Clarity, focus, and startling detail are the stuff of lasting images--in poetry or photography. Who better, then, to illuminate what would elude us than a native state photographer and native state poet laureate? Selected from hundreds of photographs and poems, these pairs show surprising harmony of vision and insights about the vast, wide plains, their dramatic colors, and the calm, vigorous people who thrive beneath their sprawling skies, accepting the risks and splendor of it all. Together and on their own, these photos and poems astonish and delight, stagger and jostle, each resonating with texture and joy.
Dave Oliphant is widely considered the finest poetry critic ever produced by Texas. This volume brings together some 40 years of essays, articles, and reviews on the topic of Texas poetry -- its history as well as addressing individual poets and their books. Only one other book in the last two decades addressed the topic, and GENERATIONS OF TEXAS POETS is larger, more comprehensive, and of superior literary quality. In 1971, Larry McMurtry famously descried the lack of good Texas poetry; Oliphant has spent a lifetime nurturing it, publishing it, and has become its best critic.
2005 SPUR Award WinnerA West Texas starscape, stunning by any measure, is emblematic of Walt McDonald?s plains. A lifelong celebration culminates in this, his best?and perhaps last?collection of new poems. At seventy, the poet affirms, we live by the mystery of grace even as we watch familiar stars blink out at dawn. For he believes ?God knows we are dust / and counts our steps.? In ?Leaving the Middle Years,? he writes, ?At our age, / every day is grace and every breath / a blessing. Life is grass, stunningly brief / but abundant in so many ways.?Walt writes about heroes?a mother who taught tumbling; family and friends gone to war; the brave at home who heal or console; others who rescue from war zones as many children as they can. Heroes, too, are those whose fidelity and joy find faces in these poems. Watching crows at dawn in Montana, a husband thinks of his wife inside their mountain cabin:If Ursula finds more grayshe?ll go on humming, knowing it?s okay,our children three thousand miles awaybut fine, when they called last night.She comes outside with coffee,closing the door so softlyeven the crows don?t stop.
Running more than 1,200 miles from headwaters in eastern New Mexico through the middle of Texas to the Gulf of Mexico, the Brazos River has frustrated developers for nearly two centuries. This environmental history of the Brazos traces the techniques that engineers and politicians have repeatedly used to try to manage its flow. The vast majority of projects proposed or constructed in this watershed were failures, undone by the geology of the river as much as the cost of improvement. When developers erected locks, the river changed course. When they built large-scale dams, floodwaters overflowed the concrete rims. When they constructed levees, the soils collapsed. Yet lawmakers and laypeople, boosters and engineers continued to work toward improving the river and harnessing it for various uses. Through the plight of the Brazos River Archer illuminates the broader commentary on the efforts to tame this nation’s rivers as well as its historical perspectives on development and technology. The struggle to overcome nature, Archer notes, reflects a quintessentially American faith in technology.
The vast, disparate region called West Texas is both sparsely populated and scarcely recognized. Yet it has given voice to a surprising number of women writers who have left more than a faint impression on its hardscrabble terrain and consciousness. These writers do much more than evoke the land and its celebrated skies. Often with humor and alw...
Visitors to Texas and New Mexico have marveled for centuries at the immensity of the Llano Estacado and the surprising contrast as, at the edges of the great mesa, the flat ground gives way suddenly to such spectacular formations as the Palo Duro and Caprock Canyons. In the introduction to Amarillo Flights, artist and naturalist Walt Davis chronicle the history of this region—what Paul Chaplo calls the “Llano Country”—and of those artists, mapmakers, and travelers who have tried in various ways to capture its spirit. Working in “the vast studio of the sky,” aerial photographer Chaplo has battled high winds, turbulence, dust, ice, near-miss bird strikes, wildfire smoke, and a host of aircraft problems to show the Llano Country from a place most of us will never be. Covering more than forty thousand square miles, he explores the incredible beauty and rich cultural history of the Panhandle and the surrounding landscapes, from canyons in New Mexico and Texas to hills and plains in Oklahoma. With the help of daring pilots, numerous aircraft, and a remarkably steady hand, Chaplo manages to capture in more than 100 striking photographs the shapes, textures, and colors of the rugged landforms that cannot be perceived fully from the ground. Sharing in his unique view from the southwestern sky, readers will experience from afar—and sometimes impossibly close—the sunlit canyons, storm-covered plains, and winding rivers cutting deep into the red earth that drew Chaplo to this region. For those who appreciate the Llano Estacado, Texas and Eastern New Mexico history, and landscape photography, this book provides a fresh and perception-challenging perspective.
Now in one volume: Three exquisite meditations on nature, healing, and the pleasures of the solitary life from a New York Times–bestselling author. In a long life spent recording her personal observations, poet, novelist, and memoirist May Sarton redefined the journal as a literary form. This extraordinary volume collects three of her most beloved works. Journal of a Solitude: Sarton’s bestselling memoir chronicles a solitary year spent at the house she bought and renovated in the quiet village of Nelson, New Hampshire. Her revealing insights are a moving and profound reflection on creativity, oneness with nature, and the courage it takes to be alone. Plant Dreaming Deep: Sarton’s intensely personal account of how she transformed a dilapidated eighteenth-century farmhouse into a home is a loving, beautifully crafted memoir illuminated by themes of friendship, love, nature, and the struggles of the creative life. Recovering: In this affecting diary of one year’s hardships and healing, Sarton focuses on her sixty-sixth year, which was marked by the turmoil of a mastectomy, the end of a treasured relationship, and the loneliness that visits a life of chosen solitude. By turns uplifting, cathartic, and revelatory, Sarton’s journals still strike a chord in the hearts of contemporary readers. Through them, in the words of the Los Angeles Times, “we are able to see our own experiences reflected in hers and we are enriched.”
