These fascinating articles and lectures by Paul Tillich have never been reprinted from their original publications over half a century ago. They shed much light on Tillich's own thinking as well as that of Luther and Calvin, Bultmann, Kierkegaard, and others. He explores the nature of religious symbols, Christian Socialism, and the doctrine of Jesus Christ. Students and clergy brought up on today's thin theological gruel will be amazed at what they have missed!
The Courage to Be introduced issues of theology and culture to a general readership. The book examines ontic, moral, and spiritual anxieties across history and in modernity. The author defines courage as the self-affirmation of one's being in spite of a threat of nonbeing. He relates courage to anxiety, anxiety being the threat of non-being and the courage to be what we use to combat that threat. Tillich outlines three types of anxiety and thus three ways to display the courage to be. Tillich writes that the ultimate source of the courage to be is the "God above God," which transcends the theistic idea of God and is the content of absolute faith (defined as "the accepting of the acceptance without somebody or something that accepts").
Addresses the overall issue of meaning and meaningless from a mid-twentieth century perspective. Focuses on God as the "ground of being," Christology, and life in the spirit
This volume investigates Paul Tillich’s relationship to Asian religions and locates Tillich in a global religious context. It appreciates Tillich’s heritage within the western and eastern religious contexts and explores the possibility of global religious-cultural understanding through the dialogue of Tillich’s thought and East-West religious-cultural matrix.
Illusions, delusions, or faulty beliefs prevent us from seeing clearly and acknowledging what we truly are ... beyond personality and even beyond individuality. In sharing the simple facts of his life experience, Art Ticknor takes us on an extraordinary journey, which hopes "to inspire another with a possibly unimagined possibility, and to encourage another to persevere." With a natural storyteller's voice and conversational style that draws the reader in and pulls us gently along, he conveys his view that the journey beyond the mind, to the solid ground of being, will bring full satisfaction to life.
One of the greatest books ever written on the subject, Dynamics of Faithis a primer in the philosophy of religion. Paul Tillich, a leading theologian of the twentieth century, explores the idea of faith in all its dimensions, while defining the concept in the process. This graceful and accessible volume contains a new introduction by Marion Pauck, Tillich's biographer.
On first publication in the 1960s, "Honest to God" did more than instigate a passionate debate about the nature of Christian belief in a secular revolution. It epitomised the revolutionary mood of the era and articulated the anxieties of a generation.
The field of `science and religion' is exploding in popularity among both academics and the reading public. This is a comprehensive and authoritative introduction to the debate, written by the leading experts yet accessible to the general reader.
"Because I am not silent," George Oppen wrote, "the poems are bad." What does it mean for the goodness of an art to depend upon its disappearance? In Being Numerous, Oren Izenberg offers a new way to understand the divisions that organize twentieth-century poetry. He argues that the most important conflict is not between styles or aesthetic politics, but between poets who seek to preserve or produce the incommensurable particularity of experience by making powerful objects, and poets whose radical commitment to abstract personhood seems altogether incompatible with experience--and with poems. Reading across the apparent gulf that separates traditional and avant-garde poets, Izenberg reveals the common philosophical urgency that lies behind diverse forms of poetic difficulty--from Yeats's esoteric symbolism and Oppen's minimalism and silence to O'Hara's joyful slightness and the Language poets' rejection of traditional aesthetic satisfactions. For these poets, what begins as a practical question about the conduct of literary life--what distinguishes a poet or group of poets?--ends up as an ontological inquiry about social life: What is a person and how is a community possible? In the face of the violence and dislocation of the twentieth century, these poets resist their will to mastery, shy away from the sensual richness of their strongest work, and undermine the particularity of their imaginative and moral visions--all in an effort to allow personhood itself to emerge as an undeniable fact making an unrefusable claim.
