William Parsons, the 3rd Earl of Rosse (1800-1867) was an Anglo-Irish astronomer who made several large telescopes. His 72-inch telescope, the "Leviathan", built in 1845, was the world's largest telescope until the early 20th century.The 72-inch (1.8 m) telescope replaced a 36-inch (910 mm) telescope that he had built previously. He had to invent many of the techniques he used for constructing the Leviathan, both because its size was without precedent and because earlier telescope builders had guarded their secrets or had simply failed to publish their methods. Rosse's telescope was considered a marvelous astronomical and engineering achievement.Lord Rosse performed astronomical studies and discovered the spiral nature of some nebula. He named the Crab Nebula. A main component of Rosse's nebular research was attempting to resolve the nebular hypothesis, which posited that planets and stars were formed by gravity acting on gaseous nebulae.
William Parsons, the 3rd Earl of Rosse, (1800-1867) was an Anglo-Irish astronomer who made several large telescopes. His 72-inch telescope, the "Leviathan", built in 1845, was the world's largest telescope until the early 20th century.The 72-inch (1.8 m) telescope replaced a 36-inch (910 mm) telescope that he had built previously. He had to invent many of the techniques he used for constructing the Leviathan, both because its size was without precedent and because earlier telescope builders had guarded their secrets or had simply failed to publish their methods. Rosse's telescope was considered a marvelous astronomical and engineering achievement.Lord Rosse performed astronomical studies and discovered the spiral nature of some nebulas. He named the Crab Nebula. A main component of Rosse's nebular research was attempting to resolve the nebular hypothesis, which posited that planets and stars were formed by gravity acting on gaseous nebulae.(https://en.wikipedia.org/wiki/William_Parsons,_3rd_Earl_of_Rosse)
This is a revealing account of the family life and achievements of the Third Earl of Rosse, a hereditary peer and resident landlord at Birr Castle, County Offaly, in nineteenth-century Ireland, before, during and after the devastating famine of the 1840s. He was a remarkable engineer, who built enormous telescopes in the cloudy middle of Ireland. The book gives details, in an attractive non-technical style which requires no previous scientific knowledge, of his engineering initiatives and the astronomical results, but also reveals much more about the man and his contributions – locally in the town and county around Birr, in political and other functions in an Ireland administered by the Protestant Ascendancy, in the development and activities of the Royal Society, of which he was President from 1848–54, and the British Association for the Advancement of Science. The Countess of Rosse, who receives full acknowledgement in the book, was a woman of many talents, among which was her pioneering work in photography, and the book includes reproductions of her artistic exposures, and many other attractive illustrations.
Today we are all familiar with the iconic pictures of the nebulae produced by the Hubble Space Telescope’s digital cameras. But there was a time, before the successful application of photography to the heavens, in which scientists had to rely on handmade drawings of these mysterious phenomena. Observing by Hand sheds entirely new light on the ways in which the production and reception of handdrawn images of the nebulae in the nineteenth century contributed to astronomical observation. Omar W. Nasim investigates hundreds of unpublished observing books and paper records from six nineteenth-century observers of the nebulae: Sir John Herschel; William Parsons, the third Earl of Rosse; William Lassell; Ebenezer Porter Mason; Ernst Wilhelm Leberecht Tempel; and George Phillips Bond. Nasim focuses on the ways in which these observers created and employed their drawings in data-driven procedures, from their choices of artistic materials and techniques to their practices and scientific observation. He examines the ways in which the act of drawing complemented the acts of seeing and knowing, as well as the ways that making pictures was connected to the production of scientific knowledge. An impeccably researched, carefully crafted, and beautifully illustrated piece of historical work, Observing by Hand will delight historians of science, art, and the book, as well as astronomers and philosophers.
How does it happen that billions of stars can cooperate to produce the beautiful spirals that characterize so many galaxies, including ours? This book reviews the history behind the discovery of spiral galaxies and the problems faced when trying to explain the existence of spiral structure within them. In the book, subjects such as galaxy morphology and structure are addressed as well as several models for spiral structure. The evidence in favor or against these models is discussed. The book ends by discussing how spiral structure can be used as a proxy for other properties of spiral galaxies, such as their dark matter content and their central supermassive black hole masses, and why this is important.
From Galaxies to Turbines: Science, Technology and the Parsons Family looks at the way science and industry relate to each other, and at the way social attitudes affect this relationship. An expert on the Parsons Family, the author beautifully illustrates this by tracing the story of the remarkable endeavors of the Parsons family during the 125 years that embraced their lives in Ireland and Great Britain during the developing Industrial Revolution. The father of the family, William Parsons, Earl of Rosse, discovered the Spiral Nebulae at his observatory in Ireland and displayed an unusual familiarity with engineering principles in the building of his two giant telescopes. His son, Charles, was at the forefront of the new age of technology among shipbuilders and engineers in the northeast coast of England. Lavishly illustrated throughout, with a handy family tree and map of the River Tyne pin-pointing key historic events, this is a highly accessible and fascinating account for the general reader interested in the way scientific knowledge and industrial application have slowly emerged in recent history.
'Catchers of the Light' is a History of Astrophotography. It tells the true stories of the 46 pioneers who did most to master the art of celestial photography, as it was known during its early days; and whose efforts have made it possible for us to see the many magnificent pictures of the Universe featured in books, magazines and on the internet. In its TWO magnificent volumes is contained an unbelievable collection of tales of adventure, adversity and ultimate triumph and tells the uplifting stories of this small band of ordinary men and women, who did such extraordinary things; overcoming obstacles as diverse as war, poverty, cholera, death, very unfriendly cannibal natives and even exploding donkeys. It has been written with a no specific audience in mind - it is a book for anybody in fact - astronomers, photographers, historians, genealogists, art dealers, students, artists, doctors, farmers, builders, teachers & many more. If you like to read about the lives of special people - those who never give up - no matter what - and who succeed in achieving the seemingly impossible - then this is the book for you. This book of 1600 or so pages, with 1800 or more photographs/illustrations and over 2000 references/notes - represents the FIRST fully detailed and professionally researched book on the subject; and tells of the incredible lives of the pioneers of Astrophotography, each with their own incredible story to tell - they were the ‘Catchers of the Light’. Catchers of the Light is divided into ten Parts (I-X), each covering a specific aspect of the subject- I: Origins of Astrophotography; II: Lunar Astrophotography; III: Solar Astrophotography; IV: Solar System Astrophography; V: Deep Space Astrophotography; VI: Photographic Astronomical Spectroscopy; VII: Photographic Sky Surveys; VIII: Astrographs; IX: Modern Digital Age; X: Appendices. The following men and women are to be found in the pages of the book; who are the 'Catchers of the Light': Louis Jacques Mande Daguerre (1787-1851); Joseph Nicephore Niepce (1765-1833); Frederick Scott Archer (1814-1857); Richard Leach Maddox (1816-1902); John William Draper (1811-1882); Maurice Loewy (1833-1907); Pierre Henri Puiseux (1855-1928); William Henry Pickering (1858-1938); Armand Hippolyte Leon Fizeau (1819-1896); Jean Bernard Leon Foucault (1819-1868); Warren De La Rue (1815-1889); Pierre Jules Cesar Janssen (1824-1907); John Adams Whipple (1822-1891); William Usherwood (1821-1915); Pierre Paul Henry (1848-1905); Mathieu Prosper Henry (1849-1903); Maximillian Franz Joseph Cornelius Wolf (1863-1932); William Cranch Bond (1789-1859); George Phillips Bond (1825 -1865); Benjamin Apthorp Gould (1824-1896); Henry Draper (1837-1882); Isaac Roberts (1829-1904); William Edward Wilson (1851-1908); James Edward Keeler (1857-1900); Edward Emerson Barnard (1857-1923); Williamina Paton Strevens Fleming (1857-1911); Lewis Morris Rutherfurd (1816-1892); Father Pietro Angelo Secchi (1818-1878); William Huggins (1824-1910); Margaret Lindsay Murray (1848-1915); Edward Charles Pickering (1846 - 1919); Hermann Vogel (1841-1907); Wilhelm Oswald Lohse (1845-1915); Julius Scheiner (1858-1913); Edwin Powell Hubble (1889-1953); Milton Lasell Humason (1891-1972); Amedee Ernest Barthelemy Mouchez (1821-1892); David Gill (1843-1914); William Parsons (1800-1867); Andrew Ainslie Common (1841-1903); George Willis Ritchey (1864 1945); Henri Chretien (1879-1956); Bernhard Voldemar Schmidt (1879-1935); . Eugen von Gothard (1857-1909); Alfred Rordame (1862-1931); Marcel De Kerolyr (1873-1969). If you have seen or read ‘Longitude’ the story of John Harrison, the country carpenter who built the first clock that could accurately tell the time at sea, and who also made ‘Del Boy’ a ‘millionaire’, then you will love the ‘Catchers of the Light’.
