You are "The God Who Sees Me." Discover a close relationship with God—no matter the pain or suffering in your life. Witness the depths of God’s compassion through the eyes of Hagar, a runaway slave who meets the living God in a desert of despair, where she gives Him the name El Roi, "The God Who Sees Me." A largely forgotten Old Testament character, Hagar is actually one of only a few people who have ever spoken directly with the LORD. Through this seven week study, you will find that when you surrender your life into God’s hands, your trials and triumphs serve a magnificent purpose: to draw you into the arms of the faithful God who sees you.
For almost forty years, Sammy Hagar has been a fixture in rock music. From breaking into the industry with the band Montrose to his multiplatinum solo career to his ride as the front man of Van Halen, Sammy's powerful and unforgettable voice has set the tone for some of the greatest rock anthems ever written—songs like "I Can't Drive 55," "Right Now," and "Why Can't This Be Love." In Red, Sammy tells the outrageous story of his tear through rock 'n' roll. From the decadence of being one of the world's biggest rock stars to the unfiltered story of being forced out of Van Halen, Sammy's account spares no one, least of all himself. His is a tale of a true rock 'n' roller—someone who's spent decades bringing the party with him wherever he goes but always headin' back to Cabo for mÁs tequila.
"An emerging field of study that explores the Hispanic minority in the United States, Latino Studies is enriched by an interdisciplinary perspective. Historians, sociologists, anthropologists, political scientists, demographers, linguists, as well as religion, ethnicity, and culture scholars, among others, bring a varied, multifaceted approach to the understanding of a people whose roots are all over the Americas and whose permanent home is north of the Rio Grande. Oxford Bibliographies in Latino Studies offers an authoritative, trustworthy, and up-to-date intellectual map to this ever-changing discipline."--Editorial page.
In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer Prize-winning author of The Known World shows that his grasp of the human condition is firmer than ever Returning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar's Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them. In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed. With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.
Today’s world urges us to look outward for life’s meaning and purpose—but our inner lives are the true source of the deeper knowing that gives life meaning. In Finding the Wild Inside, Marilyn Hagar encourages readers to discover that creative place inside us that knows there is more to life than we are currently living—the less rational part of ourselves that she calls our “wild inside,” a place most of us have not been taught to navigate. Using stories from her own life—from infancy through caring for her elderly parents as an adult—Hagar shows us how, through playing in the arts, contemplating our nightly dreams, fostering our intuition, and reconnecting to Mother Nature, we can discover our own authentic wild self. Opening to this part of ourselves, she teaches, isn’t so much a search as it is a listening, a curiosity, a playfulness, and a learning how to think symbolically, all of which can be cultivated. Most of all, it takes a willingness to lay down our egos and open ourselves to the awe and wonder of the wild universe of which we are a part. Instructive and inspiring, Finding the Wild Inside is a blueprint to living life from the inside out—and, in doing so, walking a path of authenticity and belonging.
This book probes the relentless pursuit by the living God of a fugitive woman who falls outside the line of his chosen people. Often recognized as one of the Bible's most powerful stories of God's love - it is a reminder of God's abundant grace towards all at a time when there is much division and animosity towards the descendants of Hagar.
“Mohja Kahf ’s Hagar Poems is brilliantly original in its conception, thrillingly artful in its execution. Its range is immense, its spiritual depth is profound, it negotiates its shifts between archaic and the contemporary with utmost skill. There’s lyricism, there’s satire, there’s comedy, there’s theology of a high order in this book.” —Alicia Ostriker, author of For the Love of God: The Bible as an Open Book “Hagar/ Hajar the immigrant/exile/outcast/refugee mother of a people is given multiple voices and significance in Mohja Kahf’s new book of dramatic monologues, which also reinvents Pharaoh’s daughter, Zuleika, Aïsha, and Mary in poems that are at once lively and learned, agnostic and devout. The sequence on an American mosque, and the poet’s ambivalent love for what it represents, is unique in American poetry.” —Marilyn Hacker, author of A Stranger’s Mirror “‘Where have all the goddesses gone,’ writes Mohja Kahf, ‘I tracked down Isis / incognito on Cyprus. /She told me Ishtar / lived under the radar / in southern Iraq. . . .’ In Hagar Poems, Mohja Kahf’s hallmark qualities—irreverence, imagination, wit, poignancy—are all exuberantly in evidence. A wonderful read.” —Leila Ahmed, author of A Quiet Revolution: The Veil’s Resurgence, from the Middle East to America “This brilliant collection captures all the ‘patient threading of relationship’ between Hagar and Sarah as between women, and then between women and men, between human and God. . . . At every turn of the page [Kahf] refuses complacency and circumstance but opts instead for exposing the tenuousness of threads that tie and bind and then come loose before our eyes.” —From the foreword by Amina Wadud The central matter of this daring new collection is the story of Hagar, Abraham, and Sarah—the ancestral feuding family of Judaism, Christianity, and Islam. These poems delve into the Hajar story in Islam. They explore other figures from the Near Eastern heritage, such as Mary and Moses, and touch on figures from early Islam, such as Fatima and Aisha. Throughout, there is artful reconfiguring. Readers will find sequels and prequels to the traditional narratives, along with modernized figures claimed for contemporary conflicts. Hagar Poems is a compelling shakeup of not only Hagar’s story but also of current roles of all kinds of women in all kinds of relationships.
