The first permanent Huguenot settlement in New Jersey was made at Hackensack in 1677, with a second at Princeton a few years later. Following the revocation of the Edict of Nantes by Louis XIV in 1685, Huguenots settled widely throughout the colony. This work, prepared by the former treasurer of the Huguenot Society of New Jersey, contains thumbnail genealogical and biographical sketches of hundreds of early Huguenot families in the Garden State.
This is a compilation of references to Family History and temple work from the Bible, Book of Mormon, Doctrine and Covenants, Pearl of Great Price, and Modern Church Leaders. Also there is a chapter on faith promoting stories from family history experiences and a chapter on family stories and descendant charts of the Grigg family. There is information on how modern research techniques using computers, digitizing of records and the internet facilitates the researching and finding of your ancestors. The last chapter is an update and republishing of the the book titled Parley M. Grigg, Jr. and Thankful Halsey Gardners Descendants and History published in 1992. This correlated publication shows that in all ages of the world since the creation of Adam, God has desired His Holy Ordinances to be done in a House built to His name, namely a Temple of God. This compilation is also designed to show that Jesus plan of redemption for all mankind includes vicarious ordinance work for the dead to be done in Gods Holy Temples by those living in the Dispensation of the Fullness of Times. This was all in Gods plan for the redemption of all mankind before the foundation of this world.
Inasmuch as Nansemond County's official records were totally destroyed by fires in 1734, 1779, and 1866, the work at hand, originally published in 1963 and itself now quite scarce, represents a valiant effort to reconstruct something of Nansemond's genealogical heritage from the records of its surrounding counties. The core of the book consists of the contents of nearly 100 Bibles arranged alphabetically according to the surname of the book's owner, and, thereunder, in progressions of marriages, births, and deaths. In all, more than 1,000 mostly 18th- and 19th-century inhabitants of Suffolk and Nansemond are here rescued from obscurity and further made accessible in the index to Bible records at the back. Also includes transcriptions of marriage records and several other miscellaneous lists.
This is an exhaustive cemetery-by-cemetery listing of Tennessee mortuary inscriptions, with a separate section of over 100 pages devoted to biographical and historical sketches.
Writing, publishing, and marketing five politically engaged novels that appeared between 1899 and 1908, Sutton E. Griggs (1872-1933) was among the most prolific African American authors at the turn of the twentieth century. In contrast to his Northern contemporaries Paul Laurence Dunbar and Charles Chesnutt, Griggs, as W. E. B. Du Bois remarked, "spoke primarily to the Negro race," using his own Nashville-based publishing company to produce four of his novels. Griggs pastored Baptist churches in three Southern states and played a leading role in the influential but understudied National Baptist Convention. Until recently, little was known about the personal and professional life of this religious and community leader. Thus, critics could only contextualize his literary texts to a limited degree and were forced to speculate about how he published them. This literary biography, the first written about the author, draws extensively on primary sources and late nineteenth- and early twentieth-century periodicals, local and national, African American and white. A very different Sutton Griggs emerges from these materials—a dynamic figure who devoted himself to literature for a longer period and to a more profound extent than has ever been previously imagined but also someone who frequently found himself embroiled in controversy because of what he said in his writings and the means he used to publish them. The book challenges currently held notions about the audience for, and the content, production, and dissemination of politically engaged US black fiction, altering the perception of the African American literature and print culture of the period.
