance and fashion vanquish the program's reigning blond princess, win the heart of heartthrob Link Larkin, and integrate a television show without denting her 'do? Only in Hairspray! Based on John Waters's 1988 film, the musical comedy Hairspray opened on Broadway in August 2002 to rave reviews. Hairspray: The Roots includes the libretto of the show--along with hilarious anecdotes from the authors, to say nothing of dance step diagrams and full-color bouffant wigs to copy and cut out--along with all the creative energy, brilliant color, and full-out emotion that have made the musical "a great big, gorgeous hit . . . [that] is a triumph on all levels" (Clive Barnes, The New York Post).
(Pro Vocal). Whether you're getting ready for karaoke night or preparing for an audition, the Pro Vocal series is for you! The book contains the lyrics, melody, and chord symbols for eight hit songs. The audio includes demos for listening and separate backing tracks so you can sing along. Perfect for home rehearsal, parties, auditions, corporate events, and gigs without a backup band. Eight songs: Big, Blonde and Beautiful * Cooties * Good Morning Baltimore * I Can Hear the Bells * I Know Where I've Been * Mama, I'm a Big Girl Now * Welcome to the 60's * You Can't Stop the Beat.
In "Hairspray," its 1962--the 50s are out and change is in the air. The 2007 film version is based on the 2003 Tony Award-winning Broadway musical and includes a stellar cast and crew as well as new songs added to its award-winning score.
By reconsidering assumptions about mainstream popular culture and its revolutionary possibilities, author Dana Heller reveals that John Waters' popular 1988 film Hairspray is the director's most subversive movie. Represents the first scholarly work on any of film director John Waters' films Incorporates original interview material with the director Reveals meanings embedded in the film's narrative treatment of racial and sexual politics
Still photographs and quotes from the movie present its plot, from Tracy's first song about Baltimore to her quest to integrate The Corny Collins Show.
(Vocal Selections). Tony-winning musical Hairspray is a feel-good Broadway blockbuster based on the 1988 John Waters movie of the same title. The music is by Marc Shaiman (who wrote the clever score to the musical film South Park: Bigger, Longer and Uncut ), with lyrics by Marc Shaiman and Scott Wittman. The story is set in Baltimore, 1962, and the songs are a snappy, affectionate homage to the rock and pop of the period. Our deluxe folio features wonderful color photos from the Broadway production, and piano/vocal arrangements of 12 songs: Good Morning Baltimore * The Nicest Kids in Town * Mama, I'm a Big Girl Now * I Can Hear the Bells * It Takes Two * Welcome to the '60s * Run and Tell That! * Big, Blonde and Beautiful * Timeless to Me * Without Love * I Know Where I've Been * You Can't Stop the Beat.
Here are three more of John Waters's most popular screenplays — for the first time in print, including an original introduction by Waters and dozens of fun film stills. John Waters, the writer and director of these movies, is a legendary filmmaker whose films occupy their own niche in cinema history. His muse and leading lady was Divine — a 300-pound transvestite who could eat dog shit in one scene and break your heart in the next. In "Hairspray," a "pleasantly plump" teenager, played by Ricki Lake, and her big-hearted hairdresser mother, played by Divine, teach 1962 Baltimore about race relations by integrating a local TV dance show. "Female Trouble" is a coming-of-age story gone terribly awry: Dawn Davenport (again, Divine), progresses from loving schoolgirl to crazed mass murderer destined for the electric chair — all because her parents wouldn't buy her cha-cha heels for Christmas. In "Multiple Maniacs," dubbed by Waters a "celluloid atrocity," the traveling sideshow "Lady Divine's Cavalcade of Perversions" is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all — but her life changes after she gets raped by a fifteen-foot lobster.