Grave witch Alex Craft is getting pulled back into deadly fae politics in the thrilling new novel in the USA Today bestselling series. Grave witch Alex Craft has forged an uneasy truce with the world of Faerie, but she's still been trying to maintain at least some semblance of a normal life in the human world. So it's safe to say that stepping up as the lead investigator for the Fae Investigation Bureau was not a career path she ever anticipated taking. When an explosion at the Eternal Bloom threatens to upend the fae who make their home in our world, Alex finds herself in charge of the most far-reaching investigation she's ever tackled. And it's only her first week on the job. With the threats mounting and cut off from half her allies, Alex can't wait on the sidelines and hope the fae's conflicts stay contained within their borders.
What is War Grave A war cemetery is a burial site that is designated for the interment of civilians or personnel of the armed services who have passed away as a result of military operations or campaigns. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War grave Chapter 2: Commonwealth War Graves Commission Chapter 3: Menin Gate Chapter 4: Langemark German war cemetery Chapter 5: Tyne Cot Chapter 6: Larch Wood (Railway Cutting) Commonwealth War Graves Commission Cemetery Chapter 7: Ypres Reservoir Cemetery Chapter 8: Ramparts (Lille Gate) Cemetery Chapter 9: Ploegsteert Memorial to the Missing Chapter 10: List of military cemeteries in Normandy (II) Answering the public top questions about war grave. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Grave.
Romania's Holy War rights the widespread myth that Romania was a reluctant member of the Axis during World War II. In correcting this fallacy, Grant T. Harward shows that, of an estimated 300,000 Jews who perished in Romania and Romanian-occupied Ukraine, more than 64,000 were, in fact, killed by Romanian soldiers. Moreover, the Romanian Army conducted a brutal campaign in German-occupied Ukraine, resulting in the deaths of thousands of Soviet prisoners of war, partisans, and civilians. Investigating why Romanian soldiers fought and committed such atrocities, Harward argues that strong ideology—a cocktail of nationalism, religion, antisemitism, and anticommunism—undergirded their motivation. Romania's Holy War draws on official military records, wartime periodicals, soldiers' diaries and memoirs, subsequent war crimes investigations, and recent interviews with veterans to tell the full story. Harward integrates the Holocaust into the narrative of military operations to show that most soldiers fully supported the wartime dictator, General Ion Antonescu, and his regime's holy war against "Judeo-Bolshevism." The army perpetrated mass reprisals, targeting Jews in liberated Romanian territory; supported the deportation and concentration of Jews in camps or ghettos in Romanian-occupied Soviet territory; and played a key supporting role in SS efforts to exterminate Jews in German-occupied Soviet territory. Harward proves that Romania became Nazi Germany's most important ally in the war against the USSR because its soldiers were highly motivated, thus overturning much of what we thought we knew about this theater of war. Romania's Holy War provides the first complete history of why Romanian soldiers fought on the Eastern Front.
A candid and brutal account of murder, abduction, and violence during the Troubles in Northern Ireland-from two men on opposite sides of the conflict. After 'the long war' in Ireland came to an end, very few paramilitary leaders on either side spoke openly about their role in that bloody conflict, but in Voices from the Grave, two leading figures from opposing sides reveal their involvement in bombings, shootings and killings on one condition: that their stories were kept secret until after their deaths. In extensive interviews given to researchers from Boston College, Brendan Hughes and David Ervine spoke with astonishing openness about their turbulent, violent lives. Hughes was a legend in the Republican movement. An 'operator', a gun-runner and mastermind of some of the most savage IRA violence of the Troubles, he was a friend and close ally of Gerry Adams and was by his side during the most brutal years of the conflict. David Ervine was the most substantial political figure to emerge from the world of Loyalist paramilitaries. A former Ulster Volunteer Force bomber and confidante of its long-time leader Gusty Spence, Ervine helped steer Loyalism's gunmen towards peace, persuading the UVF's leaders to target IRA and Sinn Fein activists and push them down the road to a ceasefire. Now their stories have been woven into a vivid narrative which provides compelling insight into a secret world and events long hidden from history.
A true crime thriller -- the first book for teens to tell the nearly unknown tale of the brazen attempt to steal Abraham Lincoln's body. Reissued in Scholastic Focus, with an exciting new cover. The action begins in October of 1875, as Secret Service agents raid the Fulton, Illinois, workshop of master counterfeiter Ben Boyd. Soon after Boyd is hauled off to prison, members of his counterfeiting ring gather in the back room of a smoky Chicago saloon to discuss how to spring their ringleader. Their plan: grab Lincoln's body from its Springfield tomb, stash it in the sand dunes near Lake Michigan, and demand, as a ransom, the release of Ben Boyd -- and $200,000 in cash. From here, the action alternates between the conspirators, the Secret Service agents on their trail, and the undercover agent moving back and forth between them. Along the way readers get glimpses into the inner workings of counterfeiting, grave robbing, detective work, and the early days of the Secret Service. The plot moves toward a wild climax as robbers and lawmen converge at Lincoln's tomb on election night: November 7, 1876.A dynamic and thrilling tale from critically acclaimed author Steve Sheinkin.
After a month of down time, Grave Witch Alex Craft is ready to get back to solving murders by raising the dead. With her love life in turmoil, Alex is eager for the distractions of work. But when her new case forces her to overuse her magic, it might be the last mystery the Grave Witch ever gets to solve...
THE FIRST NOVEL IN THE USA TODAY BESTSELLING ALEX CRAFT SERIES! Grave witch Alex Craft can speak to the dead, but that doesn’t mean she likes what they have to say. As a private investigator and consultant for the police, Alex Craft has seen a lot of dark magic. But even though she's on good terms with Death himself, nothing has prepared her for her latest case. When she's raising a "shade" involved in a high profile murder, it attacks her, and then someone makes an attempt on her life. Someone really doesn't want her to know what the dead have to say, and she'll have to work with mysterious homicide detective Falin Andrews to figure out why....
Two weeks after the terrorist attacks of 11 September 2001, Jon Lee Anderson gained access to Afghanistan from where he filed some of the most outstanding accounts of the fall of the Taliban. This book brings these graphic pieces together in one remarkable volume. The Lion's Grave includes a previously unpublished account of the search for Osama bin Laden in the caves of Tora Bora and reveals the inside story of the assassination of the charismatic opposition leader Ahmed Shah Massoud. John Lee Anderson has woven together gritty up-to-the-minute observations, probing interviews and powerful storytelling to create a compelling portrait of high-technology warfare in a feudal terrain. Supplemented by vivid and hitherto unseen commentary, The Lion's Grave establishes itself immediately as a classic of war journalism.
This authoritative military history chronicles the significant but overlooked colonial wars between the British and the Asante of West Africa. Throughout the nineteenth century, Britain fought three major wars, and two minor ones, with the Asante people of West Africa. Like the Zulus, the Asante were a warrior nation who offered a tough adversary for the British regulars. And yet these wars are rarely studied and little understood. In this insightful and vividly detailed volume, Stephen Manning sheds much-needed light on the history of this neglected colonial conflict. In the war of 1823–6, the British endured a defeat so absolute that the British governor’s head was severed and taken to the Asante king. Fifty years later, Sir Garnet Wolseley overcame many of the challenges British expeditionary forces faced in the jungle region known as ‘The White Man’s Grave’. Finally, the 1900 campaign culminated in the epic defeat of the Asante at the British fort in Kumasi. Stephen Manning’s account, which is based on Asante as well as British sources, offers a fascinating view from both sides of one of the most remarkable and protracted struggles of the colonial era.
A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer
