Gustav Klimt at Home explores the influences of Vienna and other places Klimt travelled to and called home on his life and work. Klimt was one of the most prominent members of the Vienna Secession movement. He was both influenced by and shaped the city of Vienna at the turn of the century, undertaking several public commissions. Klimt travelled little, but trips to Venice and Ravenna, as well as annual summer holidays with the Flöge family on the shores of Attersee, were a source of inspiration and influence on his creative output. Fully illustrated, the book features paintings, archive imagery and photographs of the surrounding city and landscape to provide an insight into how the people and places of his life relate to his work.
The enfant terrible of the Viennese art scene, Klimt was notorious for his portraits of beautiful women. Illustrated with color reproductions, this book profiles the women who figured in the artist's life and on his canvases. The author looks beyond the standard assumption that Klimt was a hardhearted philanderer, pointing instead to his committed and loving relationship with Emilie Flöge that prevailed despite the parade of beautiful women who wandered in and out of the artist's studio. Partsch demonstrates Klimt's role in the evolution of portrait painting, which helped usher in the age of Expressionism.
“I am not interested in myself as a subject for painting, but in others, particularly women...”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain virtually no reference to external events, but strive rather to create a world where beauty, above everything else, is dominant. His use of colour and pattern was profoundly influenced by the art of Japan, ancient Egypt, and Byzantium. Ravenne, the flat, two-dimensional perspective of his paintings, and the frequently stylised quality of his images form an oeuvre imbued with a profound sensuality and one where the figure of woman, above all, reigns supreme. Klimt’s very first works brought him success at an unusually young age. Gustav, born in 1862, obtained a state grant to study at Kunstgewerbeschule (the Vienna School of Arts and Crafts) at the age of fourteen. His talents as a draughtsman and painter were quickly noticed, and in 1879 he formed the Künstlercompagnie (Artists’ Company) with his brother Ernst and another student, Franz Matsch. The latter part of the nineteenth century was a period of great architectural activity in Vienna. In 1857, the Emperor Franz Joseph had ordered the destruction of the fortifications that had surrounded the medieval city centre. The Ringstrasse was the result, a budding new district with magnificent buildings and beautiful parks, all paid for by public expenses. Therefore the young Klimt and his partners had ample opportunities to show off their talents, and they received early commissions to contribute to the decorations for the pageant organised to celebrate the silver wedding anniversary of the Emperor Franz Joseph and the Empress Elisabeth. In 1894, Matsch moved out of their communal studio, and in 1897 Klimt, together with his closest friends, resigned from the Künstlerhausgenossenschaft (the Cooperative Society of Austrian Artists) to form a new movement known as the Secession, of which he was immediately elected president. The Secession was a great success, holding both a first and second exhibition in 1898. The movement made enough money to commission its very own building, designed for it by the architect Joseph Maria Olbrich. Above the entrance was its motto: “To each age its art, to art its freedom.” From around 1897 onward, Klimt spent almost every summer on the Attersee with the Flöge family. These were periods of peace and tranquillity in which he produced the landscape paintings constituting almost a quarter of his entire oeuvre. Klimt made sketches for virtually everything he did. Sometimes there were over a hundred drawings for one painting, each showing a different detail – a piece of clothing or jewellery, or a simple gesture. Just how exceptional Gustav Klimt was is perhaps reflected in the fact that he had no predecessors and no real followers. He admired Rodin and Whistler without slavishly copying them, and was admired in turn by the younger Viennese painters Egon Schiele and Oskar Kokoschka, both of whom were greatly influenced by Klimt.
Though controversial in his time, Gustav Klimt's works are today recognized as masterpieces. The Byzantine luxuriance of form, the vivid juxtaposition of colours and the rich symbolism, sensuality and eroticism of his work have made the artist one of the most popular in the world. In this lavish volume his most important and iconic works are arranged thematically, and are accompanied by Rachel Barnes' expert commentary on all aspects of the artist's life, influences and paintings - from the inspiration and provenance of each painting, to the technique used to create it and a list of exhibitions. Featuring some of the most iconic artworks of the late 19th/early 20th centuries - including Judith I, Portrait of Adele Bloch-Bauer and The Kiss - this sumptuous, hand-finished slipcase edition is a stunning object that any art lover would cherish.
The prince of decadence: Looking at Klimt in a whole new light: a groundbreaking monograph The countless events being held to celebrate the 150th anniversary of his birth make a clear statement to the enduring appreciation for the work of Gustav Klimt. Not that it takes such a special occasion for the press and the public to start talking about Klimt. More than two hundred articles about the artist appeared online in August 2011 alone, in comparison with barely seventy on Rembrandt within the same period. This media publicity set editor Tobias G. Natter thinking about the value of compiling the present book. During his lifetime, Klimt was a controversial star whose works made passions run high; he stood for Modernism but he also embodied tradition. His pictures polarized and divided the art-loving world. Journalists and general public alike were split over the question: For or against Klimt? The present publication therefore places particular emphasis upon the voices of Klimt's contemporaries via a series of essays examining reactions to his work throughout his career. Subjects range from Klimt's portrayal of women to his adoption of landscape painting in the second half of his life. The cliché that Gustav Klimt was a man of few words who rarely put pen to paper is vehemently dispelled: no less than 179 letters, cards, writings and other documents are included in this monograph. This wealth of archival material, assembled here for the first time on such a scale, represents a major contribution to Klimt scholarship. Defining features of this edition: Catalog of Klimt's complete paintings All known letter correspondence Featuring new photographs of the Stoclet Frieze commissioned exclusively for this book Contributing authors: Evelyn Benesch, Marian Bisanz-Prakken, Rainald Franz, Anette Freytag, Christoph Grunenberg, Hansjörg Krug, Susanna Partsch, Angelina Pötschner and Michaela Reichel
Written with students of aerospace or aeronautical engineering firmly in mind, this is a practical and wide-ranging book that draws together the various theoretical elements of aircraft design - structures, aerodynamics, propulsion, control and others - and guides the reader in applying them in practice. Based on a range of detailed, real-life aircraft design projects, including military training, commercial and concept aircraft, the experienced UK and US based authors present engineering students with a useful toolkit and reference to support their own project work.
Inspired by Klimt’s famous mural The Tree of Life, this dreamily illustrated children’s book tells the story of a magical tree whose fruit saves lives. Painted during the artist’s "golden period," Gustav Klimt’s The Tree of Life has been interpreted in myriad ways. This children’s book deftly incorporates the mysteries and depth of Klimt’s masterpiece into a story for young readers. A young man is given a seed that grows into a beautiful fruit-bearing tree. After tasting the fruit, he can see into the future, including events that will put the lives of others in danger. A king and his lovely princess daughter test the boy’s predictions, and love ensues. As children turn the pages of this exquisite book, they will be drawn into the intricately detailed and boldly colored illustrations, which echo Klimt’s own artistry. The book includes a gorgeous reproduction of The Tree of Life, along with information about Klimt and his work. Designed to encourage children to discover new details each time they open the pages, this is a charming book that will be read over and over again.
"Why does Gustav Klimt (1862-1918) travel to Italy several times although he feels homesick before he even crosses the border? The Viennese painter is fascinated by the magnificent mosaics that he sees in the churches in Italy. And this is just the way he wants his paintings to glitter too. Angela Wenzel takes us to the golden world of Gustav Klimt and shows us how the famous Art Nouveau painter lived and worked."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The idea that 'home' is a special place, a separate place, a place where we can be our true selves, is so obvious to us today that we barely pause to think about it. But, as Judith Flanders shows in her best and most ambitious work to date, "home" is a relatively new idea. In The Making of Home, Flanders traces the evolution of the house from the sixteenth to the early twentieth century across northern Europe and America, showing how the homes we know today bear only a faint resemblance to homes though history. What turned a house into the concept of home? Why did northwestern Europe, a politically unimportant, sociologically underdeveloped region of the world, suddenly became the powerhouse of the Industrial Revolution, the capitalist crucible that created modernity? While investigating these important questions, Flanders uncovers the fascinating development of ordinary household items--from cutlery, chairs and curtains, to the fitted kitchen, plumbing and windows--while also dismantling many domestic myths. In this prodigiously researched and engagingly written book, Flanders brilliantly and elegantly draws together the threads of religion, history, economics, technology and the arts to show not merely what happened, but why it happened: how we ended up in a world where we can all say, like Dorothy in Oz, "There's no place like home."
