“THE RISE OF RED ARROW!” All Emiko wanted to do was follow in her brother’s footsteps and be the Red Arrow, but he refused her. Now she’s taken an arrow for him and her life is in the balance. Will she survive to become Red Arrow? And will Green Arrow punish those responsible or find himself in the grave?
SeattleÕs in for a serious shake-up when Green Arrow crosses quivers with a new vigilante ÒheroÓ dubbed the Citizen, whoÕs hell-bent on exposing the corrupt and criminal one-percenters operating in the Emerald City. Green Arrow initially applauds these efforts, until the Citizen turns judge, jury and executioner-can you guess what bloviating billionaire is next on his hit list? Also, a little birdie told us that help for Oliver is on the way-but weÕre not singing who it is just yet.
Written by Benjamin Percy (TEEN TITANS) and gorgeously illustrated by Otto Schmidt (Korvac Saga) and others, comes a pulse-pounding urban adventure that debuts one of Green Arrow’s greatest villains in GREEN ARROW VOL. 3: EMERALD OUTLAW! Oliver Queen has lost it all. His sister, Emiko, is missing. His vast family fortune has been obliterated. And the entire world believes he’s dead. That’s when his problems really begin. As he fights to reclaim what he’s lost, Ollie continues patrolling Seattle’s streets as its vigilante guardian. But soon a rash of murders with a deadly accurate archer as the culprit puts the whole city on edge, and Oliver Queen is the prime suspect… To clear his name, Green Arrow must find the real killer as the Seattle police hunt him down with extreme prejudice. With Black Canary at his side, can Ollie find his target? Or will he and his reputation both end up six feet under? Collects GREEN ARROW #12-17.
Superman’s first appearance in Action Comics #1 (1938) proclaimed that the character would “reshape the destiny of the world.” The advent of the first superhero initiated a shared narrative—the DC superhero universe—that has been evolving in depth and complexity for more than 80 years. Superman, Batman, and Wonder Woman have become key threads in the tapestry of the American mythos, shaping the way we think about life, right and wrong, and our relationship with our own universe. Their narrative world is enriched by compelling stories featuring lesser-known characters like Dr. Fate, the Doom Patrol, John Constantine, and the Legion of Super-Heroes. Stories set within this shared universe have explored questions of death, rebirth, the apocalypse, the nature of evil, the origins of the universe, and the destiny of humankind. This volume brings together the work of scholars from a range of backgrounds who explore the role of theology and religion in the comics, films, and television series set in the DC Universe. The thoughtful and incisive contributions to this collection will appeal to scholars and fans alike.
In a 2019 interview with the webzine DC in the 80s, Jeff Lemire (b. 1976) discusses the comics he read as a child growing up in Essex County, Ontario—his early exposure to reprints of Silver Age DC material, how influential Crisis on Infinite Earths and DC’s Who’s Who were on him as a developing comics fan, his first reading of Watchmen and The Dark Knight Returns, and his transition to reading the first wave of Vertigo titles when he was sixteen. In other interviews, he describes discovering independent comics when he moved to Toronto, days of browsing comics at the Beguiling, and coming to understand what was possible in the medium of comics, lessons he would take to heart as he began to establish himself as a cartoonist. Many cartoonists deflect from questions about their history with comics and the influences of other artists, while others indulge the interviewer briefly before attempting to steer the questions in another direction. But Lemire, creator of Essex County Trilogy, Sweet Tooth, The Nobody, and Trillium, seems to bask in these discussions. Before he was ever a comics professional, he was a fan. What can be traced in these interviews is the story of the movement from comics fan to comics professional. In the twenty-nine interviews collected in Jeff Lemire: Conversations, readers see Lemire come to understand the process of collaboration, the balancing act involved in working for different kinds of comics publishers like DC and Marvel, the responsibilities involved in representing characters outside his own culture, and the possibilities that exist in the comics medium. We see him embrace a variety of genres, using each of them to explore the issues and themes most important to him. And we see a cartoonist and writer growing in confidence, a working professional coming into his own.
Celebrate the anniversary of DCÕs favorite psychotic psychiatrist with a book dedicated to nothing but Harley covers! From her first print appearance to her own long-running series to Rebirth and more, this deluxe hardcover art book collects 25 years of the Maid of MischiefÕs most iconic comic book covers all in one volume. As the headliner of her own long-running series and a regular star of both SUICIDE SQUAD and DC COMICS: BOMBSHELLS, Harley Quinn is DC ComicsÕ most in-demand cover girl. Beyond regular monthly appearances on her own series covers and variants, sheÕs also been front and center on too many miniseries and one-shot specials to count and has twice taken over the other books in the DC Universe with special variant cover-month events. From these hundreds of unforgettable cover scenes, this volume brings you a curated collection of Harley QuinnÕs best, most memorable cover art, drawn by dozens of the industryÕs top talents!
This collection of new essays focuses on The CW network's hit television series Arrow--based on DC Comic's Green Arrow--and its spin-offs The Flash, DC's Legends of Tomorrow and Supergirl. Comic book adaptations have been big business for film studios since Superman (1978) and in recent years have dominated at the box office--five of the 11 highest grossing films of 2016 were adapted from comics. Superheroes have battled across the small screen for considerably longer, beginning with The Adventures of Superman (1952-1958), though with mixed results. The contributors explore the reasons behind Arrow's success, its representation of bodies, its portrayal of women, its shifting political ideologies, and audience reception and influence on storylines.
Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante, including: Does Batman have PTSD? Why does he fight crime? Why as a vigilante? Why the mask, the bat, and the underage partner? Why are his most intimate relationships with “bad girls” he ought to lock up? And why won't he kill that homicidal, green-haired clown? Combining psychological theory with the latest in psychological research, Batman and Psychology takes you on an unprecedented journey behind the mask and into the dark mind of your favorite Caped Crusader and his never-ending war on crime.