Grotesque Revisited

Grotesque Revisited

Author: Laurynas Katkus

Publisher: Cambridge Scholars Publishing

Published: 2013-07-26

Total Pages: 200

ISBN-13: 1443850942

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This collection of essays aims to recapitulate the state of grotesque poetics in modern and post-modern writing. It concentrates on Central and Eastern Europe, introducing the Western reader to the variety and ingenuity of this region’s literary traditions, ranging from German and Russian to Lithuanian and Romanian literatures. At the same time, it seeks to highlight the importance of the grotesque mode of writing in the region. It includes new insights and interpretations of theories on grotesque and Menippean satire including (but not limited to) the works of Mikhail Bakhtin. The historic scope of the volume ranges from the legacies of Nazi dictatorship and exile to the post-communist times, but it is especially focused on the Soviet era. Scholars, not only from Central and Eastern Europe, but also from Great Britain, Ireland, and Turkey, analyze the literary devices of the grotesque, examining the relationship between the socio-political background and subversive representations of the grotesque. Many studies take on a comparative and transnational approach. Alternatively, some studies aim to present important and innovative creators of grotesque texts in greater detail. This book, which features, among others, contributions by Professor Galin Tihanov, George Steiner Chair of Queen Mary College at the University of London; Professor Alexander Ivanitsky of the Russian State University of Humanities; Professor Algis Kalėda of the Lithuanian Institute of Literature and Folklore; Professor Peter Arnds of Trinity College, Dublin; and Dr Carmen Popescu of the University of Craiova, Romania, will appeal to a broad academic readership, including both students and professors wanting to discover more about the literary grotesque and modern Central and Eastern European literature and culture.


Grotesque and Caricature

Grotesque and Caricature

Author: Lucia Tantardini

Publisher: BRILL

Published: 2023-12-18

Total Pages: 279

ISBN-13: 9004679758

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Grotesque and Caricature: Leonardo to Bernini examines these two genres across Renaissance and Early Modern Italy. Although their origins stem from Antiquity, it were Leonardo da Vinci’s early teste caricate that injected fresh life into the tradition, greatly inspiring generations of artists. Critical among them were his Milanese followers, such as Giovanni Paolo Lomazzo, and also Michelangelo and Sebastiano del Piombo as well as, notably, Annibale Carracci, Guercino, and Bernini among others. Their artistic production—drawings, prints, paintings, and sculpture—reveals deep interest in physical, physiognomic, and psychological observations with a penchant for humour and wit. Written by an international group of established and emerging scholars, this volume explores new insights to these complementary artistic genres. Contributors include: Carlo Avilio, Ilaria Bernocchi, Christophe Brouard, Sandra Cheng, Susan Klaiber, Michael W. Kwakkelstein, Tod A. Marder, Rebecca Norris, Lucia Tantardini, Nicholas J. L. Turner, Mary Vaccaro, and Matthias Wivel.


Hurramabad

Hurramabad

Author: Andreĭ Volos

Publisher: Glas

Published: 2001

Total Pages: 252

ISBN-13:

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Hurramabad describes the bloody national strife and the eviction of Russians from Tajikistan following the collapse of the Soviet Union.


The Author in Criticism

The Author in Criticism

Author: Elio Attilio Baldi

Publisher: Rowman & Littlefield

Published: 2020-03-11

Total Pages: 307

ISBN-13: 1683931920

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The Author in Criticism:Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom explores the cultural and historic patterns and differences in the critical readings of Italian author Italo Calvino’s works in the United States of America, the United Kingdom, and Italy. It considers the external factors that contribute to create recognizable patterns in the readings of Calvino’s texts in different contexts. This volume therefore covers, most notably, matters of genre (science fiction, postmodernism), cultural perceptions and conventions, the (re)current image of the author in different media, academic schools, -curricula and -canons, biographical information (such as gender and background), and translation and the language in which the author speaks (or fails to speak) to us. It traces the influence of these aspects in the academic discourse on Calvino. The Author in Criticism also analyzes Calvino’s various professional roles as writer, editor, essayist, journalist, private correspondent, and public, cosmopolitan intellectual, reappraising their often little acknowledged importance for academic criticism. An important underlying idea is that the preconceived image that every critic has of Calvino before even opening one of his books is often solidified and repeated even in the most refined and complex critical analyses. This volume purposefully foregrounds the textual and non-textual parts that are usually considered peripheral to the works of an author, such as book covers, blurbs, reviews, talks, interviews, etc. In this way, this book provides insight into the reception of Calvino’s works in different countries. Moreover, it forms a broader reflection of and on important constants in the workings of literary criticism, and on the way academic discourses have developed in various cultural contexts over the last decades.


Dimensions of Monstrosity in Contemporary Narratives

Dimensions of Monstrosity in Contemporary Narratives

Author: A. Ng

Publisher: Springer

Published: 2004-09-14

Total Pages: 238

ISBN-13: 0230502989

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Interweaving psychoanalysis, gender and cultural studies, and postmodern theories of geopolitics, this study of the monster in contemporary narratives demonstrates that the monster (and monstrosity) is largely a cultural and ideological production. Figures such as the serial-killer, the monstrous child, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela Carter (among others). The conclusion proposes that language itself becomes monstrous when it attempts, and fails, to articulate the monster.


Dissecting Marilyn Manson

Dissecting Marilyn Manson

Author: Gavin Baddeley

Publisher: Plexus Publishing

Published: 2015-06-29

Total Pages: 361

ISBN-13: 0859658767

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In Dissecting Marilyn Manson, author Gavin Baddeley performs a cultural autopsy upon Manson, examining the seminal influences and psychotic sources that have gone into making him the Frankenstein monster that he is today. With its heavily visual approach, the text and pictures create the impression of a pathological scrapbook, emphasising the idea of the performer being put under the knife, exploring the Manson mythos in an irreverent but authoritative manner. Each chapter exposes one gruesome angle after another, gradually revealing just what makes Marilyn Manson tick and why so many find him so compelling. Dissecting Marilyn Manson offers the legion of dedicated Manson fans an alternative look into his macabre and twisted world. This revised and updated edition continues dissecting up to the present day, analysing recent developments in Manson's professional and private life, including his recent high-profile court case, marriage to fetish model Dita Von Teese, and creative forays into the worlds of art and film.


The Literary Field under Communist Rule

The Literary Field under Communist Rule

Author: Aušra Jurgutienė

Publisher: Academic Studies PRess

Published: 2019-06-03

Total Pages: 322

ISBN-13: 164469087X

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This volume widens the field of Soviet literature studies by interpreting it as a multinational project, with national literatures acting not as copies of the Russian model, but as creators of a multidimensional literary space. The book proposes a reconsideration of Pierre Bourdieu’s theory of literary field and analyzes the interactions of literature, power, and economics under the communist rule. The articles selected include theoretical discussions and case studies from different national literatures presenting different structural elements of the Soviet literary field, as well as phenomena created by the complexity of the field itself, such as the Aesopian language, state of emergency literature, or compromise as the essential element of the writers’ identity.


The Early Modern Grotesque

The Early Modern Grotesque

Author: Liam Semler

Publisher: Routledge

Published: 2018-10-26

Total Pages: 325

ISBN-13: 0429684789

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The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque. While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.