"An emerging field of study that explores the Hispanic minority in the United States, Latino Studies is enriched by an interdisciplinary perspective. Historians, sociologists, anthropologists, political scientists, demographers, linguists, as well as religion, ethnicity, and culture scholars, among others, bring a varied, multifaceted approach to the understanding of a people whose roots are all over the Americas and whose permanent home is north of the Rio Grande. Oxford Bibliographies in Latino Studies offers an authoritative, trustworthy, and up-to-date intellectual map to this ever-changing discipline."--Editorial page.
"In this fascinating piece of detective work, biblical scholar Savina J. Teubal peels away millennia of patriarchal distortion to reveal the lost world of great independent women at the dawn of western civilization."--Cover, p. [4].
Two women, one ancient Egyptian harem, and the daring decision that changed the course of history. In the opulent court of Egypt's tenth dynasty, Princess Hagar has always known her destiny. One day, she will marry the Crown Prince Merikare and become the Great Royal Wife, the most powerful woman in Egypt. But dark dreams afflict Hagar the moment she hears of the latest addition to Pharaoh's harem: the stunning, iridescent Sumerian, Sarai. Princess Hagar feels a powerful presence around the Sumerian woman. Hagar suspects Sarai has brought black magic into the palace-but what can she do to convince Pharaoh? The intrigue of Pharaoh's court pales in comparison to that swirling in the Royal House of Women among the wives, children, and concubines of the king. Sarai's arrival upsets the already precarious balance. Loyalties divide, and betrayal, jealousy, and tragedy plague the once peaceful household. When a series of disasters befalls Egypt, Hagar must make a daring decision, and the stakes could not be higher. She could lose everything-her position, her power, her family, and even her life. Torn between the silent gods of Egypt and the powerful presence that surrounds Sarai, Hagar's world falls apart around her. She must acknowledge the terrible price of truth, and decide for herself who she will serve.
“Mohja Kahf ’s Hagar Poems is brilliantly original in its conception, thrillingly artful in its execution. Its range is immense, its spiritual depth is profound, it negotiates its shifts between archaic and the contemporary with utmost skill. There’s lyricism, there’s satire, there’s comedy, there’s theology of a high order in this book.” —Alicia Ostriker, author of For the Love of God: The Bible as an Open Book “Hagar/ Hajar the immigrant/exile/outcast/refugee mother of a people is given multiple voices and significance in Mohja Kahf’s new book of dramatic monologues, which also reinvents Pharaoh’s daughter, Zuleika, Aïsha, and Mary in poems that are at once lively and learned, agnostic and devout. The sequence on an American mosque, and the poet’s ambivalent love for what it represents, is unique in American poetry.” —Marilyn Hacker, author of A Stranger’s Mirror “‘Where have all the goddesses gone,’ writes Mohja Kahf, ‘I tracked down Isis / incognito on Cyprus. /She told me Ishtar / lived under the radar / in southern Iraq. . . .’ In Hagar Poems, Mohja Kahf’s hallmark qualities—irreverence, imagination, wit, poignancy—are all exuberantly in evidence. A wonderful read.” —Leila Ahmed, author of A Quiet Revolution: The Veil’s Resurgence, from the Middle East to America “This brilliant collection captures all the ‘patient threading of relationship’ between Hagar and Sarah as between women, and then between women and men, between human and God. . . . At every turn of the page [Kahf] refuses complacency and circumstance but opts instead for exposing the tenuousness of threads that tie and bind and then come loose before our eyes.” —From the foreword by Amina Wadud The central matter of this daring new collection is the story of Hagar, Abraham, and Sarah—the ancestral feuding family of Judaism, Christianity, and Islam. These poems delve into the Hajar story in Islam. They explore other figures from the Near Eastern heritage, such as Mary and Moses, and touch on figures from early Islam, such as Fatima and Aisha. Throughout, there is artful reconfiguring. Readers will find sequels and prequels to the traditional narratives, along with modernized figures claimed for contemporary conflicts. Hagar Poems is a compelling shakeup of not only Hagar’s story but also of current roles of all kinds of women in all kinds of relationships.
This landmark work first published 20 years ago helped establish the field of African-American womanist theology. It is widely regarded as a classic text in the field. Drawing on the biblical figure of Hagar mother of Ishmael, cast into the desert by Abraham and Sarah, but protected by God Williams finds a proptype for the struggle of African-American women. African slave, homeless exile, surrogate mother, Hagar's story provides an image of survival and defiance appropriate to black women today. Exploring the themes implicit in Hagar's story poverty and slavery, ethnicity and sexual exploitation, exile and encounter with God Williams traces parallels in the history of African-American women from slavery to the present day. A new womanist theology emerges from this shared experience, from the interplay of oppressions on account of race, sex and class. Sisters in the Wilderness offers a telling critique of theologies that promote "liberation" but ignore women of color. This is a book that defined a new theological project and charted a path that others continue to explore.
You are "The God Who Sees Me." Discover a close relationship with God—no matter the pain or suffering in your life. Witness the depths of God’s compassion through the eyes of Hagar, a runaway slave who meets the living God in a desert of despair, where she gives Him the name El Roi, "The God Who Sees Me." A largely forgotten Old Testament character, Hagar is actually one of only a few people who have ever spoken directly with the LORD. Through this seven week study, you will find that when you surrender your life into God’s hands, your trials and triumphs serve a magnificent purpose: to draw you into the arms of the faithful God who sees you.
Womanist Midrash is an in-depth and creative exploration of the well- and lesser-known women of the Hebrew Scriptures. Using her own translations, Gafney offers a midrashic interpretation of the biblical text that is rooted in the African American preaching tradition to tell the stories of a variety of female characters, many of whom are often overlooked and nameless. Gafney employs a solid understanding of womanist and feminist approaches to biblical interpretation and the sociohistorical culture of the ancient Near East. This unique and imaginative work is grounded in serious scholarship and will expand conversations about feminist and womanist biblical interpretation.
