Roping a buffalo, running off cattle rustlers, sitting out a winter storm in a cave--adventures like these were all part of everyday life for the cowboy. They're depicted here in stories that have stood the test of time, by writers whose words are just as funny and wise today as they were one hundred years ago. Covering all corners of the great Western expanse--from Montana to Mexico, California to the Mississippi--the stories in this collection represent not just the Anglo male perspective but also that of the blacks, Mexicans, and women who made their lives on the range. It features works by Owen Wister, Theodore Roosevelt, Frederic Remington, Isabella L. Bird, Nat Love, Bill Nye, Charlie Siringo, Zane Grey, Andy Adams, Mark Twain, E. Mulford, O. Henry (creator of the Cisco Kid), and many others, including some surprises by little-known authors.
In Stories of the Old West, editor Steven D. Price has pulled together some of the finest writings about the American West that capture readers imaginations, meticulously culled from books, newspapers, and magazines. It is an unforgettable collection, and includes stories by William Frederick “Buffalo Bill” Cody, Zane Grey, Max Brand, Louis L’Amour, Frederick Jackson Turner, James Fenimore Cooper, Owen Wister, W. B. (Bat) Masterson, and many others.
For hunters, listening to the accounts of kindred spirits recalling the drama and action that go with good days afield ranks among life's most pleasurable activities. Here, then, are some of the best hunting tales ever written, stories that sweep from charging lions in the African bush to mountain goats in the mountain crags of the Rockies; from the gallant bird dogs of the Southern pinelands to the great Western hunts of Theodore Roosevelt. Great American Hunting Stories captures the very soul of hunting. With contributions from: Theodore Roosevelt, Nash Buckingham, Archibald Rutledge, Zane Grey, Lieutenant Townsend Whelen, Harold McCracken, Irvin S. Cobb, Edwin Main Post, Horace Kephart, Francis Parkman ,William T. Hornaday, Sc.D, Rex Beach, and more.
From his decision to leave school at fifteen to roam the world, to his recollections of life as a hobo on the Southern Pacific Railroad, as a cattle skinner in Texas, as a merchant seaman in Singapore and the West Indies, and as an itinerant bare-knuckled prizefighter across small-town America, here is Louis L'Amour's memoir of his lifelong love affair with learning—from books, from yondering, and from some remarkable men and women—that shaped him as a storyteller and as a man. Like classic L'Amour fiction, Education of a Wandering Man mixes authentic frontier drama--such as the author's desperate efforts to survive a sudden two-day trek across the blazing Mojave desert--with true-life characters like Shanghai waterfront toughs, desert prospectors, and cowboys whom Louis L'Amour met while traveling the globe. At last, in his own words, this is a story of a one-of-a-kind life lived to the fullest . . . a life that inspired the books that will forever enable us to relive our glorious frontier heritage.
The idea of "the great American novel" continues to thrive almost as vigorously as in its nineteenth-century heyday, defying 150 years of attempts to dismiss it as amateurish or obsolete. In this landmark book, the first in many years to take in the whole sweep of national fiction, Lawrence Buell reanimates this supposedly antiquated idea, demonstrating that its history is a key to the dynamics of national literature and national identity itself. The dream of the G.A.N., as Henry James nicknamed it, crystallized soon after the Civil War. In fresh, in-depth readings of selected contenders from the 1850s onward in conversation with hundreds of other novels, Buell delineates four "scripts" for G.A.N. candidates. One, illustrated by The Scarlet Letter, is the adaptation of the novel's story-line by later writers, often in ways that are contrary to the original author's own design. Other aspirants, including The Great Gatsby and Invisible Man, engage the American Dream of remarkable transformation from humble origins. A third script, seen in Uncle Tom's Cabin and Beloved, is the family saga that grapples with racial and other social divisions. Finally,mega-novels from Moby-Dick to Gravity's Rainbow feature assemblages of characters who dramatize in microcosm the promise and pitfalls of democracy. The canvas of the great American novel is in constant motion, reflecting revolutions in fictional fashion, the changing face of authorship, and the inseparability of high culture from popular. As Buell reveals, the elusive G.A.N. showcases the myth of the United States as a nation perpetually under construction.
Great American Short Stories: From Hawthorne to Hemingway is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works. Uniquely capable of capturing a moment in time, the short story occupies a cherished place in the history of American literature. During the last 200 years, some of this nation’s greatest writers have produced outstanding examples of this art form, many of which are included in this collection. Beginning with well-known stories by Hawthorne, Melville, and Poe, this diverse and colorful collection includes tales by Mark Twain, Ambrose Bierce, Sherwood Anderson, Henry James, Edith Wharton, Willa Cather, Stephen Crane, and Mary Wilkins Freeman. From Sarah Orne Jewett’s portraits of rural Maine to F. Scott Fitzgerald’s brilliant tales from the Jazz Age, these stories span the breadth of the American experience. In addition to acknowledged masters of the short story form, such as O. Henry, Jack London, and Ernest Hemingway, this volume features stories by Charles W. Chesnutt, the first important African-American novelist, and Charlotte Perkins Gilman, a leading theorist of the early women’s movement. Corinne Demas is Professor of English at Mount Holyoke College and a fiction editor of the Massachusetts Review. She has a Ph.D. in English and Comparative Literature from Columbia University. She is the author of two collections of short stories, two novels, a memoir, and numerous books for children.
Weather and creaking joints permitting, Jim Hawkins could be found every weekend sitting in the rocker outside the Manix store, whittling and spitting. Jim said hardly anything. Ever. That's how Henry Lancaster felt. Sure, he'd hear his grandfather talk to his grandmother fairly often -- But Jim hardly said anything to anybody else. That all changed when he took Henry along on a scouting trip, and told his grandson how it was that winter of 1886 -- a really hard winter.
