Romany culture is perhaps the most Indo-European of all. The ancestors of the Gypsies left India around 1000 years ago and mixed with every culture on the way to produce a variety of Romany dialects and well-known cultural achievements from Hungarian Gypsy music to the English Gypsy caravan. Such images somehow co-exist, however, with continuous persecution.
A unique collection of scholarly essays gathered and reprinted from American Journal of Comparative Law (1997) and the Yale Law Journal (1993) on the legal traditions of the Roma, or Gypsies. A fascinating account of how a primarily alien culture functions in a larger social context.
Relations with the state and with non-Gypsies have been central to the shaping of the lived identity of Gypsy people. This book examines how the state deals with Gypsies and travellers, and how they deal with the state. It also provides a comparative study of Gypsy politics in Britain and abroad.
The book explores the notion of Gypsy and Traveller ethnicity and provides a critique of the conceptual basis of racial and ethnic categorisation. An analysis of the post-war housing situation is given in order to illustrate a connection between social and economic conditions, legislation affecting gypsies and travellers and the visibility and general consciousness of the gypsy and traveller population. The originality of the book lies in its argument that the position of gypsies and travellers largely arises out of social conditions and interaction rather than political, biological or ideological determinants. It puts forward the notion of an ethnic narrative of traveller identity and illustrates how variations of this have been defensively deployed by some travellers and elaborated on by theorists. Belton focuses on the social generation of travellers as a cultural, ethnic and racial categorization, offering a rational explanation of the development of an itinerant population that is less ambiguous and more informative in terms of the social nature of the gypsy and traveller position than interpretations based on 'blood', 'breed', 'stock', ethnicity or race that dominate the literature.
Using an oral history approach, this book draws on Gypsy and non-Gypsy narratives to tell the story of Gypsy forced dislocation from Bayramic, a northwestern town of Turkey, in 1970. Gül Özatesler examines memory construction, the categories of Gypsyness and Turkishness, and the different perspectives and positions that emerged, considering all in relation to underlying socioeconomic structure. The book reveals how ethnic and other identities can be deployed to conceal socioeconomic and political inequalities.
In early eighteenth-century texts, the gypsy is frequently figured as an amusing rogue; by the Victorian period, it has begun to take on a nostalgic, romanticized form, abandoning sublimity in favour of the bucolic fantasy propagated by George Borrow and the founding members of the Gypsy Lore Society. Representations of the Gypsy in the Romantic Period argues that, in the gap between these two situations, the figure of the gypsy is exploited by Romantic-period writers and artists, often in unexpected ways. Drawing attention to prominent writers (including Wordsworth, Austen, Clare, Cowper and Brontë) as well as those less well-known, Sarah Houghton-Walker examines representations of gypsies in literature and art from 1780-1830, alongside the contemporary socio-historical events and cultural processes which put pressure on those representations. She argues that, raising troubling questions by its repeated escape from the categories of enlightenment discourses which might seek to 'know' or 'understand' in empirical ways, the gypsy exists both within and outside of conventional English society. The figure of the gypsy is thus available to writers and artists to facilitate the articulation of dilemmas and anxieties taking various forms, and especially as a lens through which questions of knowledge and identity (which is often mutable, and troubling) might be focussed. .
Translated from the Polish, Anna G. PiotrowskaÕs Gypsy Music in European Culture details the profound impact that Gypsy music has had on European culture from a broadly historical perspective. The author explores the stimulating influence that Gypsy music had on a variety of European musical forms, including opera, vaudeville, ballet, and vocal and instrumental compositions. The author analyzes the use of Gypsy themes and idioms in the music of recognized giants such as Bizet, Strauss, and Paderewski, detailing the composersÕ use of scale, form, motivic presentations, and rhythmic tendencies, and also discusses the impact of Gypsy music on emerging national musical forms.
This is an analysis of 166 original and previously unpublished documents dating from the very first mention of a Gypsy in 1401 up to the year 1 765. These documents range from royal decrees thru lawsuits to entries in municipal records. Some were written in Polish but many are in Latin, German or Ruthenian. They tell the story of not only the Gypsies living in Poland, but also of those who now live in Belarus, Lithuania, Latvia and Ukraine. Though Poland has not traditionally had a large Roma population, the author leads the reader through an eventful history of a people living on the margins of contemporary Europe. The historic documents illustrate a marked contrast to present stereotypes and popular media images and shows how the position of Roma/Gypsies shifted gradually from respected, wealthy and partly settled citizens of the early modern times, towards criminalized vagrants of the 18 th century. This is a careful interpretation and re-interpretation of documents pertaining to the Roma's past that will provide an enlightening historical perspective towards the re-evaluation and self-definition of the Romani people in contemporary Europe.
