The Brannon House stands as a deceptive facade, its past horrors refusing to dissipate into the shadows. Ember Brannon is inexplicably drawn to an old gravestone bearing her own name, its forgotten presence casting an unsettling pall over her family's ancestral home. As she becomes fixated on the stone and the long-forgotten life it represents, Ember's reality begins to unravel. Vivid dreams transport her to a time shrouded in mystery, the tragic demise of her namesake becomes an obsession she won’t release. Obsessions have their price. Ember awakens with muddy feet, evidence of nocturnal wanderings she can't remember. The discovery of a hidden diary, chronicling the life of the other Ember, triggers a relentless spiral into fascination and compulsion. Her loved ones try to stop her, but she pushes everyone away. Within the opulent halls of the Brannon House, Ember hurtles toward an impending breaking point. Is she fated to echo the tragedies that haunt her lineage, becoming another ghost within the estate's dark history? Or will she find the strength to confront the enigma she's become, and the danger that now stalks her every move? In this psychological thriller, the legacy of the Brannon House tightens its grip, pushing Ember to the brink of sanity. As her world teeters on the edge of collapse, she must navigate the thin line between legacy and lunacy.
A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer
It would be a mistake if i didn’t thank time and space for allowing me to grow through this life experience. The death of the ones we love is hard to handle and accept only God’s love, grace and mercy along with the love of family and friends helps us through the process. Healing is a process, there are no short cuts, some heal faster than others and some never heal. I was one of the fortunate ones. This work is dedicated to those who dare to dream and to those who refuse to let their dreams end up in the grave. Don’t let the twists and turns of life derail you, stay the course and with time it all works out. Remember God does all things well and for our good.
