Beautifully written and well thought out, Fromm's debut novel captures the true strength in the bond between a brother and sister. With subtle humor and complete honesty, he portrays the heartbreaking reality of a family dealing with manic depression and a young boy's struggle to come to terms with his hero's failings.
Wild Bill’s ever-evolving legend When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive. Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West. Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota. American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.
True stories of sheriffs, marshals, rangers, and others in frontier law enforcement who fought to bring order to the lawless West—includes photos. Faced with ruthless criminals, trigger-happy gunslingers and assorted desperados, the lawmen of the Old West tried, and sometimes died, in their efforts to bring some semblance of order to their towns and communities. This book introduces more than thirty of them, from familiar names like Wyatt Earp and Bat Masterson to lesser-known figures from Dallas Stoudenmire, John Selman, and Bass Reeves. Some at the time believed that former criminals would make the most effective lawmen. Consequently, notorious gunfighters might be employed as town marshals to bring law and order to some of the most lawless of towns. These lawmen had to deal with the likes of the Dalton Gang, the James Brothers, and the Rufus Buck Gang, who thought nothing of raping and murdering innocent people just for the hell of it. These outlaws would frequently hide in Indian Territory, where there was no law to extradite them. The only law outside of Indian Territory was that of Judge Isaac Parker, who administered the rules with an iron fist; the gallows at Fort Smith laid testament to his work. The requirements needed to be a peace officer in the Wild West were often determined only by the individual’s skill with a gun and their courage. At times judgment was needed with only seconds to spare, and that also meant there was the odd occasion where justice and law never quite meant the same thing. The expression ‘justice without law’ was never truer than in the formative years of the West—and this book tells that story.
The Americans II is a collection of four short stories about La Fons pirate relatives, cowboys in the old West and a female robber, Pearl Hart, who was involved in the last stagecoach robbery in America. There are historical nuggets preceding each story that highlights or explains an aspect of that story. Brotherhood depicts the dedication between twin brothers when one wrestles a bear for cash and then bravely rides hundreds of dangerous miles to save his brother. The Bandana is about Lance Wittrys challenges to survive and thrive despite the dangers on a cattle drive. In Brazil and Back, the adventures of John Dhu Mordecai McKinney, a one-time slave turned pirate, meets Marietje Mary Sebring in Brazil. Pearl Harts difficult life is the focus of The Last Stagecoach Robbery. Abandoned by her husband, she struggles to survive by joining an ill-fated stagecoach robbery in the Arizona territory. Experience the actions, thoughts, and feelings as these brave Americans strive for better futures.
Authoritative guide to everything in print about lawmen and the lawless—from Billy the Kid to the painted ladies of frontier cow towns. Nearly 2,500 entries, taken from newspapers, court records, and more.
“Chronicles the misdeeds of many of America’s worst miscreants, with special emphasis on the tools of the outlaw trade.” —American Rifleman From colonial-era rifles carried on the “Owlhoot Trail” to John Dillinger’s Colt pistols, the history of the American outlaw is told in guns—weapons that became each man’s personal signature. Authors Gerry and Janet Souter peer into these criminals’ choices of derringers, revolvers, shotguns, rifles, machine guns, and curious hybrids, giving us a glimpse into the minds behind the trigger fingers. With over 200 illustrations, Guns of Outlaws gives a unique look at the lives and the hardware of the most infamous outlaws in American history, and of the law enforcement officers who hunted them. As settlers moved further west, away from authority and soft city life into the Great Plains, the push for survival through the endless prairies and jagged isolating mountain ranges bred ruthless men. Most outlaws were technology freaks who seized upon the latest weapon innovations developed in the industrious East to provide an edge in the life-and-death cosmos of the Wild West. By the late 1930s and early 1940s, outlaws on horseback had given way to marauding bank robbers. Using fast cars and faster guns, they became folk heroes of the Great Depression, even as the law was hard on their tails. “Historians Gerry and Janet Souter take the reader back to a time between 1840 and 1940 when . . . outlaws and man hunters lived bold and died hard . . . [The] book show[s] actual tools of the trade wielded during a violent century, bound up in a mix of hard truths and mythology.” —Ammoland.com
This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.