First published in 1995, the book describes personal experiences of those who cross-dress and sex change, how they organise themselves socially - in both `outsider' and `respectable' communities. The contributors consider the dominant medical framework through which gender blending is so often seen and look at the treatment afforded gender blending in literature, the press and the recently emerged telephone sex lines. The book concludes with a discussion of the lively debates that have taken place concerning the politics of transgenderism in recent years, and examines its prominence in recent contributions to contemporary cultural theory and queer theory.
Publisher to the Decadents chronicles the experiences of Leonard Smithers (1861-1907), a key figure in the literary culture of late Victorian England. In his day he was known primarily for publishing books of upscale pornography. He became the publisher of choice for the Decadents, including most notably Oscar Wilde and Audrey Beardsley. While a young solicitor in his native Sheffield, Smithers established a correspondence with the famed explorer and translator of exotic texts, Captain Sir Richard Burton. Burton translated The Thousand Nights and a Night (popularly known as The Arabian Nights), which was published by Smithers in 1885. Smithers collaborated with Burton in the publication of two Latin texts, the Priapeia and the Carmina of Catullus, both of erotic cast. After the death of Burton in 1890, Smithers continued a significant involvement with his work, serving as an adviser to Lady Isabel Burton. During this time Smithers formed a partnership with Harry Sidney Nichols, and together they produced a series of pornographic books under the imprint of the Erotika Biblion Society. The years between 1895 and 1900 were Smithers's glory years when he managed to publish a number of books illustrated by Beardsley, a magazine known as the Savoy, and books of verse by Ernest Dowson and Arthur Symons that have proved to be the finest expression of the Decadent Movement. Throughout his career Smithers sought to produce attractive, well-made books that were tastefully designed and printed. This book provides expansive insight into the prizes and pitfalls of an early English publisher of the decadent Nineties.
This work offers bibliographical descriptions of all printings of erotic fiction in English issued clandestinely during the period 1800-1930. By 'clandestine' is meant books whose publishers and printers attempt to hide their identities, usually by offering title pages whose misleading places and dates of publication may shock and amuse, but which always aim to mystify. Using internal and external evidence, an attempt is made to establish who were the printers, booksellers and publishers, English and Continental, involved in this trade. The printing families or 'groups' into which a large percentage of the material falls are classified, accompanied by illustrations which identify the main printing characteristics ('house styles') of the groups. Bibliographical descriptions follow a checklist of clandestine catalogues; these provide valuable evidence for dating, pricing and 'sales pitch' and information on items of which no copies can now be traced. The work concludes with a series of appendices which provide significant external evidence, and three indexes: of themes, titles and names. Peter Mendes' original research builds on and significantly extends the essential pioneer work of the Victorian collector and bibliographer H.S. Ashbee ('Pisanus Fraxi').
Originally published in 1979. This is at once a look at the realities of homosexuality in history and an examination of the myths that have grown up around it. The record of practices and prejudices moves from biblical and classical through early and medieval Christian, Renaissance, and Victorian times, to our own era of dramatic changes. It looks at prominent figures who were homosexuals, the theories that have flourished and faded, the differing attitudes toward male and female homosexuality, persecution, and contemporary changes. This classic work is a fascinating historical perspective of all the factors that have shaped and changed our attitudes from ancient times to the present.
The present work fills a gap as it attempts to offer a history of erotic literature published in the United Kingdom. The word Study in the title is perhaps a bit exaggerated as the material is largely taken from the now well known bibliographies by Pisanus Fraxi (Henry Spencer Ashbee) and quotations from the books themselves. The time line is WW II. Who was the author? He may have been Charles Reginald Dawes (1879-1964) who is supposed to have written (but not published) a text of this or a similar title. His profession or his activities are not known - he once called himself a writer but library catalogues credit him only with two publications: The Marquis de Sade (Paris 1927) and Retif de la Bretonne (London 1946, privately printed). He may have been a popular writer under pseudonyms, though. Dawes owned a good erotica collection which he willed to the British Museum Library; that would explain why the author of this Study - if he was Dawes - could quote freely from erotic texts which only few of his contemporaries would have had available. The main merits of this book are that the author was thoroughly familiar with English (and French) erotic literature and that he put his material in chronological order and in context. The editor added a number of references, illustrations and indices of personal names and titles to facilitate navigation.
In any society, the perception of femininity and masculinity is not necessarily dependent on female or male genitalia. Cross dressing, gender impersonation, and long-term masquerades of the opposite sex are commonplace throughout history. In contemporary American culture, the behavior occurs most often among male heterosexuals and homosexuals, sometimes for erotic pleasure, sometimes not. In the past, however, cross dressing was for the most part practiced more often by women than men. Although males often burlesqued women and gave comic impersonations of them, they rarely attempted a change of public gender until the twentieth century. This phenomenon, according to Vern L. Bullough and Bonnie Bullough, has implications for any understanding of the changing relationships between the sexes in the twentieth century. In most Western societies, being a man and demonstrating masculinity is more highly prized than being a woman and displaying femininity. Some non-Western societies, however, are more tolerant and even encourage men to behave like women and women to act like men. Cross Dressing, Sex, and Gender not only surveys cross dressing and gender impersonation throughout history and in a variety of cultures but also examines the medical, biological, psychological, and sociological findings that have been presented in the modern scientific literature. This volume offers the results of the authors' research into contemporary gender issues and the search for explanations. After examining the various current theories regarding cross dressing and gender impersonation, the Bulloughs offer their own theory. This book, widely deemed a classic in its field, is the culmination of thirty years of research by the Bulloughs into gender impersonation and cross dressing. Their groundbreaking findings will be of interest to anyone involved in the debate over nature versus nurture, and have implications not only for scholars in the various social sciences and sex and gender studies, but for educators, nurses, physicians, feminists, gays, lesbians, and general readers. This work will be of more personal interest to anyone who identifies as a transvestite or transsexual or who has been classified by medical and psychiatric professionals as suffering from gender dysphoria. Cross Dressing, Sex, and Gender covers a wide range of cultures and periods. As the first comprehensive attempt to examine the phenomenon of cross dressing, it will be of interest to students and scholars of social history, sociology, nursing, and women's studies.
An unconventional figure in an age that excluded women from government, Victoria was accorded prominence unavailable to any male monarch. Yet as Adrienne Munich argues in this fascinating work, the originality of the solid, dour icon that was Victoria lay, paradoxically, in her very ordinariness. The first book to fully investigate the influence of this icon of British history, Queen Victoria's Secrets demonstrates the firm grasp the queen held on the cultural imagination of her country, exploring how Victoria created and maintained her royal authority. Gracefully weaving together feminist, anthropological, and postcolonial approaches, Munich searches out the myriad, often contradictory incarnations of the queen in the minds of her people. How did Victoria convincingly maintain her power for forty years after Prince Albert's death, never giving up her identity as a grieving widow? How did Victorian society's reverential treatment of their queen conflate with the monarch's plain, middle class public image? These are some of the secrets Munich examines in her richly detailed work. In demonstrating the subtle but powerful ways in which Victoria performed significant cultural work, Queen Victoria's Secrets goes against the grain of Victoria scholarship, which has tended to overlook the queen's political and cultural centrality. This stylish, accessible portrait will be of great interest to those who are fascinated by the myth-making and secrets of the Victorian age.