Using the Mississippi Gulf Coast as a case study, this book focuses on the aftermath of Hurricane Katrina and develops the concept of resilience and how it applies to Homeland Security in the aftermath of the worst natural disaster to hit the United States. Through the lens of the national response to Hurricane Katrina and the local lens of the recovery of the Mississippi Gulf Coast community, this work elucidates the particular qualities that make a community and a nation more resilient, discussing resilience as a concept and an application. Additionally, it explores in-depth the interconnected fields that comprise resilience; including economic, social, infrastructure, and political domains. By examining what went right, what went wrong, and what can be improved upon during the Mississippi Gulf Coast's recovery, scholars and policymakers can better understand community resilience not just as a concept, but also as a practice.
Ship Island was used as a French base of operations for Gulf Coast maneuvers and later, during the War of 1812, by the British as a launching point for the disastrous Battle of New Orleans. But most memorably, Ship Island served as a Federal prison under the command of Union Major General Benjamin F. Butler during the Civil War. This volume traces this fascinating and somewhat sinister history of Ship Island. The main focus of the book is a series of rosters of the men imprisoned. Organized first by the state in which the soldier enlisted and then by the company in which he served, entries are listed alphabetically by last name and include information such as beginning rank; date and place of enlistment; date and place of capture; physical characteristics; and, where possible, the fate and postwar occupation of the prisoner.
“When the Mississippi school boy is asked who is called the ‘Great Commoner’ of public life in his state," wrote Mississippi’s premier historian Dunbar Rowland in 1901, “he will unhesitatingly answer James Z. George.” While George’s prominence, along with his white supremacist views, have decreased through the decades since then, many modern historians still view him as a supremely important Mississippian, with one writing that George (1826–1897) was “Mississippi's most important Democratic leader in the late nineteenth century.” Certainly, the Mexican War veteran, prominent lawyer and planter, Civil War officer, Reconstruction leader, state Supreme Court chief justice, and Mississippi’s longest-serving United States senator to that time deserves a full biography. And George’s importance was greater than just on the state level as other southerners copied his tactics to secure white supremacy in their own states. That James Z. George has never had a full, academic biography is inexplicable. James Z. George: Mississippi’s Great Commoner seeks to rectify the lack of attention to George’s life. In doing so, this volume utilizes numerous sources, never or only slightly used, primarily a large collection of George’s letters held by his descendants and never used by historians. Such wonderful sources allow a glimpse not only into the life and times of James Z. George, but perhaps more importantly an exploration of the man himself, his traits, personality, and ideas. The result is a picture of an extremely commonplace individual on the surface, but an exceptionally complicated man underneath. James Z. George: Mississippi’s Great Commoner will bring this important Mississippi leader of the nineteenth century back into the minds of twenty-first-century Mississippians.
Mississippi’s foundational epoch—in which the state literally took shape—has for too long remained overlooked and shrouded in misunderstanding. Yet the years between 1798, when the Mississippi Territory was created, and 1840, when the maturing state came into its own as arguably the heart of the antebellum South, was one of remarkable transformation. Beginning as a Native American homeland subject to contested claims by European colonial powers, the state became a thoroughly American entity in the span of little more than a generation. In Old Southwest to Old South: Mississippi, 1798–1840, authors Mike Bunn and Clay Williams tell the story of Mississippi’s founding era in a sweeping narrative that gives these crucial years the attention they deserve. Several key themes, addressing how and why the state developed as it did, rise to the forefront in the book’s pages. These include a veritable list of the major issues in Mississippi history: a sudden influx of American settlers, the harsh saga of Removal, the pivotal role of the institution of slavery, and the consequences of heavy reliance on cotton production. The book bears witness to Mississippi’s birth as the twentieth state in the Union, and it introduces a cast of colorful characters and events that demand further attention from those interested in the state’s past. A story of relevance to all Mississippians, Old Southwest to Old South explains how Mississippi’s early development shaped the state and continues to define it today.
A history and a genealogy of the Ladner family who are descendants of Christian Ladner who came to the Gulf Coast in 1719. The families lived in Mississippi, Louisiana, etc.
A genealogical compilation of the descendants of Henry & Margareth Crook and their seven children. The couple was married circa 1812 in South Carolina and by 1828 could be found in Rankin County, Mississippi. Many of the descendants are traced to the present, including biographies and photographs when available.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
V.1 Newspaper directory.--v.2 Magazine directory.--v.3 TV and radio directory.--v.4 Feature writer and photographer directory.--v.5 Internal publications directory.
