One of the finest novels by iconic British author Charles Dickens, this Victorian tale follows the good-natured orphan Pip as he makes his way through life. As a boy, Pip crosses paths with a convict named Magwitch, a man who will heavily influence Pip’s adulthood. Meanwhile, the earnest young man falls for the beautiful Estella, the adoptive daughter of the affluent and eccentric Miss Havisham. Widely considered to be Dickens's last great book, the story is steeped in romance and features the writer's familiar themes of crime, punishment, and societal struggle.
Greater Expectations is the book that exposed the low standards that children are confronted with in our homes, our schools, and throughout our culture. It exploded many of the misconceptions about children and how to raise them, including the cult of self-esteem, "child-centered" learning, and other overly indulgent practices that have been watering down the education and guidance that we are providing our young people. It disclosed how the self-centered ethic is damaging our youth. Greater Expectations started America talking about these issues and about how young people need to be provided with challenges and a sense of purpose if we want them to survive and thrive in life. Provocative and challenging, Greater Expectations was a wake-up call, a must-read for anyone concerned about the growing youth crisis in America and what we can do about it.
An American girl embarks on a competitive scavenger hunt in England—and along the way, meets up with a bookish British boy who can't help her with the clues . . . but might make the trip take some unexpected turns. Britt Hanson has always preferred scoring goals on the soccer field to analyzing dusty old books. But when an injury ends her dream to play in college, she jumps at the chance to compete in a scavenger hunt in England that takes her to the locations of classic novels—the prize money would change her life! Once in the UK she meets bookish and very British Luke Jackson. He can’t actually help her with any of the clues (against the rules), but something about Luke compels her to invite him to join her. She wouldn’t mind getting to know him—and listening to his accent. To win, Britt must outsmart three competitors who aren’t afraid to play dirty while solving clues and traveling around the English countryside. Along the way, Britt learns that sometimes you have to follow the map and other times, you need to throw caution to the wind and see where the cobblestoned road leads you.
Great Expectations was first published as a weekly serial in All the Year Round, December 1860 - August 1861. Its first appearance in volume form was as three-volume novel, without illustrations, in July 1861. A one-volume edition, the next year, preceded its inclusion in the collectededitions of Dickens's lifetime. The three-volume 1861 edition is the basis of the present text: variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition.The Introduction traces this process of composition and draws attention to the two unperformed dramatic adaptations: the reading version and the 1861 play version, made as a safeguard of copyright. Appendices include the original ending, the author's notes, and two textual examinations, one of thefive so-called `editions' of 1861, the other a comparison of the one-volume 1862 edition with the 1864 Library edition.
Great Expectations is the story of Pip, an orphan boy adopted by a blacksmith's family, who has good luck and great expectations, and then loses both his luck and his expectations. Through this rise and fall, however, Pip learns how to find happiness. He learns the meaning of friendship and the meaning of love and, of course, becomes a better person for it.The story opens with the narrator, Pip, who introduces himself and describes a much younger Pip staring at the gravestones of his parents. This tiny, shivering bundle of a boy is suddenly terrified by a man dressed in a prison uniform. The man tells Pip that if he wants to live, he'll go down to his house and bring him back some food and a file for the shackle on his leg.Pip runs home to his sister, Mrs. Joe Gragery, and his adoptive father, Joe Gragery. Mrs. Joe is a loud, angry, nagging woman who constantly reminds Pip and her husband Joe of the difficulties she has gone through to raise Pip and take care of the house. Pip finds solace from these rages in Joe, who is more his equal than a paternal figure, and they are united under a common oppression.Pip steals food and a pork pie from the pantry shelf and a file from Joe's forge and brings them back to the escaped convict the next morning. Soon thereafter, Pip watches the man get caught by soldiers and the whole event soon disappears from his young mind.Mrs. Joe comes home one evening, quite excited, and proclaims that Pip is going to "play" for Miss Havisham, "a rich and grim lady who lived in a large and dismal house."Pip is brought to Miss Havisham's place, a mansion called the "Satis House," where sunshine never enters. He meets a girl about his age, Estella, "who was very pretty and seemed very proud." Pip instantly falls in love with her and will love her the rest of the story. He then meets Miss Havisham, a willowy, yellowed old woman dressed in an old wedding gown. Miss Havisham seems most happy when Estella insults Pip's coarse hands and his thick boots as they play.Pip is insulted, but thinks there is something wrong with him. He vows to change, to become uncommon, and to become a gentleman.Pip continues to visit Estella and Miss Havisham for eight months and learns more about their strange life. Miss Havisham brings him into a great banquet hall where a table is set with food and large wedding cake. But the food and the cake are years old, untouched except by a vast array of rats, beetles and spiders which crawl freely through the room. Her relatives all come to see her on the same day of the year: her birthday and wedding day, the day when the cake was set out and the clocks were stopped many years before; i.e. the day Miss Havisham stopped living.Pip begins to dream what life would be like if he were a gentleman and wealthy. This dream ends when Miss Havisham asks Pip to bring Joe to visit her, in order that he may start his indenture as a blacksmith. Miss Havisham gives Joe twenty five pounds for Pip's service to her and says good-bye.Pip explains his misery to his readers: he is ashamed of his home, ashamed of his trade. He wants to be uncommon, he wants to be a gentleman. He wants to be a part of the environment that he had a small taste of at the Manor House.Early in his indenture, Mrs. Joe is found lying unconscious, knocked senseless by some unknown assailant. She has suffered some serious brain damage, having lost much of voice, her hearing, and her memory. Furthermore, her "temper was greatly improved, and she was patient." To help with the housework and to take care of Mrs. Joe, Biddy, a young orphan friend of Pip's, moves into the house.The years pass quickly. It is the fourth year of Pip's apprenticeship and he is sitting with Joe at the pub when they are approached by a stranger. Pip recognizes him, and his "smell of soap," as a man he had once run into at Miss Havisham's house years before...
The successes and sorrows of an orphan, whose expectations and ambitions are greatly shaped and transformed by a mysterious benefactor, are at the heart of this famous Dickens classic.
Presents an overview of the novel, featuring a biographical sketch of the English author, a list of characters, a summary of the plot, and critical and analytical views of the work.
Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.
During the late nineteenth and early twentieth centuries, the divorce rate in the United States rose by a staggering 2,000 percent. To understand this dramatic rise, Elaine Tyler May studied over one thousand detailed divorce cases. She found that contrary to common assumptions, divorce was not simply a by-product of women's increasing economic and sexual independence, or a rebellion against marriage. Rather, thwarted hopes for fulfillment in the public sphere drove both men and women to wed at a greater rate and to bring higher expectations to their marriages.
