The first music theory book designed for guitarists by a guitarist. The book explains music theory as it applies to the guitar and covers intervals, scales, chords, chord progressions, and the Nashville Number System. The included Audio CD features examples of all the music in the book and also an ear training section. The Music Theory Book was written to help all guitar players achieve a better understanding of the guitar and of the music they play.
"Tom Dempsey, noted guitarist and author, will take you through the sometimes intimidating world of music theory in this friendly and easy-to-understand video. If you've ever found it difficult to learn music theory by reading about it, here is your chance to learn by watching!"--DVD.
(Instructional). This book is a complete compilation of scales, modes, exotic scales, and theory. It covers the most common and exotic scales, theory on how they're constructed and practical applications. No prior music theory is necessary since every section is broken down and explained very clearly.
(Guitar Educational). Experience must-know music knowledge and wisdom through the highly focused lens of legendary guitar virtuoso Steve Vai. This full-color instructional book written by Vai himself features in-depth discussions of the music theory fundamentals that every aspiring (and veteran) guitar player should know, packed with practical exercises, diagrams, tips, inspiring ideas and concepts, practice methods, and ways of looking at music that you may have never considered. Topics covered include: academic vs. experiential learning * reading and writing music * key signatures * chord scales * rhythm basics * guitar harmonics * modes * and much more.
This book and streaming video course is all that you will ever need for getting started playing the most famous and cherished guitar songs! Music Professor Damon Ferrante guides you through how to play the guitar with step-by-step lessons for adult beginners and streaming video lessons. This easy-to-follow method, used by thousands of guitar students and teachers, is designed to be interactive, engaging and fun. No music reading is required! Learn great guitar songs! The lessons will greatly expand your repertoire of beloved guitar songs and improve your guitar technique, creativity, and understanding of music. Whether you are teaching yourself guitar or learning with a music instructor, this book and streaming video course will take your guitar playing to a whole new level! Ask yourself this: 1. Have you always wanted to learn how to play famous guitar songs, but did not know where to start? 2. Did you start guitar lessons once and give up because the lessons were too difficult? 3. Are you struggling to follow online guitar lessons that seem to jump all over the place without any sense of direction or consistency? 4. Would you like to expand your musical understanding and learn how to play the guitar through an affordable, step-by-step book and video course? If your answer to any of the these questions is yes, then this beginner guitar book and video course is definitely for you! The following great music is covered in this book and streaming video course: * Amazing Grace * House of the Rising Sun * Scarborough Fair * Shenandoah * Happy Birthday * Kum-Bah-Yah * Jingle Bells * Home on the Range * This Little Light of Mine * Take Me Out to the Ballgame * Red River Valley * Silent Night * When the Saints Go Marching In * Greensleeves * Aura Lee * And Many More Great Songs!
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
