A History of Caricature and Grotesque in Literature and Art

A History of Caricature and Grotesque in Literature and Art

Author: Thomas Wright

Publisher: Hardpress Publishing

Published: 2012-08-01

Total Pages: 564

ISBN-13: 9781290898713

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.


A History of Caricature and Grotesque in Literature and Art (Classic Reprint)

A History of Caricature and Grotesque in Literature and Art (Classic Reprint)

Author: Thomas Wright

Publisher: Forgotten Books

Published: 2017-10-14

Total Pages: 512

ISBN-13: 9780265303450

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Excerpt from A History of Caricature and Grotesque in Literature and Art The contents of the following pages, in which it was, in fact, my defign to give, as far as may be done within fuch moderate limits, and in as popular a manner as fach information can eafily be imparted, a general view of the Hifiory of Comic Literature and Art. Yet the word comic feems to me hardly to exprefs all the parts of the fubjee't which I have fought to bring together in my book. Moreover, the field of this hiftory is very large, and, though I have only taken as my theme one part of it, it was neceffary to circum fcribe even that, in fome degree; and my plan, there fore, is to follow it chiefly through thofe branches which have contributed moft towards the formation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


A History of Caricature & Grotesque in Literature and Art

A History of Caricature & Grotesque in Literature and Art

Author: Thomas Wright

Publisher: Sagwan Press

Published: 2015-08-23

Total Pages: 520

ISBN-13: 9781340026943

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Grotesque and Caricature

Grotesque and Caricature

Author: Lucia Tantardini

Publisher: BRILL

Published: 2023-12-18

Total Pages: 279

ISBN-13: 9004679758

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Grotesque and Caricature: Leonardo to Bernini examines these two genres across Renaissance and Early Modern Italy. Although their origins stem from Antiquity, it were Leonardo da Vinci’s early teste caricate that injected fresh life into the tradition, greatly inspiring generations of artists. Critical among them were his Milanese followers, such as Giovanni Paolo Lomazzo, and also Michelangelo and Sebastiano del Piombo as well as, notably, Annibale Carracci, Guercino, and Bernini among others. Their artistic production—drawings, prints, paintings, and sculpture—reveals deep interest in physical, physiognomic, and psychological observations with a penchant for humour and wit. Written by an international group of established and emerging scholars, this volume explores new insights to these complementary artistic genres. Contributors include: Carlo Avilio, Ilaria Bernocchi, Christophe Brouard, Sandra Cheng, Susan Klaiber, Michael W. Kwakkelstein, Tod A. Marder, Rebecca Norris, Lucia Tantardini, Nicholas J. L. Turner, Mary Vaccaro, and Matthias Wivel.