Guerrilla Incursions into the Capitalist Mindset is an unprecedented collection of over 60 essays, interviews, petitions and letters as well as poems and short stories flowing from the pen of Shiraz Durrani. It is a treasure trove of truths that has so far been obscured by the information vacuum created by capitalism and its sister, imperialism. By reprinting out-of-print material, and bringing to light limited access information, this book supplies a new language for understanding and articulating our realities. This collection not only recovers and recollects the remnants of previous displaced history but also makes alternative ideas and experiences available. Remarkably, it sets the record straight by establishing a historical link between the arrival of the trade union movement from India through Makhan Singh, who began calling for independence in 1950, to the Mau Mau war of independence in Kenya led by Dedan Kimaathi, and the subsequent clash between socialism and neo-colonialism, which claimed the life of its champion, Pio Gama Pinto.
The year 2023 saw one of the latest genocides in modern times - that of the people of Palestine by Israel. People born in the last or this century find it difficult to understand how such genocides in the past were allowed to take place at all, so barbarous an action this is. Yet the current genocide continues unabated, despite the millions of people around the world demanding an end to it. This exposes the real nature of capitalism and imperialism. It is in this situation that issue no 7 of The Kenya Socialist focuses on the Palestine Question. Articles include The Palestine Question, Claim to be Pan-Africanist? Until Everyone is Free, Zionism and the Myth of Democracy. The title of the Editorial is ‘We are all Palestinians’. Another article examines why ‘the struggle for Palestine is the struggle of working people worldwide’, showing the class and imperialist background to the genocide. The issue ends with solidarity statements from Kenyan organisations and a book review. It carries a number of illustrations on the struggle.
The Annual General Meeting of the Labour Trade Union of Kenya in Sept 1936 fixed Oct 1936 for implementation of the eight-hour day .. In December 1936, the Union gave notices to employers that all wages should be increased by 25% from April 1937. The strike began on 1 April, 1937. It was a complete strike. A strike-committee was formed, picketing was organised, a free kitchen was started .. the decision was popularised through handbills, meetings in residential areas, works-discussions and public announcements (preceded by ringing of a large bell), in the the main thoroughfares of Nairobi, and daily mass meetings. The campaign created a new spirit among workers. The employers were at last compelled to reach a settlement. They agreed to wage-increase of 15-22%, to an eight-hour day and reinstatement of all workers. The workers resumed work on 2 June, 1937. - Makhan Singh (1969) Thus ended the longest, and the most successful, strike in the history of Kenya. But the sacrifices, the actions and the reality of the strike for workers is not captured by history books. Nor are the organisation by the East African Trade Union Congress and the role of its leader, Makhan Singh, fully understood. In going on strike for sixty-two days, the workers showed their industrial and political power, unmatched to this day. Shiraz Durrani's A Struggle of Sixty-Two Days is a welcome addition to a growing backlist of drama texts that draw on the rich and often hidden history of East Africa. A Struggle of Sixty-Two-Days sets itself apart from the tradition of historical plays before it by eschewing the use of a singular heroic figure to centre the drama. Instead, the play deliberately delivers the texture of the lived realities, skills and experiences of the workers who made a success of the longest and most consequential strike in the country's history, but also acknowledges the collaboration and support they drew from the people against the backdrop of the imperialist, racist and colonial era The 1937 strike would not only deliver an eight-hour working day as a right, besides wage increases, but would also be the seeding for mobilising the people of Kenya to challenge injustice and launch the fight for freedom. It is a struggle that pits the might of imperialist capital against the survival instincts of the oppressed and their quest for justice. The scenery and dialogue transport the reader back to 1937, but its echoes still ring true in continuing present-day clashes between labour and exploitative capital. - Kwamchetsi Makokha
The lyrical pessimism of Nsah Mala's poetry presents a world characterized by violence, inhumanity and destruction, a world that is sadly too familiar. While many of the poems address contemporary issues in the poet's native Cameroon, much of the human-inflicted damage they describe is not limited to 'Cam-Kingdom'. Although much of the content is negative, many of the poems contain questions. These questions express the cynical voice of this politically committed poet, but behind them lies the distant possibility of a better version of the world in which values of love, peace and unity reign: 'Don't we know,' the poet asks, 'that violence is out of fashion?' - Professor Nicki Hitchcott, University of St Andrews, UK
he book has been out of print since it was published on December 12, 1963 — Kenya’s Independence Day. It is being reprinted by Vita Books in 2024. It was published at the end of one phase of Kenya’s history of liberation as colonialism was forced out of the country after long battles which culminated in an armed struggle under the Kenya Land and Freedom Army — Mau Mau. It was also the beginning of a new phase which was expected to bring land and freedom to people who had suffered massacres, murders, concentration camps, land thefts and all forms of torture under colonialism. The hope naturally was that all this will end with the gaining of independence. It was during this interim, hopeful period in the history of Kenya that Ambu H. Patel edited and published the book. It is no ordinary book. In days before the Internet, it carried the voice of 130 progressive personalities from Kenya and around the world. It was the anti-colonial and anti-imperialist voice of Kenya, as much as that of the progressive world. Their voice reflected the optimism that the colonial rule of injustice had ended and that a new, prosperous Kenya was about to be born. The hope was that there would be justice for people whose land and livelihood had been stolen and taken over by colonial looters. Their hopes were pinned on Jomo Kenyatta and his colleagues, detained and imprisoned by colonialism. Surely their release was the key issue at the time. Surely that group of people would ensure justice for the people. It was at this time that Ambu H. Patel started the Release campaign. Events proved that such hopes for justice were premature. A new world had not yet been born. The struggle had to go on and the children of Mau Mau fighters would have to continue their parents’ struggle. But that was in the future. Now, at the dawn of independence, there was hope.
Nigel Flanagan brings a distinct perspective to the problems of trade union organising. In this account he draws on his own experiences as an activist, shop steward, strike organiser and working for the global union UNI. The book has be very well received and after six impressions this revised and enlarged edition is also being published in a Kenyan version with our partners, Vita Books - Nick Wright. Nigel Flanagan's Our Trade Unions: What Comes Next? was first published in Britain in early 2023 at the height of the country's inflationary crisis, when basic food costs were increasing by up to 20 per cent and energy by far more. Workers were fighting, through their trade unions, to protect their living standards and local services from the biggest attack for a century. This new Kenyan edition of Flanagan's book is, therefore, doubly welcome because it provides real life substance to these links. The chapters from Shiraz Durrani, himself a veteran of these struggles, reveal how far the movements of resistance to colonial rule were rooted in, and largely sprang from, the trade union movement in the 1920s and 30s. The importance of the contribution from Shiraz Durrani is that he places this resistance squarely in the special circumstances required for capitalist exploitation to take place in Kenya... Resistance demands mass-based political trade unions. This is why Kenya's experience and that of other African nations is of relevance not just to workers in Africa but those who wish to rebuild the workers' movement internationally. But this process must be political. It cannot be simply that of 'organising'. As Shiraz Durrani stresses, 'without a vision of achieving equality and justice, unions remain merely to make capitalism more acceptable to workers'- John Foster
The Kenya Socialist is published by Vita Books, Nairobi and is edited by Shiraz Durrani and Kimani Waweru. It aims to encourage free flow of information, knowledge and discussion which can lead to a better understanding of socialism. It seeks to promote socialist ideas, experiences, and world outlook and to increase awareness of classes, class contradictions and class struggles in Kenya, both historical and current. The latest issue (No. 6, August 2023) carries articles on class struggle in Kenya, primitive accumulation of capital and an essay on understanding socialism through literature. Other articles are on the history of UMOJA and the role of trade unions as a force for resistance in Kenya. A Kiswahili section is also included, as is a section on ‘Remembering Pio Gama Pinto’. A short Poems section ends this issue.
Many hiphoppas labour to sustain Hiphop Kulture in their communities far from the big stages, world tours, and hit singles enjoyed by a shockingly few American hiphoppas. The creative labour of these few mega stars is calculated in billions of dollars. But for most hiphoppas, their creative labour may never get expressed in economic terms. Instead it is expressed in social capital, the production of collective and individual subjectivities, the bonds of love that build and hold communities together, and the healing of broken hearts, broken homes, and broken neighborhoods in broken cities. Hiphop Kulture is NOT a music genre, it is MUCH more, and exploring how the sharing of aesthetic resources builds community, and how situated learning plays a necessary role in cultural sustainability draws out questions that may lead to a model of community located cultural education, and a starting point for a critical pedagogy of music. “I ain’t going to front, academics talking about hiphop scares me and often pisses me off. I’m protective about this culture like it’s my own baby because it’s meant so much to me and my close friends. In my less angry moments I do appreciate the fact that this culture still has so much to give to the rest of the world and that the next level is what we give back. Well, we need allies in this complex world to move things forward. As I’ve gotten to know Michael I consider him such an Ally and that his intent is firmly squared in empowering cats in the front lines. I also really dig the fact that he is committed to helping document the histories of those who laid the groundwork in the Edmonton scene. This is the respectful place to start. I look forward to bearing witness to Grass roots Hiphop reclaiming its voice and being at the forefront with academics supporting their community efforts.” – Stephen “Buddha” Leafloor, Founder of the Canadian Floor Masters, Founder of Blueprintforlife.ca, Ashoka Fellow, Social Worker and an aging bboy! “Dr. Michael B. MacDonald’s research into Hip Hop’s pedagogical ingenuity have not only led us to the grassroots of Hip Hop’s rich and vibrant global culture, but to the very Ethos of Hiphop. With bold examination, this exciting research stands at the forefront of contemporary post colonial Hiphop literature.” – Andre Hamilton aka Dre Pharoh, Executive Director Cipher5 Hiphop Academy, Temple of HipHop Canada
Che Guevara, the larger-than-life hero of the 1959 revolutionary victory that overturned the Cuban dictatorship, believed that revolution would also topple the imperialist governments in Latin America. Che's call to action, his proclamation of "invincibility"-the ultimate victory of revolutionary forces-continues to influence the course of Latin American history and international relations. His amazing life story has lifted him to almost legendary status. This edition of Che's classic work Guerrilla Warfare contains the text of his book, as well as two later essays titled "Guerrilla Warfare: A Method" and "Message to the Tricontinental." A detailed introduction by Brian Loveman and Thomas M. Davies, Jr., examines Guevara's text, his life and political impact, the situation in Latin America, and the United States' response to Che and to events in Latin America. Loveman and Davies also provide in-depth case studies that apply Che's theories on revolution to political situations in seven Latin American countries from the 1960s to the present. Also included are political chronologies of each country discussed in the case studies and a postscript tying the analyses together. This book will help students gain a better understanding of Che's theoretical contribution to revolutionary literature and the inspiration that his life and Guerrilla Warfare have provided to revolutionaries since the 1960s. This volume is an invaluable addition to courses in Latin American studies and political science.
