Great Flicks

Great Flicks

Author: Dr. Dean Keith Simonton

Publisher: Oxford University Press

Published: 2011-02-23

Total Pages: 238

ISBN-13: 0199838070

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What does it take to make a great motion picture? What do we even mean by cinematic greatness? What is more important: movie awards, critical acclaim, or box office success? Who has the biggest impact: the writer, the director, or the actors? Scientific research has provided some provocative answers. This review of cinematic creativity and aesthetics is confined to scientific studies carried out by a multidisciplinary group of researchers. Do great films receive both shiny trophies and five stars? Chapter 2 concentrates on movie awards, including the Oscars and Golden Globes, and how those awards relate to critical acclaim. How do the dramatic awards compare with the visual, technical, and music awards? Chapter 3 studies more closely how these awards cluster together and which of these clusters best predict cinematic success. How does box office compare with critical evaluations and movie awards? Chapter 4 adds a new consideration, namely the film's financial performance. The following four chapters focus on specific contributions to a film's impact: Chapter 5 covers the script (including writers), Chapter 6 the director (or "auteur"), Chapter 7 the actors (especially gender differences), and Chapter 8 the music (both scores and songs). Chapter 9 addresses the question of whether the same cinematic factors that make some films great also make other films bad: Are bombs the exact opposite of masterpieces? The book closes with an epilogue on future directions in scientific studies of cinematic creativity and aesthetics. What do researchers need to do if we want a complete understanding of what it takes to create a powerful cinematic experience? This volume will be invaluable to anyone interested in film, including any aficionado who is open to a scientific approach, and researchers in the areas of creativity, aesthetics, and cultural economics. The reported research comes from many disciplines, including psychology, sociology, economics, management, marketing, communications, journalism, broadcasting, history, musicology, and statistics.


Brick Flicks

Brick Flicks

Author: Sarah Herman

Publisher: Simon and Schuster

Published: 2014-11-18

Total Pages: 395

ISBN-13: 1629148881

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Ideal choice for fans of the LEGO movie who want to try stop-motion animation in their own movies Provides practical tips on how to film using stop-motion animation Professional advice on art, lighting, effects, and more Did you love the LEGO movie? Are you inspired by Alfred Hitchcock and other professional filmmakers? Would you like to learn how to use the LEGO blocks in your house for more than building? If so, then this book is for you. From lighting to storytelling, this guide will lead you through making your own stop-motion animation films with LEGOs. You may have seen the LEGO movie. Now it’s time for you to be the director and make your own. This guide will walk you through the steps of making a LEGO movie. It covers crafting a story, cinetech, animation, and the dynamics of making your vision come to life. Become a filmmaker and learn about directing with this clever and thorough guide.


Splatter Flicks

Splatter Flicks

Author: Sara Caldwell

Publisher: Allworth

Published: 2006-04-01

Total Pages: 224

ISBN-13: 9781581154436

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Features dozens of detailed interviews with directors, producers, F/X pros, and more • Horror movies get better distribution deals—so they’re great for independent filmmakers • Entertaining and informative, packed with insightful and sometimes hilarious anecdotes. Everyone who’s ever longed to make their very own horror movie needs a copy of Splatter Flicks, a comprehensive guide that shows aspiring filmmakers exactly how today’s most successful creators of horror finance, produce, and market their films. Interviews with the creative geniuses behind such low-budget moneymakers as Dead Serious, Till Death Do Us Part, Scarecrow, and many others reveal such dark secrets as how to make a movie for $ 2,000, how to get the best shrieks from scream queens, how to capture fear on film, how to make the perfect monster...the list goes on and on—it won’t stop—make it stop—aaaaaahhhhhhh!!!!!! Yes, Splatter Flicks is horrifying...in a good way. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.


Stories from Here and There

Stories from Here and There

Author: Robert Karman

Publisher: FriesenPress

Published: 2013-05

Total Pages: 335

ISBN-13: 146021370X

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This book "Stories from Here & There," which includes history and some stories of fiction, seems to merge very well with the present. Karman has taken basic situations and put them into humorous stories. Mentioned here, are art thieves, bootleggers, the sinking of the Lusitania, Houdini, the Romans and their toilet habits, the Royal wedding, daredevils, kite flying, nasty critters, aliens and far too many more to mention here. This book of easy storytelling, has sketches drawn by the author. The sketches add to the stories in visualizing a scene, or location. Hopefully, reading this will trigger some of your own past memories. All drawings in this book are by the author.


Handbook of the Economics of Art and Culture

Handbook of the Economics of Art and Culture

Author:

Publisher: Newnes

Published: 2013-09-16

Total Pages: 705

ISBN-13: 0444537775

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This volume emphasizes the economic aspects of art and culture, a relatively new field that poses inherent problems for economics, with its quantitative concepts and tools. Building bridges across disciplines such as management, art history, art philosophy, sociology, and law, editors Victor Ginsburgh and David Throsby assemble chapters that yield new perspectives on the supply and demand for artistic services, the contribution of the arts sector to the economy, and the roles that public policies play. With its focus on culture rather than the arts, Ginsburgh and Throsby bring new clarity and definition to this rapidly growing area. - Presents coherent summaries of major research in art and culture, a field that is inherently difficult to characterize with finance tools and concepts - Offers a rigorous description that avoids common problems associated with art and culture scholarship - Makes details about the economics of art and culture accessible to scholars in fields outside economics


The Best Old Movies for Families

The Best Old Movies for Families

Author: Ty Burr

Publisher: Anchor

Published: 2007-02-13

Total Pages: 386

ISBN-13: 1400096863

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If a child can watch Barney, can’t that same child also enjoy watching Charlie Chaplin or the Marx Brothers? And as they get older, wouldn’t they grow to like screwball comedies (His Girl Friday), women’s weepies (Imitation of Life), and westerns (The Searchers)? The answer is that they’ll follow because they’ll have learned that “old” does not necessarily mean “next channel, please.”Here is an impassioned and eminently readable guide that introduces the delights of the golden age of movies. Ty Burr has come up with a winning prescription for children brought up on Hollywood junk food. FOR THE LITTLE ONES (Ages 3—6): Fast-paced movies that are simple without being unsophisticated, plainspoken without being dumbed down. Singin’ in the Rain and Bringing Up Baby are perfect.FOR THE ONES IN BETWEEN (Ages 7—12): “Killer stories,” placing easily grasped characters in situations that start simply and then throw curveballs. The African Queen and Some Like It Hot do the job well.FOR THE OLDER ONES (Ages 13+): Burr recommends relating old movies to teens’ contemporary favorites: without Hitchcock, there could be no The Texas Chainsaw Massacre, without Brando, no Johnny Depp.


Creative Technologies for Multidisciplinary Applications

Creative Technologies for Multidisciplinary Applications

Author: Connor, Andy M.

Publisher: IGI Global

Published: 2016-03-29

Total Pages: 486

ISBN-13: 1522500170

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Given that institutions of higher education have a predisposition to compartmentalize and delineate areas of study, creative technology may seem oxymoronic. On the contrary, the very basis of western thought is found in the idea of transcendent knowledge. The marriage of opposing disciplines therefore acts as a more holistic approach to education. Creative Technologies for Multidisciplinary Applications acts as an inspiration to educators and researchers who wish to participate in the future of such multidisciplinary disciplines. Because creative technology encompasses many applications with the realm of art, gaming, the humanities, and digitization, this book features a diverse collection of relevant research for the modern world. It is a pivotal reference publication for educators, students, and researchers in fields related to sociology, technology, and the humanities.


The Social Science of Cinema

The Social Science of Cinema

Author: James C. Kaufman

Publisher: Oxford University Press

Published: 2013-11-01

Total Pages: 325

ISBN-13: 0199797854

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Ever since motion pictures first landed on screen, there have been many key questions that the studios and movie watchers have tried to answer. What makes a movie an Oscar winner? How does one movie become a hit and another movie flop? Why do some films earn critical acclaim while other films become critical turkeys or bombs? How do audiences perceive film? What makes a movie resonate with a viewer? Are we unduly influenced by negative behaviors on screen? These questions have spurred debates, discussions, and many theories. Until the last two decades, however, it was quite rare to have the issues approached from a scientific viewpoint. The Social Science of Cinema compiles research from such varied disciplines as psychology, economics, sociology, business, and communications to find the best empirical research being done on the movies, based on perspectives that many filmgoers have never considered. Essays explore such topics as the specific factors that influence whether movies make money, win awards, or flop; how our personality impacts on our viewing preferences; issues of gender inequity on screen; the relationship between visual perception and the way movies are edited; and many more. This book attempts the ultimate act of figuring out the mystery behind the movies - what makes them so memorable to us, what makes them this century's leading works of art, and how this art intersects with the business of making money.


The Ultimate Guide To Chick Flicks

The Ultimate Guide To Chick Flicks

Author: Kim Adelman

Publisher: Broadway

Published: 2005

Total Pages: 242

ISBN-13: 0767918185

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An entertaining guide to women's favorite movies offers keen insights into the elements that constitute a "Chick Flick," along with recommendations for every day of the year, suggestions for must-have DVDs, inside Hollywood gossip, photographs, and more. Original. 15,000 first printing.


Harvard Law Review: Volume 128, Number 5 - March 2015

Harvard Law Review: Volume 128, Number 5 - March 2015

Author: Harvard Law Review

Publisher: Quid Pro Books

Published: 2015-03-10

Total Pages: 274

ISBN-13: 161027833X

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The Harvard Law Review, March 2015, is offered in a digital edition. Contents include: • Article, "Creating Around Copyright," Joseph P. Fishman • Book Review, "Growing Up Outside the Law," Stephen Lee • Book Review, "Property Is the New Privacy: The Coming Constitutional Revolution," Suzanna Sherry • Note, "Working Together for an Independent Expenditure: Candidate Assistance with Super PAC Fundraising" In addition, the issue features student commentary on Recent Cases and policy positions, including such subjects as: defining 'government instrumentality' under the Foreign Corrupt Practices Act, invalidation of New York soda-portion cap, whether the Federal Energy Regulatory Commission lacks jurisdiction over rates for nonconsumption of energy, standard of review for compelled disclosures under commercial speech doctrine, Alien Tort Statute claims against an Abu Ghraib contractor, preemption of local zoning ordinances banning hydrofracking, and the Department of Justice's new presumption of electronically recording custodial interviews. Finally, the issue features several summaries of Recent Publications. The Harvard Law Review is a student-run organization whose primary purpose is to publish a journal of legal scholarship. The Review comes out monthly from November through June and has roughly 2500 pages per volume. The organization is formally independent of the Harvard Law School. Student editors make all editorial and organizational decisions. This issue of the Review is March 2015, the fifth issue of academic year 2014-2015 (Volume 128). The digital edition features active Contents, linked notes, and proper ebook and Bluebook formatting.