SHORTLISTED FOR THE DIVERSE BOOK AWARDS 'Tender, challenging and as warm as it was razor-sharp' Beth O'Leary 'If you've read Joanna Cannon I think you'll love this' Simon Savidge 'A sublimely witty and touching story' Jonathan Coe The standout new novel by acclaimed author Ayisha Malik - perfect for fans of David Nicholls and Candice Carty-Williams. In the sleepy village of Babel's End, trouble is brewing. Bilal Hasham is having a mid-life crisis. His mother has just died, and he finds peace lying in a grave he's dug in the garden. His elderly Auntie Rukhsana has come to live with him, and forged an unlikely friendship with village busybody, Shelley Hawking. His wife Mariam is distant and distracted, and his stepson Haaris is spending more time with his real father. Bilal's mother's dying wish was to build a mosque in Babel's End, but when Shelley gets wind of this scheme, she unleashes the forces of hell. Will Bilal's mosque project bring his family and his beloved village together again, or drive them apart? Warm, wise and laugh-out-loud funny, This Green and Pleasant Land is a life-affirming look at love, faith and the meaning of home.
SHORTLISTED FOR INSPIRATIONAL BOOK OF THE YEAR AT THE 2014 GARDEN MEDIA GUILD AWARDS. The wonderfully evocative story of how Britain’s World War Two gardeners – with great ingenuity, invincible good humour and extraordinary fortitude – dug for victory on home turf. A Green and Pleasant Land tells the intriguing and inspiring story of how Britain's wartime government encouraged and cajoled its citizens to grow their own fruit and vegetables. As the Second World War began in earnest and a whole nation listened to wireless broadcasts, dug holes for Anderson shelters, counted their coupons and made do and mended, so too were they instructed to ‘Dig for Victory’. Ordinary people, as well as gardening experts, rose to the challenge: gardens, scrubland, allotments and even public parks were soon helping to feed a nation deprived of fresh produce. As Ursula Buchan reveals, this practical contribution to the Home Front was tackled with thrifty ingenuity, grumbling humour and extraordinary fortitude. The simple act of turning over soil and tending new plants became important psychologically for a population under constant threat of bombing and even invasion. Gardening reminded people that their country and its more innocent and insular pursuits were worth fighting for. Gardening in wartime Britain was a part of the fight for freedom.
In this emotional sequel to Tomorrow, Jerusalem, the WWI has ended, the Roaring Twenties are dawning, and three women’s lives are about to change . . . Rachel Patten is an undoubted beauty, yet the only man she wants is the one who rejects her. But then rebellion takes her across strict class boundaries into the arms of her gamekeeper, Gideon Best . . . Daphne Underscar—plain, gauche, but far from stupid—knows full well that the ambitious Toby Smith married her for money. With love, and with courage, she is prepared to gamble her own happiness on the hope of a more fulfilling relationship. Meanwhile Philippa Van Damme has led a sheltered life, her childhood severed abruptly by a wrenching bereavement. Thrust headlong into an unstable post-war world, her hopes of a future with Hugo Fellafield are dashed by familial discord, and the threat of political scandal. From industrial London to the tropical landscape of Madeira, Green and Pleasant Land follows the three women in a triumphant sequel to Tomorrow, Jerusalem. Perfect for fans of Julia Quinn and Victoria Hislop. Praise for the writing of Teresa Crane “A writer of great skill and vitality.” —Sarah Harrison, author of The Flowers of the Field “A wonderful storyteller.” —Daily Mail “A tale to take you out of yourself.” —Driffield Post “A well-written book with believable characters and an original and dramatic storyline.” —Historical Novel Review
A practical and engaging guide to dinghy cruising, covering everything from getting set up to embarking on more adventurous cruises. A wonderful read with a huge amount of useful advice.
Who own's England? Behind this simple question lies this country's oldest and darkest secret. This is the history of how England's elite came to own our land - from aristocrats and the church to businessmen and corporations - and an inspiring manifesto for how we can take control back.
A reissue of Patrick Wright's 1995 classic about the military takeover of the village of Tyneham, with a new introduction taking in Brexit and a new wave of British nationalism. Shortly before Christmas in 1943, the British military announced they were taking over a remote valley on the Dorset coast and turning it into a firing range for tanks in preparation for D-Day. The residents of the village of Tyneham loyally packed up their things and filed out of their homes into temporary accommodation, yet Tyneham refused to die. Although it was never returned to its pre-war occupants and owners, Tyneham would persist through a long and extraordinary afterlife in the English imagination. It was said that Churchill himself had promised that the villagers would be able to return once the war was over, and that the post-war Labour government was responsible for the betrayal of that pledge. Both the accusation and the sense of grievance would reverberate through many decades after that. Back in print and with a brand new introduction, this book explores how Tyneham came to be converted into a symbol of posthumous England, a patriotic community betrayed by the alleged humiliations of post-war national history. Both celebrated and reviled at the time of its first publication in 1995, The Village that Died for England is indispensable reading for anyone trying to understand where Brexit came from — and where it might be leading us.
The Muslim Bridget Jones - the hilarious romantic comedy from the writer behind Nadiya Hussain's bestselling The Secret Lives of the Amir Sisters. Sofia Khan is single once more, after her sort-of-boyfriend proves just a little too close to his parents. And she'd be happy that way too, if her boss hadn't asked her to write a book about the weird and wonderful world of Muslim dating. Of course, even though she definitely isn't looking for love, to write the book she does need to do a little research . . . 'Snort-Diet-Coke-out-of-your-nostrils funny . . . will resonate with any woman who's looking for love' Sarra Manning, author of It Felt Like a Kiss 'Funny and sparky . . . a smart and acerbic romcom . . . Read Ayisha Malik's book: it's huge fun.' Jenny Colgan
‘Truly astonishing in its detail … this must be one of the most illuminating and enlightening biographies to date.’ Michael Eavis cbe, Founder of the Glastonbury Festival A brilliant new biography of the mystic poet and artist William Blake – and the first to explore his startlingly original quest for spiritual truth, as well as the profound lessons he has for us all today. The hymn ‘Jerusalem’, with its famous words by William Blake, stirs our hearts with its evocation of a new holy city built in ‘England’s green and pleasant land’. However, until now, the spiritual essence of William Blake has been buried under myriad inadequate biographies, college dissertations and arts commentaries, written by people who have missed the luminescent keys to Blake’s symbolism and liberating spirit. Any attempt to uncover the ‘real’ Blake is thwarted by his status as a legend or ‘national treasure’. In Jerusalem! Tobias Churton expertly takes you beyond this superficial façade, showing you Blake the esoteric genius – a myth-maker, brilliantly using symbols and theology to express his unique insights into the nature of body, mind and spirit. Churton is not only deeply knowledgeable about Blake’s life and times, but also uses his shared values with Blake to enter into his labyrinth of thought and feeling. Challenging the conventional views of Blake as either a ‘romantic poet’ or a rebel with ideas about free sex, Tobias Churton’s startling new biography reveals, at last, the real William Blake in all his glory, so that anyone who sings ‘Jerusalem’ in future will see its beauty with renewed understanding. With access to a large body of never-before-published records – letters, diaries, pamphlets and books – Tobias Churton casts unprecedented light and perspective on William Blake’s life and times. Blake’s writing – heartfelt, vivid and profound – accounts for his status as one of the best-loved poets writing in English. Americans need no reminding that Blake inspired Ralph Waldo Emerson and American visionary Walt Whitman. Yet he spent the larger part of his creative career being ridiculed and suppressed. In Jerusalem! Churton conjures a superb portrait of Blake’s London, and in particular the rivalries of the cultural community in which the poet-artist was often misunderstood. He argues that Blake believed Man does not ‘belong’ to society; rather,we are all members of the Divine Body, co-existent with God. He was concerned with a total spiritual revival – what had gone wrong with Man, and how to put it right. Blake’s message has proved to be as challenging to today’s readers as it was to his contemporaries. Blake perceived, so far ahead of his time, that the philosophy of materialism would dominate the world – a culture from which we now yearn to break free. Jerusalem! is unashamedly ambitious in its scope and objective. Churton ends once and for all the persistent notion of Blake as a startling peculiarity, whilst emancipating him from the labels of ‘Romantic poet’ or ‘national treasure’. Even if it means sacrificing some cherished illusions or uncovering a few painful surprises, this compelling biography reveals, for the first time, the true spirit of William Blake.
#1 NEW YORK TIMES BESTSELLER • The author of The Devil in the White City and Dead Wake delivers an intimate chronicle of Winston Churchill and London during the Blitz—an inspiring portrait of courage and leadership in a time of unprecedented crisis “One of [Erik Larson’s] best books yet . . . perfectly timed for the moment.”—Time • “A bravura performance by one of America’s greatest storytellers.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Vogue • NPR • The Washington Post • Chicago Tribune • The Globe & Mail • Fortune • Bloomberg • New York Post • The New York Public Library • Kirkus Reviews • LibraryReads • PopMatters On Winston Churchill’s first day as prime minister, Adolf Hitler invaded Holland and Belgium. Poland and Czechoslovakia had already fallen, and the Dunkirk evacuation was just two weeks away. For the next twelve months, Hitler would wage a relentless bombing campaign, killing 45,000 Britons. It was up to Churchill to hold his country together and persuade President Franklin Roosevelt that Britain was a worthy ally—and willing to fight to the end. In The Splendid and the Vile, Erik Larson shows, in cinematic detail, how Churchill taught the British people “the art of being fearless.” It is a story of political brinkmanship, but it’s also an intimate domestic drama, set against the backdrop of Churchill’s prime-ministerial country home, Chequers; his wartime retreat, Ditchley, where he and his entourage go when the moon is brightest and the bombing threat is highest; and of course 10 Downing Street in London. Drawing on diaries, original archival documents, and once-secret intelligence reports—some released only recently—Larson provides a new lens on London’s darkest year through the day-to-day experience of Churchill and his family: his wife, Clementine; their youngest daughter, Mary, who chafes against her parents’ wartime protectiveness; their son, Randolph, and his beautiful, unhappy wife, Pamela; Pamela’s illicit lover, a dashing American emissary; and the advisers in Churchill’s “Secret Circle,” to whom he turns in the hardest moments. The Splendid and the Vile takes readers out of today’s political dysfunction and back to a time of true leadership, when, in the face of unrelenting horror, Churchill’s eloquence, courage, and perseverance bound a country, and a family, together.
Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithstanding often devastating circumstances—from the earthquake of 1033 to the fierce battles of the Crusades. So strong a magnet was Jerusalem that it drew out the creative imagination of even those separated from it by great distance, from as far north as Scandinavia to as far east as present-day China. This publication is the first to define these four centuries as a singularly creative moment in a singularly complex city. Through absorbing essays and incisive discussions of nearly 200 works of art, Jerusalem, 1000–1400: Every People Under Heaven explores not only the meaning of the city to its many faiths and its importance as a destination for tourists and pilgrims but also the aesthetic strands that enhanced and enlivened the medieval city that served as the crossroads of the known world.
