When the gate between Earth and Fairie blows up and traps Theodora Edwards in the mystical realm, she must work together with her guardian and the dark prince to locate and safeguard a magical key that powers the Light Court. While learning to properly use her fae magic, Theo is forced to fend off an abduction attempt by wraiths, locate a missing castle, tame a dragon king, and have a friendly chat with the dead queen. But with all of Theo’s efforts going toward protecting those she loves, she struggles to find time to explore the possibility of a romantic relationship—and the insecurities that come with it.
'...And then we heard the rain falling, and that was the drops of blood falling; and when we came to get the crops, it was dead men that we reaped.' Harriet TubmanIn five years, Jesmyn Ward lost five men in her life, to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: why? And as she began to write about the experience of living through all the dying, she realized the truth--and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own. Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue high education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity.
In 1989, the memorable year when the Wall came down, a university student in Berlin on his early morning run finds a corpse lying on a park bench and alerts the authorities. This classic police-procedural scene opens an extraordinary novel, a masterwork that traces the fate of myriad Europeans - Hungarians, Jews, Germans, Gypsies - across the treacherous years of the mid-twentieth century. The social and political circumstances of their lives may vary richly, their sexual and spiritual longings may seem to each of them entirely unique, yet Peter Nádas's magnificent tapestry unveils uncanny, reverberating parallels that link them across time and space. Three unusual men are at the heart of Parallel Stories: Hans von Wolkenstein, whose German mother is linked to dark secrets of fascist-Nazi collaboration during the 1940s, Ágost Lippay-Lehr, whose influential father has served Hungary's different political régimes for decades, and Andras Rott, who has his own dark record of dark activities abroad. They are friends in Budapest when we eventually meet them in the spring of 1961, a pivotal time in the postwar epoch and in their clandestine careers. But the richly detailed, dramatic memories and actions of these men, like those of their friends, lovers and family members, range from Berlin and Moscow to Switzerland and Holland, from the Mediterranean to the North Sea, and of course, across Hungary. The ever-daring, ever-original episodes of Parallel Lives explore the most intimate, most difficult human experiences in a prose glowing with uncommon clarity and also with mysterious uncertainty - as is characteristic of Nadas's subtle, spirited art. The web of extended dramas in Parallel Stories reaches not just forward to the transformative year of 1989 but back to the spring of 1939, with Europe trembling on the edge of war; to the bestial times of 1944-45, when Budapest was besieged, the final solution devastated Hungary's Jews, and the war came to an end; and to the cataclysmic Hungarian Revolution of October 1956. But there is much more to Parallel Stories than that: it is a daring, demanding, and very moving exploration of humanity at its most constrained and its most free.
WINNER OF THE NOBEL PRIZE IN LITERATURE "A brilliant literary murder mystery." —Chicago Tribune "Extraordinary. Tokarczuk's novel is funny, vivid, dangerous, and disturbing, and it raises some fierce questions about human behavior. My sincere admiration for her brilliant work." —Annie Proulx In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . . A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?
“Surprising and remarkable…Toggling between big ideas, technical details, and his personal intellectual journey, Greene writes a thesis suitable to both airplane reading and PhD seminars.”—The Boston Globe Our brains were designed for tribal life, for getting along with a select group of others (Us) and for fighting off everyone else (Them). But modern times have forced the world’s tribes into a shared space, resulting in epic clashes of values along with unprecedented opportunities. As the world shrinks, the moral lines that divide us become more salient and more puzzling. We fight over everything from tax codes to gay marriage to global warming, and we wonder where, if at all, we can find our common ground. A grand synthesis of neuroscience, psychology, and philosophy, Moral Tribes reveals the underlying causes of modern conflict and lights the way forward. Greene compares the human brain to a dual-mode camera, with point-and-shoot automatic settings (“portrait,” “landscape”) as well as a manual mode. Our point-and-shoot settings are our emotions—efficient, automated programs honed by evolution, culture, and personal experience. The brain’s manual mode is its capacity for deliberate reasoning, which makes our thinking flexible. Point-and-shoot emotions make us social animals, turning Me into Us. But they also make us tribal animals, turning Us against Them. Our tribal emotions make us fight—sometimes with bombs, sometimes with words—often with life-and-death stakes. A major achievement from a rising star in a new scientific field, Moral Tribes will refashion your deepest beliefs about how moral thinking works and how it can work better.
An exuberant group biography—"a splendidly various collection of 'brief lives' written with both gusto and sensitivity" (The Guardian)—that follows ten women in 1950s Britain whose pioneering lives paved the way for feminism and laid the foundation of modern women's success. In Her Brilliant Career, Rachel Cooke goes back in time to offer an entertaining and iconoclastic look at ten women in the 1950s—pioneers whose professional careers and complicated private lives helped to create the opportunities available to today's women. These plucky and ambitious individuals—among them a film director, a cook, an architect, an editor, an archaeologist, a race car driver—left the house, discovered the bliss of work, and ushered in the era of the working woman. Daring and independent, these remarkable unsung heroines—whose obscurity makes their accomplishments all the more astonishing and relevant —loved passionately, challenged men's control, made their own mistakes, and took life on their own terms, breaking new ground and offering inspiration. Their individual portraits gradually form a landscape of 1950s culture, and women's unique—and rapidly evolving—role. Before there could be a Danica Patrick, there had to be a Sheila van Damm; before there was Barbara Walters, there was Nancy Spain; before there was Kathryn Bigelow, came Muriel Box. The pioneers of Her Brilliant Career forever changed the fabric of culture, society, and the work force. This is the Fifties, retold: vivid, surprising and, most of all, modern. Her Brilliant Career is illustrated with more than 80 black-and-white photographs.
Newsbreaking and controversial -- an award-winning investigative journalist uncovers the thirty-year relationship between the Bush family and the House of Saud and explains its impact on American foreign policy, business, and national security. House of Bush, House of Saud begins with a politically explosive question: How is it that two days after 9/11, when U.S. air traffic was tightly restricted, 140 Saudis, many immediate kin to Osama Bin Laden, were permitted to leave the country without being questioned by U.S. intelligence? The answer lies in a hidden relationship that began in the 1970s, when the oil-rich House of Saud began courting American politicians in a bid for military protection, influence, and investment opportunity. With the Bush family, the Saudis hit a gusher -- direct access to presidents Reagan, George H.W. Bush, and George W. Bush. To trace the amazing weave of Saud- Bush connections, Unger interviewed three former directors of the CIA, top Saudi and Israeli intelligence officials, and more than one hundred other sources. His access to major players is unparalleled and often exclusive -- including executives at the Carlyle Group, the giant investment firm where the House of Bush and the House of Saud each has a major stake. Like Bob Woodward's The Veil, Unger's House of Bush, House of Saud features unprecedented reportage; like Michael Moore's Dude, Where's My Country? Unger's book offers a political counter-narrative to official explanations; this deeply sourced account has already been cited by Senators Hillary Rodham Clinton and Charles Schumer, and sets 9/11, the two Gulf Wars, and the ongoing Middle East crisis in a new context: What really happened when America's most powerful political family became seduced by its Saudi counterparts?
"Exhilarating . . . How often can you say about a harrowing, unquiet book that it makes you wrestle with your soul?" —Neel Mukherjee, The Times (London) It's 1948 and the Arab villagers of Khirbet Khizeh are about to be violently expelled from their homes. A young Israeli soldier who is on duty that day finds himself battling on two fronts: with the villagers and, ultimately, with his own conscience. Published just months after the founding of the state of Israel and the end of the 1948 war, the novella Khirbet Khizeh was an immediate sensation when it first appeared. Since then, the book has continued to challenge and disturb, even finding its way onto the school curriculum in Israel. The various debates it has prompted would themselves make Khirbet Khizeh worth reading, but the novella is much more than a vital historical document: it is also a great work of art. Yizhar's haunting, lyrical style and charged view of the landscape are in many ways as startling as his wrenchingly honest view of modern Israel's primal scene. Considered a modern Hebrew masterpiece, Khirbet Khizeh is an extraordinary and heartbreaking book that is destined to be a classic of world literature.
