A "slave called only "Ears," begins his story with the return of the Cao family's young prodigal son, Guanghan, from four years of study in France. Bringing with him a French engineer friend and a dream of converting used machinery into a functioning match factory, Guanghan takes little interest in the bride arranged for him in youth."--Jacket.
This study investigates how writers of Deng Xiaopinga (TM)s China undermined the grand narrative of official history by rewriting the past. It showcases fictions of history by eleven Chinese, Muslim and Tibetan authors in terms of spatial schemes of fictional historiography.
Lexi's friend Peggy becomes too close to Chad. Despite the warnings, spending all their free time together is bad news for them. Peggy's world has come to a crashing halt. Can Lexi help her, and will Peggy make the right decision?
Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and magical realism. Indeed, it encompasses a full range of ideological and aesthetic concerns. This second edition of Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
The A to Z of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
Black Snow is the stunning portrait of a dissatisfied and emotionally illiterate young man's search for meaning and companionship in the gray world of totalitarianism. After serving a three-year sentence in a prison labor camp for his involvement in a juvenile street fight, Li Huiquan returns to Beijing and begins work as a street peddler. At night, he frequents a karaoke bar, where he enters into the shadowy world of the black market and meets a beautiful, naive young singer who becomes the object of his dangerous and overwhelming obsession. Riveting and relentless, Black Snow offers an extraordinary glimpse into the psyche and lifestyle of the young generation in contemporary Beijing.
This book attempts to explore style—a traditional topic—in literary translation with a corpus-based approach. A parallel corpus consisting of the English translations of modern and contemporary Chinese novels is introduced and used as the major context for the research. The style in translation is approached from perspectives of the author/the source text, the translated texts and the translator. Both the parallel model and the comparable model are employed and a multiple-complex model of comparison is proposed. The research model, both quantitative and qualitative, is duplicable within other language pairs. Apart from the basics of corpus building, readers may notice that literary texts offer an ideal context for stylistic research and a parallel corpus of literary texts may provide various observations to the style in translation. In this book, readers may find a close interaction between translation theory and practice. Tables and figures are used to help the argumentation. The book will be of interest to postgraduate students, teachers and professionals who are interested in corpus-based translation studies and stylistics.
In this provocative and eye-opening classic of investigative journalism, the #1 New York Times bestselling author and “America’s best true-crime writer” (Kirkus Reviews), Ann Rule, explores the nearly twenty-year long search for America’s most prolific and horrifying serial killer. In 1982, the body of Wendy Coffield is discovered floating near the sandy shore of Washington’s Green River. Authorities have no idea that this tragic and violent death is only the beginning of a string of murders that will rock and terrify the Seattle area for two decades. With her signature riveting prose and in-depth research, Ann Rule takes us behind the scenes of the search for the Green River Killer, a terrifying specter who ritualistically killed young women and eluded authorities for years. From seeking the help of incarcerated serial killer Ted Bundy to Ann Rule’s horrifying realization that the killer she was writing about had attended her book signings, Green River, Running Red is the suspenseful and unforgettable “definitive narrative of the brutal and senseless crimes that haunted the Seattle area for decades” (Publishers Weekly).